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Department of Dance","Odd Team (Sports Team)","Even Team Memorabilia","Honors Day","Convocation","Dining Room Girls","San Carlo Opera Company","Graduation announcement name cards","Concerts.","Schedules, School","Student publications","Programs","Identification Cards","Universities and colleges--Curricula--Catalogs.","Invitation cards.","Student handbooks","Paper.","Periodicals.","Menus.","Clippings (Books, newspapers, etc.)","Postcards.","Student schedule cards","Name tags","Newspapers","Scrapbooks","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Entered 2008-01-31.","Personal items of Florida State College for Women student Carrie Forehand Crocker (formerly Carrie Lee Crocker) (BA, Home Economics, 1942). 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Bailes was born on September 11, 1915 in Sanford, Florida, though he spent most of his life in Kentucky. He married Georgia Line Bailes before the war. He served in the Army from 1940 to 1945. While in the Army, he served in Ireland, North Africa, Sicily, and Italy. He worked for Broadway Chevrolet in Grayson County, Kentucky before his retirement. He died at 90 years old on January 31, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Chester W. Bailes was born on September 11, 1915 in Sanford, Florida, though he spent most of his life in Kentucky. He married Georgia Line Bailes before the war. He served in the Army from 1940 to 1945. While in the Army, he served in Ireland, North Africa, Sicily, and Italy. He worked for Broadway Chevrolet in Grayson County, Kentucky before his retirement. He died at 90 years old on January 31, 2006."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Chester W. Bailes papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_14_0031\"\u003ehttp://purl.fcla.edu/fsu/WWII_14_0031\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Chester W. Bailes papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_14_0031 ."],"scopecontent_html_tesm":["\u003cp\u003eChester W. Bailes served as a 4th Grade technician in the US Army 1st Armored Division during World War II. He was first sent to Ireland, before participating in the North Africa invasion, Sicily, and Anzio during the invasion of Italy, where he spent the rest of the war. His collection includes a few letters, publications relating to his unit written after the war, \u003cemph render=\"italic\"\u003eTime\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eStars and Stripes\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eYank\u003c/emph\u003e Magazines, as well as a number of pamphlets and military-published books relating to World War II.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Chester W. Bailes served as a 4th Grade technician in the US Army 1st Armored Division during World War II. He was first sent to Ireland, before participating in the North Africa invasion, Sicily, and Anzio during the invasion of Italy, where he spent the rest of the war. His collection includes a few letters, publications relating to his unit written after the war,  Time ,  Stars and Stripes , and  Yank  Magazines, as well as a number of pamphlets and military-published books relating to World War II."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army","United States. Army. European Theater of Operations","United States. Army. Armored Division, 1st"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army","United States. Army. European Theater of Operations","United States. Army. Armored Division, 1st","Bailes, Chester W., 1915-2006"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army","United States. Army. European Theater of Operations","United States. Army. Armored Division, 1st"],"persname_ssim":["Bailes, Chester W., 1915-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7f149ab2edd4803e6cce8050","timestamp":"2026-07-09T06:26:24.899Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7f149ab2edd4803e6cce8050"}},{"id":"02e6768c8de9bbedcf989f55","type":"collection","attributes":{"title":"Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#abstract_or_scope","type":"document_value","attributes":{"value":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55"}},{"id":"70c41539c9a0b1c9a469df7b","type":"collection","attributes":{"title":"Clara Mae Shepherd Scrapbook, 1928-1942, bulk 1935-1936","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/70c41539c9a0b1c9a469df7b#creator","type":"document_value","attributes":{"value":["Shepherd, Clara Mae"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/70c41539c9a0b1c9a469df7b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Clara Mae Shepherd Scrapbook contains newspaper clippings, programs, and other ephemera related to her years as a student at Florida State College for Women.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/70c41539c9a0b1c9a469df7b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"70c41539c9a0b1c9a469df7b","title_ssm":["Clara Mae Shepherd Scrapbook"],"title_tesim":["Clara Mae Shepherd Scrapbook"],"ead_ssi":"70c41539c9a0b1c9a469df7b","unitdate_ssm":["1928-1942","1935-1936"],"unitdate_bulk_ssim":["1935-1936"],"unitdate_inclusive_ssm":["1928-1942"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2007-120","/repositories/10/resources/17"],"text":["HP 2007-120","/repositories/10/resources/17","Clara Mae Shepherd Scrapbook, 1928-1942, bulk 1935-1936","Class of 1937","Pamphlets","Payment.","Announcements","Addresses","Articles","Ballots","Newman Club","Torch Night Ceremony","Odd Team (Sports Team)","Thanksgiving dinner","Florida State University. School of Music","Speech Department","Advertising fliers","Parents' Day","Cutouts","Greeting cards.","Clippings (Books, newspapers, etc.)","Registration Cards","Name tags","Place cards","Ribbons","Invitation cards.","Programs","Menus.","Schedules","Notes.","Lecture notes","Postcards.","Tickets","Envelopes (Stationery)","Lyrics","Receipts","Napkins.","Sketches","Brochures","Feathers.","Handbooks","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Clara Mae Shepherd Scrapbook contains newspaper clippings, programs, and other ephemera related to her years as a student at Florida State College for Women.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State College for Women--Sports","Florida State College for Women","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Even Team (Sports Team)","Florida State University. 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Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"access_subjects_ssim":["Class of 1937","Pamphlets","Payment.","Announcements","Addresses","Articles","Ballots","Newman Club","Torch Night Ceremony","Odd Team (Sports Team)","Thanksgiving dinner","Florida State University. School of Music","Speech Department","Advertising fliers","Parents' Day","Cutouts","Greeting cards.","Clippings (Books, newspapers, etc.)","Registration Cards","Name tags","Place cards","Ribbons","Invitation cards.","Programs","Menus.","Schedules","Notes.","Lecture notes","Postcards.","Tickets","Envelopes (Stationery)","Lyrics","Receipts","Napkins.","Sketches","Brochures","Feathers.","Handbooks"],"access_subjects_ssm":["Class of 1937","Pamphlets","Payment.","Announcements","Addresses","Articles","Ballots","Newman Club","Torch Night Ceremony","Odd Team (Sports Team)","Thanksgiving dinner","Florida State University. School of Music","Speech Department","Advertising fliers","Parents' Day","Cutouts","Greeting cards.","Clippings (Books, newspapers, etc.)","Registration Cards","Name tags","Place cards","Ribbons","Invitation cards.","Programs","Menus.","Schedules","Notes.","Lecture notes","Postcards.","Tickets","Envelopes (Stationery)","Lyrics","Receipts","Napkins.","Sketches","Brochures","Feathers.","Handbooks"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Cutouts","Greeting cards.","Clippings (Books, newspapers, etc.)","Registration Cards","Name tags","Place cards","Ribbons","Invitation cards.","Programs","Menus.","Schedules","Notes.","Lecture notes","Postcards.","Tickets","Envelopes (Stationery)","Lyrics","Receipts","Napkins.","Sketches","Brochures","Feathers.","Handbooks"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eClara Mae Shepherd Scrapbook, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HP-2007-120\u003c/p\u003e"],"prefercite_tesim":["Clara Mae Shepherd Scrapbook, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HP-2007-120"],"scopecontent_html_tesm":["\u003cp\u003eThe Clara Mae Shepherd Scrapbook contains newspaper clippings, programs, and other ephemera related to her years as a student at Florida State College for Women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Clara Mae Shepherd Scrapbook contains newspaper clippings, programs, and other ephemera related to her years as a student at Florida State College for Women."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State College for Women--Sports","Florida State College for Women","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Even Team (Sports Team)","Florida State University. 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He took a leave of absence during World War I to join the U.S. Army, eventually earning the rank of Colonel. In 1920, Floyd shifted to the private sector and joined\nWilson and Toomer Fertilizer Company as a horticulturalist and later becoming Vice President. He primarily worked in Davenport as part of Wilson and Toomer's subsidiary the Holly Hill Grove and Fruit Company. Floyd wrote several publications, including numerous bulletins for Wilson and Toomer; he would work for the company until his death in 1945. Colonel Bayard F. Floyd was posthumously inducted into the Florida Citrus Hall of Fame in 1962 as part of its inaugural class of inductees.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Colonel Bayard Franklin Floyd (1882-1945) was a leader in both the citrus and fertilizer industries. He began his career in Florida at the Florida Agricultural Experiment Station in 1907 as a plant pathologist. He took a leave of absence during World War I to join the U.S. Army, eventually earning the rank of Colonel. In 1920, Floyd shifted to the private sector and joined\nWilson and Toomer Fertilizer Company as a horticulturalist and later becoming Vice President. He primarily worked in Davenport as part of Wilson and Toomer's subsidiary the Holly Hill Grove and Fruit Company. Floyd wrote several publications, including numerous bulletins for Wilson and Toomer; he would work for the company until his death in 1945. Colonel Bayard F. Floyd was posthumously inducted into the Florida Citrus Hall of Fame in 1962 as part of its inaugural class of inductees."],"odd_html_tesm":["\u003cp\u003eCol. Bayard F. Floyd was the first cousin once removed of Vaughn Woods who also worked for the Wilson and Toomer Fertilizer Company. For more information on the company the two worked for, please see the Wilson and Toomer Fertilizer Company Records as well as the Vaughn Woods Papers, who was a soil chemist for the company. See also the Holly Hill Grove and Fruit Company Photographs collection for photographs taken by the company for advertising purposes.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Col. Bayard F. Floyd was the first cousin once removed of Vaughn Woods who also worked for the Wilson and Toomer Fertilizer Company. For more information on the company the two worked for, please see the Wilson and Toomer Fertilizer Company Records as well as the Vaughn Woods Papers, who was a soil chemist for the company. See also the Holly Hill Grove and Fruit Company Photographs collection for photographs taken by the company for advertising purposes."],"scopecontent_html_tesm":["\u003cp\u003eThe collection has been divided into two series: Personal and Publications. The Personal series contains materials believed to have belonged to the subject and was organized alphabetically by subject. The Publications series contains booklets written for Wilson and Toomer Fertilizer Company by the subject and was organized chronologically by publication date.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection has been divided into two series: Personal and Publications. The Personal series contains materials believed to have belonged to the subject and was organized alphabetically by subject. The Publications series contains booklets written for Wilson and Toomer Fertilizer Company by the subject and was organized chronologically by publication date."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Col. Bayard F. Floyd Papers must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Col. Bayard F. Floyd Papers must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453"],"names_ssim":["Thomas B. Mack Florida Citrus Archives","Floyd, Bayard F."],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"persname_ssim":["Floyd, Bayard F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":13,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852047456174080,"_root_":"f21875175edc1c9f5cf6e61f","timestamp":"2026-07-16T06:32:27.455Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f21875175edc1c9f5cf6e61f"}},{"id":"adc27bd90e2aa64392a8c1a2","type":"collection","attributes":{"title":"College of Business Records, Date acquired: 02/18/2010","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/adc27bd90e2aa64392a8c1a2#creator","type":"document_value","attributes":{"value":["College of Business"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/adc27bd90e2aa64392a8c1a2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDocuments pertaining to the College of Business.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/adc27bd90e2aa64392a8c1a2#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"adc27bd90e2aa64392a8c1a2","title_ssm":["College of Business Records"],"title_tesim":["College of Business Records"],"ead_ssi":"adc27bd90e2aa64392a8c1a2","unitdate_ssm":["Date acquired: 02/18/2010"],"unitdate_other_ssim":["Date acquired: 02/18/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2014-089","/repositories/10/resources/1086"],"text":["HUA 2014-089","/repositories/10/resources/1086","College of Business Records, Date acquired: 02/18/2010","Magnolia Hall","Belcher, Finley","Articles","Florida State University. School of Business","Florida State University. Department of Finance","Announcements","Pamphlets","Brochures","Buildings and Grounds Photographs","Charters.","Clippings (Books, newspapers, etc.)","Documents","Drafts (Document)","Floor plans.","Blank forms","Invitation cards.","Manuscripts","Maps","Memoranda","Notes.","Notices","Outlines","Photographs","Press Release","Programs","Reports","Signs and symbols.","Speeches, addresses, etc.","Universities and colleges--Curricula--Catalogs.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Photographs and scrapbooks acquired 1/1/2012. Photographs processed in to collection 3/6/2017.","Collection remains unprocessed, but has been re-housed, including removing photographs from acidic scrapbook sleeves.","Documents pertaining to the College of Business.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","College of Business","Department of Business Law (College of Business)","Le Moyne Art Foundation","American Assembly of Collegiate Schools of Business","Business Advisory Board","Department of Accounting","Collegiate News and Views","Center for Human Resource Management Education","Department of Business Education (College of Business)","Florida State University. Alumni Association","Hospitality Administration","Florida. Department of Management Services","Florida Times Union","Florida State University. Department of Hospitality","Florida State University. Connect The Campaign for Business","Florida State University. College of Business","Florida Institute for Marketing Alternative Transportation","DeSantis Center for Executive Management Education","Canal Zone","Department of Risk Management","Department of Restarurant and Hotel Management (College of Business)","Department of Marketing (College of Business)","Department of Insurance and Real Estate (College of Business)","Partners in Excellence","S.J. Curry Company","Society of Hosts","Steward Skinner Associates","Tallahassee Community College","Tallahassee Democrat.","The Jim Moran Institute","The MBA Mentor Program","Valdosta State College","Gulick","Icerman, Joe D.","Hunt, Tann H.","Hubbard, C.L.","Campbell, Doak S. (Doak Sheridan), 1888-1973","Culpepper, J.J.","Defeo, Cherie","Campbell, Claude A. 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(Robert Manning), 1906-1960","Thornton, Robert L.","Townsend, William S.","Tracy, Anna May","Trembly, Edward D.","Turnbull, Augustus Bacon, 1940-1991","Underwood, Helen E.","Voich, Dan","Wagner, David B.","Walsh, Cornelius F.","Watson, Hugh J.","Watson, W. H., 1921-","Weale, W. 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Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["College of Business","By transfer."],"access_subjects_ssim":["Belcher, Finley","Articles","Florida State University. School of Business","Florida State University. Department of Finance","Announcements","Pamphlets","Brochures","Buildings and Grounds Photographs","Charters.","Clippings (Books, newspapers, etc.)","Documents","Drafts (Document)","Floor plans.","Blank forms","Invitation cards.","Manuscripts","Maps","Memoranda","Notes.","Notices","Outlines","Photographs","Press Release","Programs","Reports","Signs and symbols.","Speeches, addresses, etc.","Universities and colleges--Curricula--Catalogs."],"access_subjects_ssm":["Belcher, Finley","Articles","Florida State University. School of Business","Florida State University. 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Photographs processed in to collection 3/6/2017."],"prefercite_html_tesm":["\u003cp\u003eCollege of Business Records, HUA 2014-089, College of Business, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2014-089\u003c/p\u003e"],"prefercite_tesim":["College of Business Records, HUA 2014-089, College of Business, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2014-089"],"processinfo_html_tesm":["\u003cp\u003eCollection remains unprocessed, but has been re-housed, including removing photographs from acidic scrapbook sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection remains unprocessed, but has been re-housed, including removing photographs from acidic scrapbook sleeves."],"scopecontent_html_tesm":["\u003cp\u003eDocuments pertaining to the College of Business.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Documents pertaining to the College of Business."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Department of Business Law (College of Business)","Le Moyne Art Foundation","American Assembly of Collegiate Schools of Business","Business Advisory Board","Department of Accounting","Collegiate News and Views","Center for Human Resource Management Education","Department of Business Education (College of Business)","Florida State University. Alumni Association","Hospitality Administration","Florida. Department of Management Services","Florida Times Union","Florida State University. Department of Hospitality","Florida State University. Connect The Campaign for Business","Florida State University. College of Business","Florida Institute for Marketing Alternative Transportation","DeSantis Center for Executive Management Education","Canal Zone","Department of Risk Management","Department of Restarurant and Hotel Management (College of Business)","Department of Marketing (College of Business)","Department of Insurance and Real Estate (College of Business)","Partners in Excellence","S.J. Curry Company","Society of Hosts","Steward Skinner Associates","Tallahassee Community College","Tallahassee Democrat.","The Jim Moran Institute","The MBA Mentor Program","Valdosta State College","Gulick","Icerman, Joe D.","Hunt, Tann H.","Hubbard, C.L.","Campbell, Doak S. (Doak Sheridan), 1888-1973","Culpepper, J.J.","Defeo, Cherie","Campbell, Claude A. (Claude Arthur), 1903-","Almarode, Richard L.","Abel, Howard P.","Beck-Dudley, Caryn","Green, Ray E., Jr","Goodin, Orville","Goldstein, Harold, 1919-1986","Glidden, Robert B.","Lange, Eunice K.","Kropp, Russell P.","Kip, Richard der","Lundberg, Donald E.","Lee, John","Barineau, Jim","Baker, Sharon","Culbreth, M.D.","Baker, Richard M.","Bagdon, Brunswick A.","Jett, Caribel","Coyne, Robert","Jensen, Robert E.","Johnson, Gordon S.","Cooley, Henry B. (Henry Bell), 1899-","Anthony, Bill","Matherly, Walter J.","Johnson, Herbert J.","Bush, Robert C.","Dauie, J.F.","Dame, J. Frank (John Frank), 1905-","Custead, Patricia","Carraway, Max","Carnaghi, John","Bruning, Charles A.","Collins, LeRoy","Lutz, Barbara K.","Kinppen, J.","Brewster, William","Griffin, John A.","Kerr, John R.","Hassell, Kirk Bell Cocke","Breidenbach, W.F.","Champion, John E., 1922-2002","Cesta, John","Bell, J. Kirk","Cesery, Carl V.","Curry, Mary R.","Blackwell, Gordon W. (Gordon Williams), 1911-2004","Gallups, William C.","Harter, Wesley C.","Black, Homer A., 1923-","Fulton, Guy C.","Cawley, Audrey","Frink, Inez","Heck, W.R.","Fortin, George","Gruender, David","Griffith, Winston","Fordyce, Phillip R.","Campbell, Laurence","Fisk, McKee, 1900-1978","Faircloth, Tann","Edwards, Steve","Edwards, C. Wayne","Edgeworth, H.C.","Earnest, Robert C.","Dolson, J.T.","Dobson, Jack","Dickerson, O. D. (Oliver Donald)","King, Donald C.","Mattice, Royal","Mendenhall, Herbert D.","Moore, Coyle E.","Mottice, Homer J.","Murphy, Glen E.","Nast, D.A.","Nosari, Joe","Ozanne, Urban B.","Peirce, Bob","Pitts, James E.","Quesada, Luis","Ramsey, David M., Jr.","Ray, Royal H.","Read, Raymond L.","Richards, William","Richey, Luella Mary","Rinehart, Hollis","Rockwood, Presis Emmett","Rooks, Mack","Rovetta, Charles A.","Shaver, Kenneth M.","Shaw, Roderick Kirkpatrick, 1800-1857","Sitton, Margaret A., 1929-","Skinner, John L.","Sliger, Bernard F.","Slone, Ronald R.","Smith, Robert S.","Smoot, Charles B.","Sobel, Irving","Solomon, E. Ray","Starry, Weldon G.","Steward, Howard D.","Stickler, W. Hugh (William Hugh), 1910-1975","Stiff, Ashby","Stith, Melvin","Strozier, Robert M. (Robert Manning), 1906-1960","Thornton, Robert L.","Townsend, William S.","Tracy, Anna May","Trembly, Edward D.","Turnbull, Augustus Bacon, 1940-1991","Underwood, Helen E.","Voich, Dan","Wagner, David B.","Walsh, Cornelius F.","Watson, Hugh J.","Watson, W. H., 1921-","Weale, W. Bruce","Webb, Neil","West, Joe","Williams, Charlotte","Wines, Richard T.","Zenz, Gary Joseph"],"names_ssim":["FSU Special Collections \u0026 Archives","College of Business","Department of Business Law (College of Business)","Le Moyne Art Foundation","American Assembly of Collegiate Schools of Business","Business Advisory Board","Department of Accounting","Collegiate News and Views","Center for Human Resource Management Education","Department of Business Education (College of Business)","Florida State University. Alumni Association","Hospitality Administration","Florida. Department of Management Services","Florida Times Union","Florida State University. Department of Hospitality","Florida State University. Connect The Campaign for Business","Florida State University. College of Business","Florida Institute for Marketing Alternative Transportation","DeSantis Center for Executive Management Education","Canal Zone","Department of Risk Management","Department of Restarurant and Hotel Management (College of Business)","Department of Marketing (College of Business)","Department of Insurance and Real Estate (College of Business)","Partners in Excellence","S.J. Curry Company","Society of Hosts","Steward Skinner Associates","Tallahassee Community College","Tallahassee Democrat.","The Jim Moran Institute","The MBA Mentor Program","Valdosta State College","Gulick","Icerman, Joe D.","Hunt, Tann H.","Hubbard, C.L.","Campbell, Doak S. (Doak Sheridan), 1888-1973","Culpepper, J.J.","Defeo, Cherie","Campbell, Claude A. (Claude Arthur), 1903-","Almarode, Richard L.","Abel, Howard P.","Beck-Dudley, Caryn","Green, Ray E., Jr","Goodin, Orville","Goldstein, Harold, 1919-1986","Glidden, Robert B.","Lange, Eunice K.","Kropp, Russell P.","Kip, Richard der","Lundberg, Donald E.","Lee, John","Barineau, Jim","Baker, Sharon","Culbreth, M.D.","Baker, Richard M.","Bagdon, Brunswick A.","Jett, Caribel","Coyne, Robert","Jensen, Robert E.","Johnson, Gordon S.","Cooley, Henry B. (Henry Bell), 1899-","Anthony, Bill","Matherly, Walter J.","Johnson, Herbert J.","Bush, Robert C.","Dauie, J.F.","Dame, J. Frank (John Frank), 1905-","Custead, Patricia","Carraway, Max","Carnaghi, John","Bruning, Charles A.","Collins, LeRoy","Lutz, Barbara K.","Kinppen, J.","Brewster, William","Griffin, John A.","Kerr, John R.","Hassell, Kirk Bell Cocke","Breidenbach, W.F.","Champion, John E., 1922-2002","Cesta, John","Bell, J. Kirk","Cesery, Carl V.","Curry, Mary R.","Blackwell, Gordon W. (Gordon Williams), 1911-2004","Gallups, William C.","Harter, Wesley C.","Black, Homer A., 1923-","Fulton, Guy C.","Cawley, Audrey","Frink, Inez","Heck, W.R.","Fortin, George","Gruender, David","Griffith, Winston","Fordyce, Phillip R.","Campbell, Laurence","Fisk, McKee, 1900-1978","Faircloth, Tann","Edwards, Steve","Edwards, C. Wayne","Edgeworth, H.C.","Earnest, Robert C.","Dolson, J.T.","Dobson, Jack","Dickerson, O. D. (Oliver Donald)","King, Donald C.","Mattice, Royal","Mendenhall, Herbert D.","Moore, Coyle E.","Mottice, Homer J.","Murphy, Glen E.","Nast, D.A.","Nosari, Joe","Ozanne, Urban B.","Peirce, Bob","Pitts, James E.","Quesada, Luis","Ramsey, David M., Jr.","Ray, Royal H.","Read, Raymond L.","Richards, William","Richey, Luella Mary","Rinehart, Hollis","Rockwood, Presis Emmett","Rooks, Mack","Rovetta, Charles A.","Shaver, Kenneth M.","Shaw, Roderick Kirkpatrick, 1800-1857","Sitton, Margaret A., 1929-","Skinner, John L.","Sliger, Bernard F.","Slone, Ronald R.","Smith, Robert S.","Smoot, Charles B.","Sobel, Irving","Solomon, E. Ray","Starry, Weldon G.","Steward, Howard D.","Stickler, W. Hugh (William Hugh), 1910-1975","Stiff, Ashby","Stith, Melvin","Strozier, Robert M. (Robert Manning), 1906-1960","Thornton, Robert L.","Townsend, William S.","Tracy, Anna May","Trembly, Edward D.","Turnbull, Augustus Bacon, 1940-1991","Underwood, Helen E.","Voich, Dan","Wagner, David B.","Walsh, Cornelius F.","Watson, Hugh J.","Watson, W. H., 1921-","Weale, W. Bruce","Webb, Neil","West, Joe","Williams, Charlotte","Wines, Richard T.","Zenz, Gary Joseph"],"corpname_ssim":["FSU Special Collections \u0026 Archives","College of Business","Department of Business Law (College of Business)","Le Moyne Art Foundation","American Assembly of Collegiate Schools of Business","Business Advisory Board","Department of Accounting","Collegiate News and Views","Center for Human Resource Management Education","Department of Business Education (College of Business)","Florida State University. Alumni Association","Hospitality Administration","Florida. Department of Management Services","Florida Times Union","Florida State University. Department of Hospitality","Florida State University. Connect The Campaign for Business","Florida State University. College of Business","Florida Institute for Marketing Alternative Transportation","DeSantis Center for Executive Management Education","Canal Zone","Department of Risk Management","Department of Restarurant and Hotel Management (College of Business)","Department of Marketing (College of Business)","Department of Insurance and Real Estate (College of Business)","Partners in Excellence","S.J. Curry Company","Society of Hosts","Steward Skinner Associates","Tallahassee Community College","Tallahassee Democrat.","The Jim Moran Institute","The MBA Mentor Program","Valdosta State College"],"famname_ssim":["Gulick"],"persname_ssim":["Icerman, Joe D.","Hunt, Tann H.","Hubbard, C.L.","Campbell, Doak S. (Doak Sheridan), 1888-1973","Culpepper, J.J.","Defeo, Cherie","Campbell, Claude A. (Claude Arthur), 1903-","Almarode, Richard L.","Abel, Howard P.","Beck-Dudley, Caryn","Green, Ray E., Jr","Goodin, Orville","Goldstein, Harold, 1919-1986","Glidden, Robert B.","Lange, Eunice K.","Kropp, Russell P.","Kip, Richard der","Lundberg, Donald E.","Lee, John","Barineau, Jim","Baker, Sharon","Culbreth, M.D.","Baker, Richard M.","Bagdon, Brunswick A.","Jett, Caribel","Coyne, Robert","Jensen, Robert E.","Johnson, Gordon S.","Cooley, Henry B. (Henry Bell), 1899-","Anthony, Bill","Matherly, Walter J.","Johnson, Herbert J.","Bush, Robert C.","Dauie, J.F.","Dame, J. Frank (John Frank), 1905-","Custead, Patricia","Carraway, Max","Carnaghi, John","Bruning, Charles A.","Collins, LeRoy","Lutz, Barbara K.","Kinppen, J.","Brewster, William","Griffin, John A.","Kerr, John R.","Hassell, Kirk Bell Cocke","Breidenbach, W.F.","Champion, John E., 1922-2002","Cesta, John","Bell, J. Kirk","Cesery, Carl V.","Curry, Mary R.","Blackwell, Gordon W. (Gordon Williams), 1911-2004","Gallups, William C.","Harter, Wesley C.","Black, Homer A., 1923-","Fulton, Guy C.","Cawley, Audrey","Frink, Inez","Heck, W.R.","Fortin, George","Gruender, David","Griffith, Winston","Fordyce, Phillip R.","Campbell, Laurence","Fisk, McKee, 1900-1978","Faircloth, Tann","Edwards, Steve","Edwards, C. Wayne","Edgeworth, H.C.","Earnest, Robert C.","Dolson, J.T.","Dobson, Jack","Dickerson, O. D. 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(Robert Manning), 1906-1960","Thornton, Robert L.","Townsend, William S.","Tracy, Anna May","Trembly, Edward D.","Turnbull, Augustus Bacon, 1940-1991","Underwood, Helen E.","Voich, Dan","Wagner, David B.","Walsh, Cornelius F.","Watson, Hugh J.","Watson, W. H., 1921-","Weale, W. 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(Robert Manning), 1906-1960","Thornton, Robert L.","Townsend, William S.","Tracy, Anna May","Trembly, Edward D.","Turnbull, Augustus Bacon, 1940-1991","Underwood, Helen E.","Voich, Dan","Wagner, David B.","Walsh, Cornelius F.","Watson, Hugh J.","Watson, W. H., 1921-","Weale, W. Bruce","Webb, Neil","West, Joe","Williams, Charlotte","Wines, Richard T.","Zenz, Gary Joseph"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":135,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"adc27bd90e2aa64392a8c1a2","timestamp":"2026-07-09T03:15:28.702Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/adc27bd90e2aa64392a8c1a2"}},{"id":"8b5c8f8d615541cc2c2e15fc","type":"collection","attributes":{"title":"Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8b5c8f8d615541cc2c2e15fc#creator","type":"document_value","attributes":{"value":["MacInnes, Betty"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8b5c8f8d615541cc2c2e15fc#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to Staff Sergeant Warren R. MacInnes (part of the 834th) in Italy. The box contains letters and photographs sent to him from his wife while he was stationed on the Italian front in Europe. 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