{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bdate_range%5D%5B%5D=1972\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bdate_range%5D%5B%5D=1972\u0026page=2\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bdate_range%5D%5B%5D=1972\u0026page=2\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":18,"first_page?":true,"last_page?":false}},"data":[{"id":"1bd2b3a5aa54c3d8f9586e86","type":"collection","attributes":{"title":"Beth Urban Collection on Doris Leeper, Circa 1930-2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86#abstract_or_scope","type":"document_value","attributes":{"value":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1bd2b3a5aa54c3d8f9586e86","title_ssm":["Beth Urban Collection on Doris Leeper"],"title_tesim":["Beth Urban Collection on Doris Leeper"],"ead_ssi":"1bd2b3a5aa54c3d8f9586e86","unitdate_ssm":["Circa 1930-2013"],"unitdate_inclusive_ssm":["Circa 1930-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.117","/repositories/4/resources/217"],"text":["SC.117","/repositories/4/resources/217","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits","The entire collection is open for research.","Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.","Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers","Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.","UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000","The materials are written in English"],"unitid_tesim":["SC.117","/repositories/4/resources/217"],"normalized_date_ssm":["Circa 1930-2013"],"normalized_title_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_title_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Beth Urban donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2019 (CFM2019_09)."],"access_subjects_ssim":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"access_subjects_ssm":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 4 Boxes"],"extent_tesim":["1.75 Linear Feet 4 Boxes"],"genreform_ssim":["correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eDoris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.\u003c/p\u003e\n","\u003cp\u003eLeeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.\u003c/p\u003e\n","\u003cp\u003eLeeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.\u003c/p\u003e\n","\u003cp\u003eLeeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.\u003c/p\u003e\n","\u003cp\u003eLeeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000."],"prefercite_html_tesm":["\u003cp\u003eBeth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Beth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990258927300306596\" show=\"new\"\u003eDoris Leeper: A Retrospective, 1995\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990289293970306596\" show=\"new\"\u003eThe First Decade: Atlantic Center for the Arts, 1987\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990299590550306596\" show=\"new\"\u003eThe Second Decade: 1987-1997, [199?]\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-04\" show=\"new\"\u003eDoris Leeper Papers\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e91330cd1bdee9022869c5487bfc88aa\"\u003eThe Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.\u003c/abstract\u003e"],"abstract_tesim":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"names_coll_ssim":["Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"names_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857766114951168,"_root_":"1bd2b3a5aa54c3d8f9586e86","timestamp":"2026-07-16T08:03:21.192Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1bd2b3a5aa54c3d8f9586e86","title_ssm":["Beth Urban Collection on Doris Leeper"],"title_tesim":["Beth Urban Collection on Doris Leeper"],"ead_ssi":"1bd2b3a5aa54c3d8f9586e86","unitdate_ssm":["Circa 1930-2013"],"unitdate_inclusive_ssm":["Circa 1930-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.117","/repositories/4/resources/217"],"text":["SC.117","/repositories/4/resources/217","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits","The entire collection is open for research.","Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.","Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers","Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.","UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000","The materials are written in English"],"unitid_tesim":["SC.117","/repositories/4/resources/217"],"normalized_date_ssm":["Circa 1930-2013"],"normalized_title_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_title_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. 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Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.\u003c/p\u003e\n","\u003cp\u003eLeeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.\u003c/p\u003e\n","\u003cp\u003eLeeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.\u003c/p\u003e\n","\u003cp\u003eLeeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.\u003c/p\u003e\n","\u003cp\u003eLeeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000."],"prefercite_html_tesm":["\u003cp\u003eBeth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Beth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990258927300306596\" show=\"new\"\u003eDoris Leeper: A Retrospective, 1995\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990289293970306596\" show=\"new\"\u003eThe First Decade: Atlantic Center for the Arts, 1987\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990299590550306596\" show=\"new\"\u003eThe Second Decade: 1987-1997, [199?]\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-04\" show=\"new\"\u003eDoris Leeper Papers\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e91330cd1bdee9022869c5487bfc88aa\"\u003eThe Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.\u003c/abstract\u003e"],"abstract_tesim":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"names_coll_ssim":["Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"names_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857766114951168,"_root_":"1bd2b3a5aa54c3d8f9586e86","timestamp":"2026-07-16T08:03:21.192Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86"}},{"id":"7f149ab2edd4803e6cce8050","type":"collection","attributes":{"title":"Chester W. Bailes papers, 1942-2007, Date acquired: 08/07/2014, bulk 1942-1945","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/7f149ab2edd4803e6cce8050#creator","type":"document_value","attributes":{"value":["Bailes, Chester W., 1915-2006"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7f149ab2edd4803e6cce8050#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eChester W. Bailes served as a 4th Grade technician in the US Army 1st Armored Division during World War II. He was first sent to Ireland, before participating in the North Africa invasion, Sicily, and Anzio during the invasion of Italy, where he spent the rest of the war. His collection includes a few letters, publications relating to his unit written after the war, \u003cem\u003eTime\u003c/em\u003e, \u003cem\u003eStars and Stripes\u003c/em\u003e, and \u003cem\u003eYank\u003c/em\u003e Magazines, as well as a number of pamphlets and military-published books relating to World War II.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7f149ab2edd4803e6cce8050#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"7f149ab2edd4803e6cce8050","title_filing_ssi":"Bailes, Chester W. papers","title_ssm":["Chester W. Bailes papers"],"title_tesim":["Chester W. Bailes papers"],"ead_ssi":"7f149ab2edd4803e6cce8050","unitdate_ssm":["1942-2007","1942-1945","Date acquired: 08/07/2014"],"unitdate_bulk_ssim":["1942-1945"],"unitdate_inclusive_ssm":["1942-2007"],"unitdate_other_ssim":["Date acquired: 08/07/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["14.0031","/repositories/10/resources/207"],"text":["14.0031","/repositories/10/resources/207","Chester W. Bailes papers, 1942-2007, Date acquired: 08/07/2014, bulk 1942-1945","Dublin (Ireland)","Anzio, Battle of, Anzio, Italy, 1944","World War, 1939-1945--Campaigns--Italy--Sicily","World War, 1939-1945--Campaigns--Italy","Operation Torch, 1942","Stars and stripes","Tank warfare--History","World War, 1939-1945--Tank warfare","Pamphlets","Magazine covers","World War, 1939-1945--Campaigns--Africa, North","This collection is open to all researchers.","Chester W. Bailes was born on September 11, 1915 in Sanford, Florida, though he spent most of his life in Kentucky. He married Georgia Line Bailes before the war. He served in the Army from 1940 to 1945. While in the Army, he served in Ireland, North Africa, Sicily, and Italy. He worked for Broadway Chevrolet in Grayson County, Kentucky before his retirement. He died at 90 years old on January 31, 2006.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Chester W. Bailes served as a 4th Grade technician in the US Army 1st Armored Division during World War II. He was first sent to Ireland, before participating in the North Africa invasion, Sicily, and Anzio during the invasion of Italy, where he spent the rest of the war. His collection includes a few letters, publications relating to his unit written after the war,  Time ,  Stars and Stripes , and  Yank  Magazines, as well as a number of pamphlets and military-published books relating to World War II.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army","United States. Army. European Theater of Operations","United States. Army. Armored Division, 1st","Bailes, Chester W., 1915-2006","English"],"unitid_tesim":["14.0031","/repositories/10/resources/207"],"normalized_date_ssm":["1942-2007, Date acquired: 08/07/2014, bulk 1942-1945"],"normalized_title_ssm":["Chester W. Bailes papers, 1942-2007, Date acquired: 08/07/2014, bulk 1942-1945"],"collection_title_tesim":["Chester W. Bailes papers, 1942-2007, Date acquired: 08/07/2014, bulk 1942-1945"],"collection_ssim":["Chester W. 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Fullerton, Sr.","Donation"],"access_subjects_ssim":["Anzio, Battle of, Anzio, Italy, 1944","World War, 1939-1945--Campaigns--Italy--Sicily","World War, 1939-1945--Campaigns--Italy","Operation Torch, 1942","Stars and stripes","Tank warfare--History","World War, 1939-1945--Tank warfare","Pamphlets","Magazine covers","World War, 1939-1945--Campaigns--Africa, North"],"access_subjects_ssm":["Anzio, Battle of, Anzio, Italy, 1944","World War, 1939-1945--Campaigns--Italy--Sicily","World War, 1939-1945--Campaigns--Italy","Operation Torch, 1942","Stars and stripes","Tank warfare--History","World War, 1939-1945--Tank warfare","Pamphlets","Magazine covers","World War, 1939-1945--Campaigns--Africa, North"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eChester W. Bailes was born on September 11, 1915 in Sanford, Florida, though he spent most of his life in Kentucky. He married Georgia Line Bailes before the war. He served in the Army from 1940 to 1945. While in the Army, he served in Ireland, North Africa, Sicily, and Italy. He worked for Broadway Chevrolet in Grayson County, Kentucky before his retirement. He died at 90 years old on January 31, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Chester W. Bailes was born on September 11, 1915 in Sanford, Florida, though he spent most of his life in Kentucky. He married Georgia Line Bailes before the war. He served in the Army from 1940 to 1945. While in the Army, he served in Ireland, North Africa, Sicily, and Italy. He worked for Broadway Chevrolet in Grayson County, Kentucky before his retirement. He died at 90 years old on January 31, 2006."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Chester W. Bailes papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_14_0031\"\u003ehttp://purl.fcla.edu/fsu/WWII_14_0031\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Chester W. Bailes papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_14_0031 ."],"scopecontent_html_tesm":["\u003cp\u003eChester W. Bailes served as a 4th Grade technician in the US Army 1st Armored Division during World War II. He was first sent to Ireland, before participating in the North Africa invasion, Sicily, and Anzio during the invasion of Italy, where he spent the rest of the war. His collection includes a few letters, publications relating to his unit written after the war, \u003cemph render=\"italic\"\u003eTime\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eStars and Stripes\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eYank\u003c/emph\u003e Magazines, as well as a number of pamphlets and military-published books relating to World War II.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Chester W. Bailes served as a 4th Grade technician in the US Army 1st Armored Division during World War II. He was first sent to Ireland, before participating in the North Africa invasion, Sicily, and Anzio during the invasion of Italy, where he spent the rest of the war. His collection includes a few letters, publications relating to his unit written after the war,  Time ,  Stars and Stripes , and  Yank  Magazines, as well as a number of pamphlets and military-published books relating to World War II."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army","United States. Army. European Theater of Operations","United States. Army. Armored Division, 1st"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. 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He married Georgia Line Bailes before the war. He served in the Army from 1940 to 1945. While in the Army, he served in Ireland, North Africa, Sicily, and Italy. He worked for Broadway Chevrolet in Grayson County, Kentucky before his retirement. He died at 90 years old on January 31, 2006.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Chester W. Bailes served as a 4th Grade technician in the US Army 1st Armored Division during World War II. He was first sent to Ireland, before participating in the North Africa invasion, Sicily, and Anzio during the invasion of Italy, where he spent the rest of the war. 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Fullerton, Sr.","Donation"],"access_subjects_ssim":["Anzio, Battle of, Anzio, Italy, 1944","World War, 1939-1945--Campaigns--Italy--Sicily","World War, 1939-1945--Campaigns--Italy","Operation Torch, 1942","Stars and stripes","Tank warfare--History","World War, 1939-1945--Tank warfare","Pamphlets","Magazine covers","World War, 1939-1945--Campaigns--Africa, North"],"access_subjects_ssm":["Anzio, Battle of, Anzio, Italy, 1944","World War, 1939-1945--Campaigns--Italy--Sicily","World War, 1939-1945--Campaigns--Italy","Operation Torch, 1942","Stars and stripes","Tank warfare--History","World War, 1939-1945--Tank warfare","Pamphlets","Magazine covers","World War, 1939-1945--Campaigns--Africa, North"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eChester W. Bailes was born on September 11, 1915 in Sanford, Florida, though he spent most of his life in Kentucky. He married Georgia Line Bailes before the war. He served in the Army from 1940 to 1945. While in the Army, he served in Ireland, North Africa, Sicily, and Italy. He worked for Broadway Chevrolet in Grayson County, Kentucky before his retirement. He died at 90 years old on January 31, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Chester W. Bailes was born on September 11, 1915 in Sanford, Florida, though he spent most of his life in Kentucky. He married Georgia Line Bailes before the war. He served in the Army from 1940 to 1945. While in the Army, he served in Ireland, North Africa, Sicily, and Italy. He worked for Broadway Chevrolet in Grayson County, Kentucky before his retirement. He died at 90 years old on January 31, 2006."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Chester W. Bailes papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_14_0031\"\u003ehttp://purl.fcla.edu/fsu/WWII_14_0031\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Chester W. Bailes papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_14_0031 ."],"scopecontent_html_tesm":["\u003cp\u003eChester W. Bailes served as a 4th Grade technician in the US Army 1st Armored Division during World War II. He was first sent to Ireland, before participating in the North Africa invasion, Sicily, and Anzio during the invasion of Italy, where he spent the rest of the war. His collection includes a few letters, publications relating to his unit written after the war, \u003cemph render=\"italic\"\u003eTime\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eStars and Stripes\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eYank\u003c/emph\u003e Magazines, as well as a number of pamphlets and military-published books relating to World War II.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Chester W. Bailes served as a 4th Grade technician in the US Army 1st Armored Division during World War II. He was first sent to Ireland, before participating in the North Africa invasion, Sicily, and Anzio during the invasion of Italy, where he spent the rest of the war. His collection includes a few letters, publications relating to his unit written after the war,  Time ,  Stars and Stripes , and  Yank  Magazines, as well as a number of pamphlets and military-published books relating to World War II."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army","United States. Army. European Theater of Operations","United States. Army. Armored Division, 1st"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army","United States. Army. European Theater of Operations","United States. Army. Armored Division, 1st","Bailes, Chester W., 1915-2006"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army","United States. Army. European Theater of Operations","United States. Army. Armored Division, 1st"],"persname_ssim":["Bailes, Chester W., 1915-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7f149ab2edd4803e6cce8050","timestamp":"2026-07-09T06:26:24.899Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7f149ab2edd4803e6cce8050"}},{"id":"02e6768c8de9bbedcf989f55","type":"collection","attributes":{"title":"Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#abstract_or_scope","type":"document_value","attributes":{"value":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55"}},{"id":"8b5c8f8d615541cc2c2e15fc","type":"collection","attributes":{"title":"Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8b5c8f8d615541cc2c2e15fc#creator","type":"document_value","attributes":{"value":["MacInnes, Betty"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8b5c8f8d615541cc2c2e15fc#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to Staff Sergeant Warren R. MacInnes (part of the 834th) in Italy. The box contains letters and photographs sent to him from his wife while he was stationed on the Italian front in Europe. In addition, there are periodicals and pamphlets related to the reintroduction of soldiers from the Italian front back into civilian life Stateside.  This collection also contains documents related to Private Gerald Greenbaum who served with 1560th Service Unit, Medical Section-Station Complement, Camp Atterbury, Indiana.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b5c8f8d615541cc2c2e15fc#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8b5c8f8d615541cc2c2e15fc","title_filing_ssi":"Stapleton, Darwin collection","title_ssm":["Darwin Stapleton collection"],"title_tesim":["Darwin Stapleton collection"],"ead_ssi":"8b5c8f8d615541cc2c2e15fc","unitdate_ssm":["1942-1976","1944-1946","Date acquired: 05/15/2015","Date accessioned: 2020-05-25"],"unitdate_bulk_ssim":["1944-1946"],"unitdate_inclusive_ssm":["1942-1976"],"unitdate_other_ssim":["Date acquired: 05/15/2015","Date accessioned: 2020-05-25"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["14.0035","/repositories/10/resources/361"],"text":["14.0035","/repositories/10/resources/361","Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946","Pamphlets","United States. Navy--History--20th century","World War, 1939-1945","World War, 1939-1945--Naval operations, American","World War, 1939-1945--Women","World War, 1939-1945--Naval operations","United States. Army Ground Forces","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Japan","World War, 1939-1945--Germany","World War, 1939-1945--Hospitals--France","Military Discharge--United States","World War, 1939-1945--Campaigns","Letters--20th century","Periodicals.","Correspondence","Letters","This collections is open to all researchers.","These folders are grouped by who sent the letters, or by pamphlet type.","Staff Sergeant Warren R. MacInnes was stationed in Italy (part of the 834th) during World War II. His wife Betty McInnes was left Stateside during his deployment. Many of the letters contain typical domestic conversation as well as reference to the miliary progress and wartime situations.","Note written by Erik Braeden Lewis","This collection was donated by Darwin Stapleton. The collection was acquired by the Institute on World War II and the Human Experience on May 15, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Entered 06/02/2016","This collection relates to Staff Sergeant Warren R. MacInnes (part of the 834th) in Italy. The box contains letters and photographs sent to him from his wife while he was stationed on the Italian front in Europe. In addition, there are periodicals and pamphlets related to the reintroduction of soldiers from the Italian front back into civilian life Stateside.  This collection also contains documents related to Private Gerald Greenbaum who served with 1560th Service Unit, Medical Section-Station Complement, Camp Atterbury, Indiana.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army. European Theater of Operations","MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin","MacInness, Warren R. -- Correspondence","MacInnes, Betty -- Correspondence","English"],"unitid_tesim":["14.0035","/repositories/10/resources/361"],"normalized_date_ssm":["1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"normalized_title_ssm":["Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"collection_title_tesim":["Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"collection_ssim":["Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"creator_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"creator_persname_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"creators_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Pamphlets","United States. Navy--History--20th century","World War, 1939-1945","World War, 1939-1945--Naval operations, American","World War, 1939-1945--Women","World War, 1939-1945--Naval operations","United States. Army Ground Forces","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Japan","World War, 1939-1945--Germany","World War, 1939-1945--Hospitals--France","Military Discharge--United States","World War, 1939-1945--Campaigns","Letters--20th century","Periodicals.","Correspondence","Letters"],"access_subjects_ssm":["Pamphlets","United States. Navy--History--20th century","World War, 1939-1945","World War, 1939-1945--Naval operations, American","World War, 1939-1945--Women","World War, 1939-1945--Naval operations","United States. Army Ground Forces","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Japan","World War, 1939-1945--Germany","World War, 1939-1945--Hospitals--France","Military Discharge--United States","World War, 1939-1945--Campaigns","Letters--20th century","Periodicals.","Correspondence","Letters"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet"],"extent_tesim":[".5 Linear Feet"],"genreform_ssim":["Periodicals.","Correspondence","Letters"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collections is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collections is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThese folders are grouped by who sent the letters, or by pamphlet type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["These folders are grouped by who sent the letters, or by pamphlet type."],"bioghist_html_tesm":["\u003cp\u003eStaff Sergeant Warren R. 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Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2012.009","/repositories/3/resources/36"],"normalized_date_ssm":["1904-2012"],"normalized_title_ssm":["Duval County, Florida, Elections and Voting Collection, 1904-2012"],"collection_title_tesim":["Duval County, Florida, Elections and Voting Collection, 1904-2012"],"collection_ssim":["Duval County, Florida, Elections and Voting Collection, 1904-2012"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Archives staff, and University of North Florida faculty."],"access_subjects_ssim":["Memorabilia","Pamphlets","Posters","Printed materials","Publications","Realia"],"access_subjects_ssm":["Memorabilia","Pamphlets","Posters","Printed materials","Publications","Realia"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Memorabilia","Pamphlets","Posters","Printed materials","Publications","Realia"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eUnder Revision\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Under Revision"],"prefercite_html_tesm":["\u003cp\u003eDuval County, Florida, Elections and Voting Collection. Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Duval County, Florida, Elections and Voting Collection. Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe primary source materials in this collection provide historical documentation and evidence of selective elections and political campaigns held in Duval County and Jacksonville, Florida. The earliest items are Duval County election records dated 1904; the majority of the materials date from the late twentieth century to the present decade. Printed materials include sample election ballots and guides, voting brochures and pamphlets, and a voting registration receipt card. Artifacts and memorabilia include political campaign buttons and stickers from Jacksonville mayoral, U.S. Senate, and Presidential campaigns.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The primary source materials in this collection provide historical documentation and evidence of selective elections and political campaigns held in Duval County and Jacksonville, Florida. The earliest items are Duval County election records dated 1904; the majority of the materials date from the late twentieth century to the present decade. Printed materials include sample election ballots and guides, voting brochures and pamphlets, and a voting registration receipt card. Artifacts and memorabilia include political campaign buttons and stickers from Jacksonville mayoral, U.S. Senate, and Presidential campaigns."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860517964251136,"_root_":"a7490b54d89eb8991c50757e","timestamp":"2026-07-16T08:47:05.561Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a7490b54d89eb8991c50757e"}},{"id":"faee9e479740ddd498701f1f","type":"collection","attributes":{"title":"Elizabeth and Katharine Autrey Collection, 1928-1999","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/faee9e479740ddd498701f1f#creator","type":"document_value","attributes":{"value":["Autrey, Elizabeth and Katharine"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/faee9e479740ddd498701f1f#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/faee9e479740ddd498701f1f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"faee9e479740ddd498701f1f","title_ssm":["Elizabeth and Katharine Autrey Collection"],"title_tesim":["Elizabeth and Katharine Autrey Collection"],"ead_ssi":"faee9e479740ddd498701f1f","unitdate_ssm":["1928-1999"],"unitdate_inclusive_ssm":["1928-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2007-051","/repositories/10/resources/1141"],"text":["HP 2007-051","/repositories/10/resources/1141","Elizabeth and Katharine Autrey Collection, 1928-1999","Camp Fowler","Bradenton Beach (Fla.)","Wakulla Springs (Fla.)","Camp Frances Archbold","De Funiak Springs (Fla.)","Napoleon Bonaparte Broward Hall (Tallahassee, Fla.)","Melissa E. Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)","Belts and belting.","Poetry","Florida State College for Women. Torch Night Festival","Excuse for Absence","Homecoming.","Sophomore council","Sophomore Senior Breakfast","Inauguration","Jennie Murphree Hall (Tallahassee, Fla.)","May Day Festival","Class of 1933","Class of 1939","Pamphlets","Investiture ceremony","Guy Linton Diffenbaugh Building (Tallahassee, Fla.)","Odd Team caps","Rings (Jewelry)","Napkins.","Clippings (Books, newspapers, etc.)","Books","Certificates","Collectibles.","Name tags","Newsletters","Postcards.","Programs","Receipts","Résumés (Employment)","Plaques","Lists.","Ticket stubs","Blank forms","Place cards","Pins (Jewelry)","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Entered 5 August 2008.","The collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Spirogira (Honor Society)","Emeritus Alumni Society","Heritage Tower (Tallahassee, Fla.)","Adams Studio","Katz Ladies Shop","Florida. Governor (1929-1933 : Carlton)","Florida. Governor (1933-1937 : Sholtz)","Albert W. Gilchrist Hall (Tallahassee, Fla.)","F Club","Florida State College for Women","Autrey, Elizabeth and Katharine","Autrey, Elizabeth","Autrey, Katharine","Norwood, Mary Lou","Conradi, Edward, 1869-1944","Owens, Ruth B.","Byrd, Katherine","Beyer, Kathryn","Mackeilski, Marjorie Batchelder","House, L. Margueritte, 1901-1979","Geffcken, Helen","Emerson, Alma","Gaillard, Margaret","Shogren, Dot","Geffcken, Dot","Sembler, Cora","Byrd, Eva","Newman, Clementine","Ransley, Helen","Bell, Bookie","Baillies, Mary Ellen","Monroe, Kathleen","DuBois, Dr. P.W.","Caldwell, Reverend Edward N.","Norwood, Dr. G. Hunter","Hatchell, Elaine","Lytle, Fulton","Sloan, Virginia","Denham, Rose","Andrews, Mamie","Barrs, Katherine","Cone, Jennie Rae Nall","Royall, Hazel","Parks, Frances","Hurlin, Frances","Hall, Frances \"Frankie\"","Warren, Eleanor","Warren, Mary Virginia","Haight, Eleanor","Monroe, Julia","Makinson, Joy","Kelley, Frances","Hooper, Bessie","Vinal, Carleen","Pierce, Elizabeth","Sumner, Fay","Whitthorne, Frankie","Leuders, Lady Jane","Menendez, Martha","Tucker, Ruth","Milton, Wilma (Sox)","Bottari, Ines Lee","Cermack, Elizabeth","Earle, Betty","Gallentine, Bee","Greer, Rose Bud","Key, Mary Lou","Mackey, Marjorie","Teague, Margaret","Pope, Lucy","Grady, Jackie","Mathewson, Genie","Gillies, Elizabeth","Coker, Mildred","Searlett, Jo","Griffin, Nannie M.","Heffecken, Helen","Floyd, Effie","Hicks, Dorothy \"Dot\"","Clough, Adaline","Dale, Ruth","Lutz, Nancy","Gardiner, Marion","Wills, Janet","Ruff, Irma","McCormick, Harriet","Bell, Betty","Waldrop, Rebecca \"Becky\"","Embry, Sara","Diamond, Rowena","Settle, Mary","Monroe, Martha","Hebb, Hazel","Mattox, Edna","Connor, Dolly","Wood, Betty","Bozler, Janet","Geiger, Tillie","Pace, Juanita","Lewis, Jimmie","Dunn, Betty","White, Sara Holt","McClearen, Eleanor","Proctor, Gladys Storrs","Tracy, Anna May","Tootle, Isabel","Boyd, Helen","Pamil, Bet","Bullock, Dot","Taylor, Marie","Wood, Bernice","Moffet, Ruth Jennings","White, Dorothy","Albright, Eleanor","Stewart, Mildred","Morrison, Jo","Mayer, Marjorie","Beckham, Charlotte","Sivia, Olive","Burnett, Dorothy \"Dot\"","Grady, Marion (Jack)","Whitthorn, Frances","Daniel, Elizabeth","English"],"unitid_tesim":["HP 2007-051","/repositories/10/resources/1141"],"normalized_date_ssm":["1928-1999"],"normalized_title_ssm":["Elizabeth and Katharine Autrey Collection, 1928-1999"],"collection_title_tesim":["Elizabeth and Katharine Autrey Collection, 1928-1999"],"collection_ssim":["Elizabeth and Katharine Autrey Collection, 1928-1999"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Camp Fowler","Bradenton Beach (Fla.)","Wakulla Springs (Fla.)","Camp Frances Archbold","De Funiak Springs (Fla.)","Napoleon Bonaparte Broward Hall (Tallahassee, Fla.)","Melissa E. Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)"],"geogname_ssim":["Camp Fowler","Bradenton Beach (Fla.)","Wakulla Springs (Fla.)","Camp Frances Archbold","De Funiak Springs (Fla.)","Napoleon Bonaparte Broward Hall (Tallahassee, Fla.)","Melissa E. Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)"],"creator_ssm":["Autrey, Elizabeth and Katharine"],"creator_ssim":["Autrey, Elizabeth and Katharine"],"creator_persname_ssim":["Autrey, Elizabeth and Katharine"],"creators_ssim":["Autrey, Elizabeth and Katharine"],"places_ssim":["Camp Fowler","Bradenton Beach (Fla.)","Wakulla Springs (Fla.)","Camp Frances Archbold","De Funiak Springs (Fla.)","Napoleon Bonaparte Broward Hall (Tallahassee, Fla.)","Melissa E. Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Alumni Association"],"access_subjects_ssim":["Belts and belting.","Poetry","Florida State College for Women. Torch Night Festival","Excuse for Absence","Homecoming.","Sophomore council","Sophomore Senior Breakfast","Inauguration","Jennie Murphree Hall (Tallahassee, Fla.)","May Day Festival","Class of 1933","Class of 1939","Pamphlets","Investiture ceremony","Guy Linton Diffenbaugh Building (Tallahassee, Fla.)","Odd Team caps","Rings (Jewelry)","Napkins.","Clippings (Books, newspapers, etc.)","Books","Certificates","Collectibles.","Name tags","Newsletters","Postcards.","Programs","Receipts","Résumés (Employment)","Plaques","Lists.","Ticket stubs","Blank forms","Place cards","Pins (Jewelry)"],"access_subjects_ssm":["Belts and belting.","Poetry","Florida State College for Women. Torch Night Festival","Excuse for Absence","Homecoming.","Sophomore council","Sophomore Senior Breakfast","Inauguration","Jennie Murphree Hall (Tallahassee, Fla.)","May Day Festival","Class of 1933","Class of 1939","Pamphlets","Investiture ceremony","Guy Linton Diffenbaugh Building (Tallahassee, Fla.)","Odd Team caps","Rings (Jewelry)","Napkins.","Clippings (Books, newspapers, etc.)","Books","Certificates","Collectibles.","Name tags","Newsletters","Postcards.","Programs","Receipts","Résumés (Employment)","Plaques","Lists.","Ticket stubs","Blank forms","Place cards","Pins (Jewelry)"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet"],"extent_tesim":["0.00 Linear Feet"],"genreform_ssim":["Odd Team caps","Rings (Jewelry)","Napkins.","Clippings (Books, newspapers, etc.)","Books","Certificates","Collectibles.","Name tags","Newsletters","Postcards.","Programs","Receipts","Résumés (Employment)","Plaques","Lists.","Ticket stubs","Blank forms","Place cards","Pins (Jewelry)"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Elizabeth and Katharine Autrey Collection, Heritage \u0026amp; University Archives, Florida State University, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HP-2007-051\"\u003ehttp://purl.fcla.edu/fsu/HP-2007-051\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Elizabeth and Katharine Autrey Collection, Heritage \u0026 University Archives, Florida State University, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HP-2007-051"],"processinfo_html_tesm":["\u003cp\u003eEntered 5 August 2008.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Entered 5 August 2008."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:huaphotographcollection\"\u003eFSU Digital Library\u003c/extref\u003e as part of a larger photograph collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State University Libraries. Heritage Protocol \u0026 University Archives","Spirogira (Honor Society)","Emeritus Alumni Society","Heritage Tower (Tallahassee, Fla.)","Adams Studio","Katz Ladies Shop","Florida. Governor (1929-1933 : Carlton)","Florida. Governor (1933-1937 : Sholtz)","Albert W. Gilchrist Hall (Tallahassee, Fla.)","F Club","Florida State College for Women","Autrey, Elizabeth","Autrey, Katharine","Norwood, Mary Lou","Conradi, Edward, 1869-1944","Owens, Ruth B.","Byrd, Katherine","Beyer, Kathryn","Mackeilski, Marjorie Batchelder","House, L. Margueritte, 1901-1979","Geffcken, Helen","Emerson, Alma","Gaillard, Margaret","Shogren, Dot","Geffcken, Dot","Sembler, Cora","Byrd, Eva","Newman, Clementine","Ransley, Helen","Bell, Bookie","Baillies, Mary Ellen","Monroe, Kathleen","DuBois, Dr. P.W.","Caldwell, Reverend Edward N.","Norwood, Dr. G. Hunter","Hatchell, Elaine","Lytle, Fulton","Sloan, Virginia","Denham, Rose","Andrews, Mamie","Barrs, Katherine","Cone, Jennie Rae Nall","Royall, Hazel","Parks, Frances","Hurlin, Frances","Hall, Frances \"Frankie\"","Warren, Eleanor","Warren, Mary Virginia","Haight, Eleanor","Monroe, Julia","Makinson, Joy","Kelley, Frances","Hooper, Bessie","Vinal, Carleen","Pierce, Elizabeth","Sumner, Fay","Whitthorne, Frankie","Leuders, Lady Jane","Menendez, Martha","Tucker, Ruth","Milton, Wilma (Sox)","Bottari, Ines Lee","Cermack, Elizabeth","Earle, Betty","Gallentine, Bee","Greer, Rose Bud","Key, Mary Lou","Mackey, Marjorie","Teague, Margaret","Pope, Lucy","Grady, Jackie","Mathewson, Genie","Gillies, Elizabeth","Coker, Mildred","Searlett, Jo","Griffin, Nannie M.","Heffecken, Helen","Floyd, Effie","Hicks, Dorothy \"Dot\"","Clough, Adaline","Dale, Ruth","Lutz, Nancy","Gardiner, Marion","Wills, Janet","Ruff, Irma","McCormick, Harriet","Bell, Betty","Waldrop, Rebecca \"Becky\"","Embry, Sara","Diamond, Rowena","Settle, Mary","Monroe, Martha","Hebb, Hazel","Mattox, Edna","Connor, Dolly","Wood, Betty","Bozler, Janet","Geiger, Tillie","Pace, Juanita","Lewis, Jimmie","Dunn, Betty","White, Sara Holt","McClearen, Eleanor","Proctor, Gladys Storrs","Tracy, Anna May","Tootle, Isabel","Boyd, Helen","Pamil, Bet","Bullock, Dot","Taylor, Marie","Wood, Bernice","Moffet, Ruth Jennings","White, Dorothy","Albright, Eleanor","Stewart, Mildred","Morrison, Jo","Mayer, Marjorie","Beckham, Charlotte","Sivia, Olive","Burnett, Dorothy \"Dot\"","Grady, Marion (Jack)","Whitthorn, Frances","Daniel, Elizabeth"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Spirogira (Honor Society)","Emeritus Alumni Society","Heritage Tower (Tallahassee, Fla.)","Adams Studio","Katz Ladies Shop","Florida. Governor (1929-1933 : Carlton)","Florida. Governor (1933-1937 : Sholtz)","Albert W. Gilchrist Hall (Tallahassee, Fla.)","F Club","Florida State College for Women","Autrey, Elizabeth and Katharine","Autrey, Elizabeth","Autrey, Katharine","Norwood, Mary Lou","Conradi, Edward, 1869-1944","Owens, Ruth B.","Byrd, Katherine","Beyer, Kathryn","Mackeilski, Marjorie Batchelder","House, L. Margueritte, 1901-1979","Geffcken, Helen","Emerson, Alma","Gaillard, Margaret","Shogren, Dot","Geffcken, Dot","Sembler, Cora","Byrd, Eva","Newman, Clementine","Ransley, Helen","Bell, Bookie","Baillies, Mary Ellen","Monroe, Kathleen","DuBois, Dr. P.W.","Caldwell, Reverend Edward N.","Norwood, Dr. G. Hunter","Hatchell, Elaine","Lytle, Fulton","Sloan, Virginia","Denham, Rose","Andrews, Mamie","Barrs, Katherine","Cone, Jennie Rae Nall","Royall, Hazel","Parks, Frances","Hurlin, Frances","Hall, Frances \"Frankie\"","Warren, Eleanor","Warren, Mary Virginia","Haight, Eleanor","Monroe, Julia","Makinson, Joy","Kelley, Frances","Hooper, Bessie","Vinal, Carleen","Pierce, Elizabeth","Sumner, Fay","Whitthorne, Frankie","Leuders, Lady Jane","Menendez, Martha","Tucker, Ruth","Milton, Wilma (Sox)","Bottari, Ines Lee","Cermack, Elizabeth","Earle, Betty","Gallentine, Bee","Greer, Rose Bud","Key, Mary Lou","Mackey, Marjorie","Teague, Margaret","Pope, Lucy","Grady, Jackie","Mathewson, Genie","Gillies, Elizabeth","Coker, Mildred","Searlett, Jo","Griffin, Nannie M.","Heffecken, Helen","Floyd, Effie","Hicks, Dorothy \"Dot\"","Clough, Adaline","Dale, Ruth","Lutz, Nancy","Gardiner, Marion","Wills, Janet","Ruff, Irma","McCormick, Harriet","Bell, Betty","Waldrop, Rebecca \"Becky\"","Embry, Sara","Diamond, Rowena","Settle, Mary","Monroe, Martha","Hebb, Hazel","Mattox, Edna","Connor, Dolly","Wood, Betty","Bozler, Janet","Geiger, Tillie","Pace, Juanita","Lewis, Jimmie","Dunn, Betty","White, Sara Holt","McClearen, Eleanor","Proctor, Gladys Storrs","Tracy, Anna May","Tootle, Isabel","Boyd, Helen","Pamil, Bet","Bullock, Dot","Taylor, Marie","Wood, Bernice","Moffet, Ruth Jennings","White, Dorothy","Albright, Eleanor","Stewart, Mildred","Morrison, Jo","Mayer, Marjorie","Beckham, Charlotte","Sivia, Olive","Burnett, Dorothy \"Dot\"","Grady, Marion (Jack)","Whitthorn, Frances","Daniel, Elizabeth"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University Libraries. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Entered 5 August 2008.","The collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University Libraries. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Center for Participant Education (CPE) is a Florida State University (FSU) student government agency established in 1970 to provide an alternative to the traditional curriculum taught at FSU. Its founding philosophy was, and still is, that students should have a participatory role in their education. CPE was created as a result of the student activism of the time, and is now one of the largest \"free universities\" in the nation. It has provided progressive and alternative views on education, the arts, politics, and social concerns by offering a wide range of classes, workshops, films, and guest speakers, all free of charge and open to the public.","\nCPE's non-traditional approach to education is reflected in its catalog. Published every semester, the CPE catalog features a wide variety of free classes, which range from beer-making to dance, juggling, meditation and self-defense. CPE volunteer teachers have complete freedom over what they teach.","Subsidized by student appropriations, CPE has also brought a wide selection of speakers to the Florida State University campus every year since it began 1970. It has sponsored programs on issues such as abortion, AIDS, apartheid, Central America, Gay and Lesbian students, human rights, the Middle East, Native Americans, Nicaragua, South Africa, and women's issues. Past speakers have included Philip Agee, Maya Angelou, Julian Bond, Cesar Chavez, Angela Davis, Allen Ginsberg, Abbie Hoffman, Jesse Jackson, Kate Millett, Ralph Nader, Madalyn Murray O'Hare, Jerry Rubin, and Gloria Steinem.","In addressing important social issues that affect people locally, nationally, and internationally, CPE's history has also been marked by controversy, and has been investigated by the Florida Legislature, suspended by the Florida Board of Regents, and challenged by the Florida State University administration.","This collection was processed from September 2003-March 2004 by Burt Altman. Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed.","Arranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored.","For copyright information, please contact the Center for Participant Education.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. 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Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed."],"scopecontent_html_tesm":["\u003cp\u003eArranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Arranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored."],"userestrict_html_tesm":["\u003cp\u003eFor copyright information, please contact the Center for Participant Education.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["For copyright information, please contact the Center for Participant Education.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_04f49ede341e4af60ce6013cffa54da7\" label=\"Abstract\"\u003eThe Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Center for Participant Education (CPE) is a Florida State University (FSU) student government agency established in 1970 to provide an alternative to the traditional curriculum taught at FSU. Its founding philosophy was, and still is, that students should have a participatory role in their education. CPE was created as a result of the student activism of the time, and is now one of the largest \"free universities\" in the nation. It has provided progressive and alternative views on education, the arts, politics, and social concerns by offering a wide range of classes, workshops, films, and guest speakers, all free of charge and open to the public.","\nCPE's non-traditional approach to education is reflected in its catalog. Published every semester, the CPE catalog features a wide variety of free classes, which range from beer-making to dance, juggling, meditation and self-defense. CPE volunteer teachers have complete freedom over what they teach.","Subsidized by student appropriations, CPE has also brought a wide selection of speakers to the Florida State University campus every year since it began 1970. It has sponsored programs on issues such as abortion, AIDS, apartheid, Central America, Gay and Lesbian students, human rights, the Middle East, Native Americans, Nicaragua, South Africa, and women's issues. Past speakers have included Philip Agee, Maya Angelou, Julian Bond, Cesar Chavez, Angela Davis, Allen Ginsberg, Abbie Hoffman, Jesse Jackson, Kate Millett, Ralph Nader, Madalyn Murray O'Hare, Jerry Rubin, and Gloria Steinem.","In addressing important social issues that affect people locally, nationally, and internationally, CPE's history has also been marked by controversy, and has been investigated by the Florida Legislature, suspended by the Florida Board of Regents, and challenged by the Florida State University administration.","This collection was processed from September 2003-March 2004 by Burt Altman. Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed.","Arranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. 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Past speakers have included Philip Agee, Maya Angelou, Julian Bond, Cesar Chavez, Angela Davis, Allen Ginsberg, Abbie Hoffman, Jesse Jackson, Kate Millett, Ralph Nader, Madalyn Murray O'Hare, Jerry Rubin, and Gloria Steinem.","In addressing important social issues that affect people locally, nationally, and internationally, CPE's history has also been marked by controversy, and has been investigated by the Florida Legislature, suspended by the Florida Board of Regents, and challenged by the Florida State University administration."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida State University Center for Participant Education Collection, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2001-013\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida State University Center for Participant Education Collection, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2001-013"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from September 2003-March 2004 by Burt Altman. Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from September 2003-March 2004 by Burt Altman. Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed."],"scopecontent_html_tesm":["\u003cp\u003eArranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Arranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored."],"userestrict_html_tesm":["\u003cp\u003eFor copyright information, please contact the Center for Participant Education.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["For copyright information, please contact the Center for Participant Education.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_04f49ede341e4af60ce6013cffa54da7\" label=\"Abstract\"\u003eThe Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. These materials document the history and operations of the organization, and the programs it has sponsored for the years 1970-2000.\u003c/abstract\u003e"],"abstract_tesim":["The Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. These materials document the history and operations of the organization, and the programs it has sponsored for the years 1970-2000."],"names_coll_ssim":["Florida State University. Center for Participant Education"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Center for Participant Education"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Center for Participant Education"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":570,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858076469329920,"_root_":"ee5637b047e1736a3af70d43","timestamp":"2026-07-16T08:08:17.162Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ee5637b047e1736a3af70d43"}},{"id":"d190715cf32c3d30b43ec236","type":"collection","attributes":{"title":"Florida State University College of Social Work Files, 1963-1992, bulk 1972-1985","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d190715cf32c3d30b43ec236#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe College of Social Work files primarily comprise a fairly complete collection of undergraduate student handbooks (some with revised editions) prepared by the Department of Social Work from 1971-1992. The handbooks describe requirements for the B.S. and B.A Degree, list undergraduate courses, and offer information on social work certification, post graduate education, and other student related topics. Several pamphlets describe the Doctoral Program in Social Work, but they only cover scattered years from 1975-1984. In addition, the collection includes other materials published by the Department of Social Work and FSU's Institute of Governmental Research that relate to field instruction, improving the research aspects of the social work curriculum, student research projects, and public welfare programs and administration in Florida's 67 counties. \u003cbr\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d190715cf32c3d30b43ec236#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d190715cf32c3d30b43ec236","title_ssm":["Florida State University College of Social Work Files"],"title_tesim":["Florida State University College of Social Work Files"],"ead_ssi":"d190715cf32c3d30b43ec236","unitdate_ssm":["1963-1992","1972-1985"],"unitdate_bulk_ssim":["1972-1985"],"unitdate_inclusive_ssm":["1963-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2007-013","/repositories/10/resources/1062"],"text":["MSS 2007-013","/repositories/10/resources/1062","Florida State University College of Social Work Files, 1963-1992, bulk 1972-1985","Public welfare--Florida","Social service.","Social work education.","Pamphlets","Directories.","Reports","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University social work program began in the early years of the institution. Dr. Raymond F. Bellamy, professor of sociology from 1918 to 1956, first introduced social welfare content into the curriculum in the 1920s. In 1928 Dr. Coyle Moore, later to become the first Dean of the School of Social Welfare, joined the sociology faculty and taught \"The Field of Social Work\" and an introductory social welfare course \"for those who expect to take up social work.\" By the mid 1930s, during the Great Depression, undergraduate courses in casework and group work were offered, as well as field placements at the Leon County Welfare Association and the Leon County Unemployment Relief Council.\n In 2005 the social work program became identified as the College of Social Work. As of 2008, there are approximately 300 undergraduates and 350 graduate students enrolled in the College and 32 faculty numbers. More than 50 students are engaged in active study for the Ph.D. in social work. The program offers social work degrees at the baccalaureate, master, and doctoral levels.\n The Council on Social Work Education (CSWE) initially accredited the Masters in Social Work degree (MSW) program in 1950. The baccalaureate program was among the first of such programs accredited by CSWE in 1974. The Ph.D. program in social work was approved by the Florida Board of Regents in 1974 and accepted its first student in fall of that year.\nAdministratively, the College is directed by a dean and is assisted by an associate and assistant dean. Other administrative faculties are responsible for the doctoral program, the undergraduate program, part-time programs, and field instruction. The faculty oversees committees addressing most areas of school functioning, with student representatives on each of these committees. Agency field internships are carefully selected, and provide students with the opportunity to put into action both the conceptual and practice aspects of social work.","It is evident from her signature on many of these materials that they belonged to Patricia V. Vance, Associate Professor and Associate Dean of the Department of Social Work, during the 1970s and 1980s.","Portions of collection available online?: No","Processed by Burt Altman in October 2008","MSS 2007-013 (add'l), HUA 2018-026, HUA 2019-142","The College of Social Work files primarily comprise a fairly complete collection of undergraduate student handbooks (some with revised editions) prepared by the Department of Social Work from 1971-1992. The handbooks describe requirements for the B.S. and B.A Degree, list undergraduate courses, and offer information on social work certification, post graduate education, and other student related topics. Several pamphlets describe the Doctoral Program in Social Work, but they only cover scattered years from 1975-1984. In addition, the collection includes other materials published by the Department of Social Work and FSU's Institute of Governmental Research that relate to field instruction, improving the research aspects of the social work curriculum, student research projects, and public welfare programs and administration in Florida's 67 counties.\n The College of Social Work files is significant to researchers studying not only the history of the Florida State University social work program from the early 1970s through the early 1990s, but the collection provides a model of how higher education social work curriculums evolved in the U.S. during this time.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University. Department of Social Work.","Florida State University College of Social Work","Vance, Patricia V.","English"],"unitid_tesim":["MSS 2007-013","/repositories/10/resources/1062"],"normalized_date_ssm":["1963-1992, bulk 1972-1985"],"normalized_title_ssm":["Florida State University College of Social Work Files, 1963-1992, bulk 1972-1985"],"collection_title_tesim":["Florida State University College of Social Work Files, 1963-1992, bulk 1972-1985"],"collection_ssim":["Florida State University College of Social Work Files, 1963-1992, bulk 1972-1985"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Given by FSU College of Social Work in 2007."],"access_subjects_ssim":["Public welfare--Florida","Social service.","Social work education.","Pamphlets","Directories.","Reports"],"access_subjects_ssm":["Public welfare--Florida","Social service.","Social work education.","Pamphlets","Directories.","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["0.80 Linear Feet"],"extent_tesim":["0.80 Linear Feet"],"genreform_ssim":["Directories.","Reports"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Florida State University social work program began in the early years of the institution. Dr. Raymond F. Bellamy, professor of sociology from 1918 to 1956, first introduced social welfare content into the curriculum in the 1920s. In 1928 Dr. Coyle Moore, later to become the first Dean of the School of Social Welfare, joined the sociology faculty and taught \"The Field of Social Work\" and an introductory social welfare course \"for those who expect to take up social work.\" By the mid 1930s, during the Great Depression, undergraduate courses in casework and group work were offered, as well as field placements at the Leon County Welfare Association and the Leon County Unemployment Relief Council.\n\u003cbr\u003e\u003cbr\u003eIn 2005 the social work program became identified as the College of Social Work. As of 2008, there are approximately 300 undergraduates and 350 graduate students enrolled in the College and 32 faculty numbers. More than 50 students are engaged in active study for the Ph.D. in social work. The program offers social work degrees at the baccalaureate, master, and doctoral levels.\n\u003cbr\u003e\u003cbr\u003eThe Council on Social Work Education (CSWE) initially accredited the Masters in Social Work degree (MSW) program in 1950. The baccalaureate program was among the first of such programs accredited by CSWE in 1974. The Ph.D. program in social work was approved by the Florida Board of Regents in 1974 and accepted its first student in fall of that year.\nAdministratively, the College is directed by a dean and is assisted by an associate and assistant dean. Other administrative faculties are responsible for the doctoral program, the undergraduate program, part-time programs, and field instruction. The faculty oversees committees addressing most areas of school functioning, with student representatives on each of these committees. Agency field internships are carefully selected, and provide students with the opportunity to put into action both the conceptual and practice aspects of social work.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida State University social work program began in the early years of the institution. Dr. Raymond F. Bellamy, professor of sociology from 1918 to 1956, first introduced social welfare content into the curriculum in the 1920s. In 1928 Dr. Coyle Moore, later to become the first Dean of the School of Social Welfare, joined the sociology faculty and taught \"The Field of Social Work\" and an introductory social welfare course \"for those who expect to take up social work.\" By the mid 1930s, during the Great Depression, undergraduate courses in casework and group work were offered, as well as field placements at the Leon County Welfare Association and the Leon County Unemployment Relief Council.\n In 2005 the social work program became identified as the College of Social Work. As of 2008, there are approximately 300 undergraduates and 350 graduate students enrolled in the College and 32 faculty numbers. More than 50 students are engaged in active study for the Ph.D. in social work. The program offers social work degrees at the baccalaureate, master, and doctoral levels.\n The Council on Social Work Education (CSWE) initially accredited the Masters in Social Work degree (MSW) program in 1950. The baccalaureate program was among the first of such programs accredited by CSWE in 1974. The Ph.D. program in social work was approved by the Florida Board of Regents in 1974 and accepted its first student in fall of that year.\nAdministratively, the College is directed by a dean and is assisted by an associate and assistant dean. Other administrative faculties are responsible for the doctoral program, the undergraduate program, part-time programs, and field instruction. The faculty oversees committees addressing most areas of school functioning, with student representatives on each of these committees. Agency field internships are carefully selected, and provide students with the opportunity to put into action both the conceptual and practice aspects of social work."],"custodhist_html_tesm":["\u003cp\u003eIt is evident from her signature on many of these materials that they belonged to Patricia V. Vance, Associate Professor and Associate Dean of the Department of Social Work, during the 1970s and 1980s.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["It is evident from her signature on many of these materials that they belonged to Patricia V. Vance, Associate Professor and Associate Dean of the Department of Social Work, during the 1970s and 1980s."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida State University School of Social Work Files, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2007-013\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida State University School of Social Work Files, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2007-013"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Burt Altman in October 2008\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Burt Altman in October 2008"],"relatedmaterial_html_tesm":["\u003cp\u003eMSS 2007-013 (add'l), HUA 2018-026, HUA 2019-142\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MSS 2007-013 (add'l), HUA 2018-026, HUA 2019-142"],"scopecontent_html_tesm":["\u003cp\u003eThe College of Social Work files primarily comprise a fairly complete collection of undergraduate student handbooks (some with revised editions) prepared by the Department of Social Work from 1971-1992. The handbooks describe requirements for the B.S. and B.A Degree, list undergraduate courses, and offer information on social work certification, post graduate education, and other student related topics. Several pamphlets describe the Doctoral Program in Social Work, but they only cover scattered years from 1975-1984. In addition, the collection includes other materials published by the Department of Social Work and FSU's Institute of Governmental Research that relate to field instruction, improving the research aspects of the social work curriculum, student research projects, and public welfare programs and administration in Florida's 67 counties.\n\u003cbr\u003e\u003cbr\u003eThe College of Social Work files is significant to researchers studying not only the history of the Florida State University social work program from the early 1970s through the early 1990s, but the collection provides a model of how higher education social work curriculums evolved in the U.S. during this time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The College of Social Work files primarily comprise a fairly complete collection of undergraduate student handbooks (some with revised editions) prepared by the Department of Social Work from 1971-1992. The handbooks describe requirements for the B.S. and B.A Degree, list undergraduate courses, and offer information on social work certification, post graduate education, and other student related topics. Several pamphlets describe the Doctoral Program in Social Work, but they only cover scattered years from 1975-1984. In addition, the collection includes other materials published by the Department of Social Work and FSU's Institute of Governmental Research that relate to field instruction, improving the research aspects of the social work curriculum, student research projects, and public welfare programs and administration in Florida's 67 counties.\n The College of Social Work files is significant to researchers studying not only the history of the Florida State University social work program from the early 1970s through the early 1990s, but the collection provides a model of how higher education social work curriculums evolved in the U.S. during this time."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State University. Department of Social Work.","Vance, Patricia V."],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Department of Social Work.","Florida State University College of Social Work","Vance, Patricia V."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University social work program began in the early years of the institution. Dr. Raymond F. Bellamy, professor of sociology from 1918 to 1956, first introduced social welfare content into the curriculum in the 1920s. In 1928 Dr. Coyle Moore, later to become the first Dean of the School of Social Welfare, joined the sociology faculty and taught \"The Field of Social Work\" and an introductory social welfare course \"for those who expect to take up social work.\" By the mid 1930s, during the Great Depression, undergraduate courses in casework and group work were offered, as well as field placements at the Leon County Welfare Association and the Leon County Unemployment Relief Council.\n In 2005 the social work program became identified as the College of Social Work. As of 2008, there are approximately 300 undergraduates and 350 graduate students enrolled in the College and 32 faculty numbers. More than 50 students are engaged in active study for the Ph.D. in social work. The program offers social work degrees at the baccalaureate, master, and doctoral levels.\n The Council on Social Work Education (CSWE) initially accredited the Masters in Social Work degree (MSW) program in 1950. The baccalaureate program was among the first of such programs accredited by CSWE in 1974. The Ph.D. program in social work was approved by the Florida Board of Regents in 1974 and accepted its first student in fall of that year.\nAdministratively, the College is directed by a dean and is assisted by an associate and assistant dean. Other administrative faculties are responsible for the doctoral program, the undergraduate program, part-time programs, and field instruction. The faculty oversees committees addressing most areas of school functioning, with student representatives on each of these committees. Agency field internships are carefully selected, and provide students with the opportunity to put into action both the conceptual and practice aspects of social work.","It is evident from her signature on many of these materials that they belonged to Patricia V. Vance, Associate Professor and Associate Dean of the Department of Social Work, during the 1970s and 1980s.","Portions of collection available online?: No","Processed by Burt Altman in October 2008","MSS 2007-013 (add'l), HUA 2018-026, HUA 2019-142","The College of Social Work files primarily comprise a fairly complete collection of undergraduate student handbooks (some with revised editions) prepared by the Department of Social Work from 1971-1992. The handbooks describe requirements for the B.S. and B.A Degree, list undergraduate courses, and offer information on social work certification, post graduate education, and other student related topics. Several pamphlets describe the Doctoral Program in Social Work, but they only cover scattered years from 1975-1984. In addition, the collection includes other materials published by the Department of Social Work and FSU's Institute of Governmental Research that relate to field instruction, improving the research aspects of the social work curriculum, student research projects, and public welfare programs and administration in Florida's 67 counties.\n The College of Social Work files is significant to researchers studying not only the history of the Florida State University social work program from the early 1970s through the early 1990s, but the collection provides a model of how higher education social work curriculums evolved in the U.S. during this time.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University. Department of Social Work.","Florida State University College of Social Work","Vance, Patricia V.","English"],"unitid_tesim":["MSS 2007-013","/repositories/10/resources/1062"],"normalized_date_ssm":["1963-1992, bulk 1972-1985"],"normalized_title_ssm":["Florida State University College of Social Work Files, 1963-1992, bulk 1972-1985"],"collection_title_tesim":["Florida State University College of Social Work Files, 1963-1992, bulk 1972-1985"],"collection_ssim":["Florida State University College of Social Work Files, 1963-1992, bulk 1972-1985"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Given by FSU College of Social Work in 2007."],"access_subjects_ssim":["Public welfare--Florida","Social service.","Social work education.","Pamphlets","Directories.","Reports"],"access_subjects_ssm":["Public welfare--Florida","Social service.","Social work education.","Pamphlets","Directories.","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["0.80 Linear Feet"],"extent_tesim":["0.80 Linear Feet"],"genreform_ssim":["Directories.","Reports"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Florida State University social work program began in the early years of the institution. Dr. Raymond F. Bellamy, professor of sociology from 1918 to 1956, first introduced social welfare content into the curriculum in the 1920s. In 1928 Dr. Coyle Moore, later to become the first Dean of the School of Social Welfare, joined the sociology faculty and taught \"The Field of Social Work\" and an introductory social welfare course \"for those who expect to take up social work.\" By the mid 1930s, during the Great Depression, undergraduate courses in casework and group work were offered, as well as field placements at the Leon County Welfare Association and the Leon County Unemployment Relief Council.\n\u003cbr\u003e\u003cbr\u003eIn 2005 the social work program became identified as the College of Social Work. As of 2008, there are approximately 300 undergraduates and 350 graduate students enrolled in the College and 32 faculty numbers. More than 50 students are engaged in active study for the Ph.D. in social work. The program offers social work degrees at the baccalaureate, master, and doctoral levels.\n\u003cbr\u003e\u003cbr\u003eThe Council on Social Work Education (CSWE) initially accredited the Masters in Social Work degree (MSW) program in 1950. The baccalaureate program was among the first of such programs accredited by CSWE in 1974. The Ph.D. program in social work was approved by the Florida Board of Regents in 1974 and accepted its first student in fall of that year.\nAdministratively, the College is directed by a dean and is assisted by an associate and assistant dean. Other administrative faculties are responsible for the doctoral program, the undergraduate program, part-time programs, and field instruction. The faculty oversees committees addressing most areas of school functioning, with student representatives on each of these committees. Agency field internships are carefully selected, and provide students with the opportunity to put into action both the conceptual and practice aspects of social work.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida State University social work program began in the early years of the institution. Dr. Raymond F. Bellamy, professor of sociology from 1918 to 1956, first introduced social welfare content into the curriculum in the 1920s. In 1928 Dr. Coyle Moore, later to become the first Dean of the School of Social Welfare, joined the sociology faculty and taught \"The Field of Social Work\" and an introductory social welfare course \"for those who expect to take up social work.\" By the mid 1930s, during the Great Depression, undergraduate courses in casework and group work were offered, as well as field placements at the Leon County Welfare Association and the Leon County Unemployment Relief Council.\n In 2005 the social work program became identified as the College of Social Work. As of 2008, there are approximately 300 undergraduates and 350 graduate students enrolled in the College and 32 faculty numbers. More than 50 students are engaged in active study for the Ph.D. in social work. The program offers social work degrees at the baccalaureate, master, and doctoral levels.\n The Council on Social Work Education (CSWE) initially accredited the Masters in Social Work degree (MSW) program in 1950. The baccalaureate program was among the first of such programs accredited by CSWE in 1974. The Ph.D. program in social work was approved by the Florida Board of Regents in 1974 and accepted its first student in fall of that year.\nAdministratively, the College is directed by a dean and is assisted by an associate and assistant dean. Other administrative faculties are responsible for the doctoral program, the undergraduate program, part-time programs, and field instruction. The faculty oversees committees addressing most areas of school functioning, with student representatives on each of these committees. Agency field internships are carefully selected, and provide students with the opportunity to put into action both the conceptual and practice aspects of social work."],"custodhist_html_tesm":["\u003cp\u003eIt is evident from her signature on many of these materials that they belonged to Patricia V. Vance, Associate Professor and Associate Dean of the Department of Social Work, during the 1970s and 1980s.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["It is evident from her signature on many of these materials that they belonged to Patricia V. Vance, Associate Professor and Associate Dean of the Department of Social Work, during the 1970s and 1980s."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida State University School of Social Work Files, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2007-013\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida State University School of Social Work Files, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2007-013"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Burt Altman in October 2008\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Burt Altman in October 2008"],"relatedmaterial_html_tesm":["\u003cp\u003eMSS 2007-013 (add'l), HUA 2018-026, HUA 2019-142\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MSS 2007-013 (add'l), HUA 2018-026, HUA 2019-142"],"scopecontent_html_tesm":["\u003cp\u003eThe College of Social Work files primarily comprise a fairly complete collection of undergraduate student handbooks (some with revised editions) prepared by the Department of Social Work from 1971-1992. The handbooks describe requirements for the B.S. and B.A Degree, list undergraduate courses, and offer information on social work certification, post graduate education, and other student related topics. Several pamphlets describe the Doctoral Program in Social Work, but they only cover scattered years from 1975-1984. In addition, the collection includes other materials published by the Department of Social Work and FSU's Institute of Governmental Research that relate to field instruction, improving the research aspects of the social work curriculum, student research projects, and public welfare programs and administration in Florida's 67 counties.\n\u003cbr\u003e\u003cbr\u003eThe College of Social Work files is significant to researchers studying not only the history of the Florida State University social work program from the early 1970s through the early 1990s, but the collection provides a model of how higher education social work curriculums evolved in the U.S. during this time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The College of Social Work files primarily comprise a fairly complete collection of undergraduate student handbooks (some with revised editions) prepared by the Department of Social Work from 1971-1992. The handbooks describe requirements for the B.S. and B.A Degree, list undergraduate courses, and offer information on social work certification, post graduate education, and other student related topics. Several pamphlets describe the Doctoral Program in Social Work, but they only cover scattered years from 1975-1984. In addition, the collection includes other materials published by the Department of Social Work and FSU's Institute of Governmental Research that relate to field instruction, improving the research aspects of the social work curriculum, student research projects, and public welfare programs and administration in Florida's 67 counties.\n The College of Social Work files is significant to researchers studying not only the history of the Florida State University social work program from the early 1970s through the early 1990s, but the collection provides a model of how higher education social work curriculums evolved in the U.S. during this time."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State University. Department of Social Work.","Vance, Patricia V."],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Department of Social Work.","Florida State University College of Social Work","Vance, Patricia V."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Department of Social Work.","Florida State University College of Social Work"],"persname_ssim":["Vance, Patricia V."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":174,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877289054615109632,"_root_":"d190715cf32c3d30b43ec236","timestamp":"2026-09-25T07:45:55.855Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d190715cf32c3d30b43ec236"}},{"id":"1ac81ef5e6623d4b183a7c01","type":"collection","attributes":{"title":"John MacKay Shaw Collection, 1737-2007","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/1ac81ef5e6623d4b183a7c01#creator","type":"document_value","attributes":{"value":["Shaw, John MacKay, 1897-1984"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1ac81ef5e6623d4b183a7c01#abstract_or_scope","type":"document_value","attributes":{"value":["The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These other materials include articles, audiovisual materials, biographical materials, catalogs, correspondence, literary materials, notes, photographs, programs, and publications documenting his personal, business, and collecting activities."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1ac81ef5e6623d4b183a7c01#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1ac81ef5e6623d4b183a7c01","title_ssm":["John MacKay Shaw Collection"],"title_tesim":["John MacKay Shaw Collection"],"ead_ssi":"1ac81ef5e6623d4b183a7c01","unitdate_ssm":["1737-2007"],"unitdate_inclusive_ssm":["1737-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2008-006","/repositories/10/resources/1390"],"text":["MSS 2008-006","/repositories/10/resources/1390","John MacKay Shaw Collection, 1737-2007","Bibliography","Biography","Book collecting--United States.","Children","Children's poetry","Collectors and collecting.","Letters--20th century","Poets, American--20th century","Publishers and publishing.","Writing.","Autographs.","Advertising fliers","Pamphlets","Poetry","Genealogy","Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides.","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","TABLE OF CONTENTS FOR MAJOR SERIES, WITH BOX NUMBER LOCATIONS\n Shaw Life: Boxes 1-11B. Arranged alphabetically within each subseries.\n Shaw Bibliography Notes and Source Materials: Boxes 12-72, 59, 73-74, 117-119. Arranged alphabetically by author's name.\n Shaw Writings: Boxes 75-82. Arranged alphabetically by title (not strictly in order).\n Theme Materials in Childhood in Poetry: Boxes 90-93. Arranged alphabetically within each theme subseries.\n Autographed Materials: Boxes 83-89, 94-95. Arranged alphabetically by name of writer.\n Folders in the Shaw Bibliography Notes and Source Materials series contain detailed lists of the contents. Folder lists for the Autographed Materials, Shaw Correspondence, Themes, and other series will be created in the future.","John Shaw was born in Glasgow, Scotland, on May 15, 1897. In 1911, he immigrated with his mother and two sisters to Philadelphia where his father had already found work and a place for the family to live. He quit school at the age of 14 and went to work as an errand boy at John Wanamaker's Department Store. Later he took stenographic courses at the Wharton Business School. He enlisted in the Army in 1917 and was stationed in France with the Ambulance Corp during World War I.\n When he returned to the U.S. in 1919 he became part of the steno pool for Mitten Management, which operated the transportation system in Philadelphia. Thomas Mitten, the President of the company, drew him out of the pool to be his personal secretary. His interest in people led Shaw to write fliers that were distributed to passengers on the trolleys and trains, his first public relations job. After Mr. Mitten's death, Shaw went to work for the Bell Telephone System, and remained a public relations executive with that company until he retired in 1959. Part of this job was to serve as liaison for the company in the production of the weekly classical music radio program \"The Bell Telephone Hour.\" Based on research he conducted, he also redesigned the Yellow Pages for New York City. He changed his name legally to John MacKay Shaw to distinguish himself from all the other John Shaws he had discovered. He chose MacKay in honor of his mother's uncle, the scholar, navigator, and teacher John MacKay of Stornoway, Isle of Lewis, Scotland.\n When his two children were young, Shaw read and sang to them often. He recited poetry, sang the old Glasgow drinking songs, Gilbert and Sullivan, and songs of the Gay Nineties. However, the children wanted to hear poems about them, not about other children. He promised to write them if they would provide the subjects for him to write about. Each year between 1933 and 1937, he collected the poems he had written that year and had them printed in pamphlets which he sent to friends at Christmas. Too soon the children outgrew the pleasures of poetry, but Shaw never did. Realizing that other fathers must have written poems for their children, he went looking for them in the second-hand bookstores. Thus began his collection of Childhood in Poetry.\n For thirty years, while continuing to work for the Bell System, John MacKay Shaw haunted the second-hand bookstores of Great Britain and the United States, poring over catalogs in the evenings, searching out and purchasing rare and first editions of poetry for, about, and by children. He studied the books, read and wrote about them and their authors, and discoursed extensively with other collectors and scholars. He became a member of the Grolier Club and the American Library Association.\n Upon retirement in 1959, Shaw gave his collection of almost 6,000 volumes to Florida State University (FSU) Libraries. For the next 25 years, Shaw went to the library daily to study, write, and talk about his books. He continued adding to his collection. FSU provided secretarial support. Jim Birchfield helped him as curator; later Fred Korn served in that capacity. Shaw was an active member of the St. Andrews Society, the Friends of the FSU Libraries, and the Presbyterian Church. He initiated the FSU Libraries' Scottish Collection in 1975 by a donation of 100 of his books. Other Scots donated books and ephemera too, not only to the Scottish Collection but to Childhood in Poetry, including former director of the New York Public Library, George Fraser Black. In 1967 and 1969, the Friends of the FSU Libraries published two hardcover illustrated volumes of the poems Shaw had written for his children: T he Things I Want: Poems for Two Children  (1967) and  Zumpin, More Poems for Two Children  (1969).\n All during his collecting years, as he discovered new material, Shaw typed information about it into the pages of his notebooks. He collected catalogs, articles, ads, and items other than reading material as well-- anything that related to childhood and poetry. He stored non-book items in labeled envelopes and folders as well as in his notebooks, and even in the books themselves. These items and the notes he kept for each book provided the source material for his 11-volume annotated bibliography,  Childhood in Poetry , which includes a keyword index to the poems as well. In addition to scholarly journal articles, Shaw published several monographs covering various categories of authors. He also gave talks to professional librarians and English teachers around the U.S. and read to children in the local schools.\n On the recommendation of Jim Walters of FSU's Department of Child Development, the FSU faculty awarded John MacKay Shaw the Doctor of Humane Letters degree on May 24, 1972. Shaw died in Tallahassee, FL on March 15, 1984.","John MacKay Shaw, in anticipation of his retirement in the late 1950s, sought a repository where he could continue to work on his Childhood in Poetry Collection and collect materials related to the building of that collection. Jacqueline Dupont, Florida State University alumna and friend of his daughter Cathmar, suggested FSU. In 1959, 6,000 volumes of the Childhood in Poetry Collection, along with its collector, came to FSU.","Some books from the John M. Shaw collection are available through the  FSU Digital Library .","In 1997, under the supervision of librarian Kathy Shelfer, students began organizing the piles, folders, and envelopes of loose materials that Shaw collected. These materials included articles, catalogs, serials, programs, and other items, as well as the notes Shaw wrote about the books and their authors. Under her supervision, students began making folders headed by authors' names and a few other headings Shaw had used. Cathmar Prange, John Shaw's daughter, assisted during the winter of 1997-98.\n In the winters of 1998-2000, Prange made folders and lists of the Shaw Life materials, writings by others, and his correspondence. Debra Rouse, a Special Collections Visiting Librarian, removed materials that Shaw had inserted in books, placed them in archival envelopes, and labeled them with the author, title of the item, and the title of the book in which they were discovered.\n In 2001, Shaw Notes materials were removed from non-archival envelopes and pam-binders, and filed in author folders. Prange, assisted by Garnett Avant, a Special Collections staff member, did minor preservation tasks (photocopying, stapling and taping) and sorted materials, copied labels made by Shaw into descriptive lists of individual items, and placed the items in appropriate folders.  She continued this process through 2004, adding to the lists and folders the materials that had been placed in envelopes. In 2003-2004, Delia Tam, a part-time retired library staff member, reviewed materials in the Shaw Notes boxes for typos and inconsistencies between Prange's lists and the box contents. Tam also shifted materials in boxes and on the box lists to accommodate everything that had been added since 1997.\n In 2004, Prange continued organizing and preparing detailed lists of the Shaw Notes folders, which was completed in 2005. In sorting these bibliography and source materials, she found items that could not be attributed to any particular author whose name Shaw had used as a heading in his original author arrangement scheme. The subjects of these items fell into six categories or themes: bibliography, biography, children, collecting, publishing, and writing. These themes, evident throughout the collection, became the headings for folders of non-author items. During the winter of 2004-05, she solved most of the problems that Tam had noted by rewriting and/or reorganizing materials in the Shaw Notes folders.\n From 2005-2007, Prange and Avant created a system for removal and tracking of additional items left in books, a process that continued through 2008. From 2007-2009, Prange completed and revised the storage and listing of Shaw Life materials, writings by others, and his correspondence begun in 2000, and wrote the finding aid's front matter. She, Altman, and graduate assistant Ginger H. Williams determined the intellectual arrangement of the collection. From 2008 to 2009, Altman and Williams created the EAD finding aid in NoteTab.","Wisconsin Historical Society, Madison, WI, USA. Three boxes of papers and one 2-page manuscript, including Bell System speeches, articles, reports and other papers, 1930-1959. Subjects discussed include public attitudes and corporate image, rate-making and governmental regulations, and marketing and market research.\n Temple University Library in Philadelphia, PA, USA. John MacKay Shaw's Mitten Management correspondence, news items, and \"Service Talks\" from 1919-1929, and his biography of transportation industry magnate Thomas Mitten.\n Pennsylvania State University Labor Collection, State College, PA, USA. Union Dues Records of Neil Shaw, father of John MacKay Shaw.","The John MacKay Shaw Collection, housed at the Florida State University Libraries, includes over 22,400 books in the Childhood in Poetry Collection and over 46 linear feet of other materials that document the personal, business, and collecting activities of John MacKay Shaw, an internationally-known book collector. The Childhood in Poetry Collection is one of the foremost repositories of the poetry of childhood. It includes the books by, for, and about children, and additional materials he collected relating to the themes (bibliography, biography, children, collecting, publication, and writing) of the collection.\n While the emphasis of the John MacKay Shaw Collection is on poetry and children, it also contains the collector's own notes and correspondence, as well as original drawings, proof sheets, catalogs, and other materials assembled during his many years of research. In these materials as well as in the books, history, sociology, music and theatre, art and education are well represented, with emphasis on the Victorian era.\n Significant authors and poets documented in the Collection include Alfred Lord Tennyson, William Blake, Robert and Elizabeth Barrett Browning, Robert Burns, Lewis Carroll, Eugene Field, Rudyard Kipling, Walter de la Mare, A.A. Milne, Theodor Geisel, Charles and Mary Lamb, James Whitcomb Riley, Sir Walter Scott, Robert Louis Stevenson, Isaac Watts, and William B. Yeats.\n The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that document the books and poets and relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These additional materials are organized into several series and subseries documenting the career of this collector. The Shaw Life series comprises biography, business files, church and education materials, correspondence, and personal files; Professional Files contain Shaw Correspondence and the Collection's History and Operation; Literary Materials include Shaw Bibliography Notes and Source Materials, Theme Materials in Childhood in Poetry, Shaw Writings, Autographed Materials, and Writings by Others who used the Shaw Collection; Promotional Materials include catalogs and advertisements; Other Printed Materials comprise magazines, catalogs, and newspaper articles; Audiovisual Materials contain films, photographs, and recordings. Additional materials include artwork, memorabilia, and the books in the Childhood in Poetry Collection.","Copyright owned by Florida State University.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These other materials include articles, audiovisual materials, biographical materials, catalogs, correspondence, literary materials, notes, photographs, programs, and publications documenting his personal, business, and collecting activities.","FSU Special Collections \u0026 Archives","Shaw, John MacKay, 1897-1984","Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939","English"],"unitid_tesim":["MSS 2008-006","/repositories/10/resources/1390"],"normalized_date_ssm":["1737-2007"],"normalized_title_ssm":["John MacKay Shaw Collection, 1737-2007"],"collection_title_tesim":["John MacKay Shaw Collection, 1737-2007"],"collection_ssim":["John MacKay Shaw Collection, 1737-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Shaw, John MacKay, 1897-1984"],"creator_ssim":["Shaw, John MacKay, 1897-1984"],"creator_persname_ssim":["Shaw, John MacKay, 1897-1984"],"creators_ssim":["Shaw, John MacKay, 1897-1984"],"access_terms_ssm":["Copyright owned by Florida State University.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Bibliography","Biography","Book collecting--United States.","Children","Children's poetry","Collectors and collecting.","Letters--20th century","Poets, American--20th century","Publishers and publishing.","Writing.","Autographs.","Advertising fliers","Pamphlets","Poetry","Genealogy","Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides."],"access_subjects_ssm":["Bibliography","Biography","Book collecting--United States.","Children","Children's poetry","Collectors and collecting.","Letters--20th century","Poets, American--20th century","Publishers and publishing.","Writing.","Autographs.","Advertising fliers","Pamphlets","Poetry","Genealogy","Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["69.00 Linear Feet"],"extent_tesim":["69.00 Linear Feet"],"genreform_ssim":["Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides."],"date_range_isim":[1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eTABLE OF CONTENTS FOR MAJOR SERIES, WITH BOX NUMBER LOCATIONS\n\u003cbr\u003e\u003cbr\u003eShaw Life: Boxes 1-11B. Arranged alphabetically within each subseries.\n\u003cbr\u003e\u003cbr\u003eShaw Bibliography Notes and Source Materials: Boxes 12-72, 59, 73-74, 117-119. Arranged alphabetically by author's name.\n\u003cbr\u003e\u003cbr\u003eShaw Writings: Boxes 75-82. Arranged alphabetically by title (not strictly in order).\n\u003cbr\u003e\u003cbr\u003eTheme Materials in Childhood in Poetry: Boxes 90-93. Arranged alphabetically within each theme subseries.\n\u003cbr\u003e\u003cbr\u003eAutographed Materials: Boxes 83-89, 94-95. Arranged alphabetically by name of writer.\n\u003cbr\u003e\u003cbr\u003eFolders in the Shaw Bibliography Notes and Source Materials series contain detailed lists of the contents. Folder lists for the Autographed Materials, Shaw Correspondence, Themes, and other series will be created in the future.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["TABLE OF CONTENTS FOR MAJOR SERIES, WITH BOX NUMBER LOCATIONS\n Shaw Life: Boxes 1-11B. Arranged alphabetically within each subseries.\n Shaw Bibliography Notes and Source Materials: Boxes 12-72, 59, 73-74, 117-119. Arranged alphabetically by author's name.\n Shaw Writings: Boxes 75-82. Arranged alphabetically by title (not strictly in order).\n Theme Materials in Childhood in Poetry: Boxes 90-93. Arranged alphabetically within each theme subseries.\n Autographed Materials: Boxes 83-89, 94-95. Arranged alphabetically by name of writer.\n Folders in the Shaw Bibliography Notes and Source Materials series contain detailed lists of the contents. Folder lists for the Autographed Materials, Shaw Correspondence, Themes, and other series will be created in the future."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John Shaw was born in Glasgow, Scotland, on May 15, 1897. In 1911, he immigrated with his mother and two sisters to Philadelphia where his father had already found work and a place for the family to live. He quit school at the age of 14 and went to work as an errand boy at John Wanamaker's Department Store. Later he took stenographic courses at the Wharton Business School. He enlisted in the Army in 1917 and was stationed in France with the Ambulance Corp during World War I.\n When he returned to the U.S. in 1919 he became part of the steno pool for Mitten Management, which operated the transportation system in Philadelphia. Thomas Mitten, the President of the company, drew him out of the pool to be his personal secretary. His interest in people led Shaw to write fliers that were distributed to passengers on the trolleys and trains, his first public relations job. After Mr. Mitten's death, Shaw went to work for the Bell Telephone System, and remained a public relations executive with that company until he retired in 1959. Part of this job was to serve as liaison for the company in the production of the weekly classical music radio program \"The Bell Telephone Hour.\" Based on research he conducted, he also redesigned the Yellow Pages for New York City. He changed his name legally to John MacKay Shaw to distinguish himself from all the other John Shaws he had discovered. He chose MacKay in honor of his mother's uncle, the scholar, navigator, and teacher John MacKay of Stornoway, Isle of Lewis, Scotland.\n When his two children were young, Shaw read and sang to them often. He recited poetry, sang the old Glasgow drinking songs, Gilbert and Sullivan, and songs of the Gay Nineties. However, the children wanted to hear poems about them, not about other children. He promised to write them if they would provide the subjects for him to write about. Each year between 1933 and 1937, he collected the poems he had written that year and had them printed in pamphlets which he sent to friends at Christmas. Too soon the children outgrew the pleasures of poetry, but Shaw never did. Realizing that other fathers must have written poems for their children, he went looking for them in the second-hand bookstores. Thus began his collection of Childhood in Poetry.\n For thirty years, while continuing to work for the Bell System, John MacKay Shaw haunted the second-hand bookstores of Great Britain and the United States, poring over catalogs in the evenings, searching out and purchasing rare and first editions of poetry for, about, and by children. He studied the books, read and wrote about them and their authors, and discoursed extensively with other collectors and scholars. He became a member of the Grolier Club and the American Library Association.\n Upon retirement in 1959, Shaw gave his collection of almost 6,000 volumes to Florida State University (FSU) Libraries. For the next 25 years, Shaw went to the library daily to study, write, and talk about his books. He continued adding to his collection. FSU provided secretarial support. Jim Birchfield helped him as curator; later Fred Korn served in that capacity. Shaw was an active member of the St. Andrews Society, the Friends of the FSU Libraries, and the Presbyterian Church. He initiated the FSU Libraries' Scottish Collection in 1975 by a donation of 100 of his books. Other Scots donated books and ephemera too, not only to the Scottish Collection but to Childhood in Poetry, including former director of the New York Public Library, George Fraser Black. In 1967 and 1969, the Friends of the FSU Libraries published two hardcover illustrated volumes of the poems Shaw had written for his children: T he Things I Want: Poems for Two Children  (1967) and  Zumpin, More Poems for Two Children  (1969).\n All during his collecting years, as he discovered new material, Shaw typed information about it into the pages of his notebooks. He collected catalogs, articles, ads, and items other than reading material as well-- anything that related to childhood and poetry. He stored non-book items in labeled envelopes and folders as well as in his notebooks, and even in the books themselves. These items and the notes he kept for each book provided the source material for his 11-volume annotated bibliography,  Childhood in Poetry , which includes a keyword index to the poems as well. In addition to scholarly journal articles, Shaw published several monographs covering various categories of authors. He also gave talks to professional librarians and English teachers around the U.S. and read to children in the local schools.\n On the recommendation of Jim Walters of FSU's Department of Child Development, the FSU faculty awarded John MacKay Shaw the Doctor of Humane Letters degree on May 24, 1972. Shaw died in Tallahassee, FL on March 15, 1984."],"custodhist_html_tesm":["\u003cp\u003eJohn MacKay Shaw, in anticipation of his retirement in the late 1950s, sought a repository where he could continue to work on his Childhood in Poetry Collection and collect materials related to the building of that collection. Jacqueline Dupont, Florida State University alumna and friend of his daughter Cathmar, suggested FSU. In 1959, 6,000 volumes of the Childhood in Poetry Collection, along with its collector, came to FSU.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["John MacKay Shaw, in anticipation of his retirement in the late 1950s, sought a repository where he could continue to work on his Childhood in Poetry Collection and collect materials related to the building of that collection. Jacqueline Dupont, Florida State University alumna and friend of his daughter Cathmar, suggested FSU. In 1959, 6,000 volumes of the Childhood in Poetry Collection, along with its collector, came to FSU."],"originalsloc_html_tesm":["\u003cp\u003eSome books from the John M. Shaw collection are available through the \u003cextref href=\"http://fsu.digital.flvc.org/islandora/object/fsu%3Adigital_library\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Some books from the John M. Shaw collection are available through the  FSU Digital Library ."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], John MacKay Shaw Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2008-006\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], John MacKay Shaw Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2008-006"],"processinfo_html_tesm":["\u003cp\u003eIn 1997, under the supervision of librarian Kathy Shelfer, students began organizing the piles, folders, and envelopes of loose materials that Shaw collected. These materials included articles, catalogs, serials, programs, and other items, as well as the notes Shaw wrote about the books and their authors. Under her supervision, students began making folders headed by authors' names and a few other headings Shaw had used. Cathmar Prange, John Shaw's daughter, assisted during the winter of 1997-98.\n\u003cbr\u003e\u003cbr\u003eIn the winters of 1998-2000, Prange made folders and lists of the Shaw Life materials, writings by others, and his correspondence. Debra Rouse, a Special Collections Visiting Librarian, removed materials that Shaw had inserted in books, placed them in archival envelopes, and labeled them with the author, title of the item, and the title of the book in which they were discovered.\n\u003cbr\u003e\u003cbr\u003eIn 2001, Shaw Notes materials were removed from non-archival envelopes and pam-binders, and filed in author folders. Prange, assisted by Garnett Avant, a Special Collections staff member, did minor preservation tasks (photocopying, stapling and taping) and sorted materials, copied labels made by Shaw into descriptive lists of individual items, and placed the items in appropriate folders.\u0026#xA0; She continued this process through 2004, adding to the lists and folders the materials that had been placed in envelopes. In 2003-2004, Delia Tam, a part-time retired library staff member, reviewed materials in the Shaw Notes boxes for typos and inconsistencies between Prange's lists and the box contents. Tam also shifted materials in boxes and on the box lists to accommodate everything that had been added since 1997.\n\u003cbr\u003e\u003cbr\u003eIn 2004, Prange continued organizing and preparing detailed lists of the Shaw Notes folders, which was completed in 2005. In sorting these bibliography and source materials, she found items that could not be attributed to any particular author whose name Shaw had used as a heading in his original author arrangement scheme. The subjects of these items fell into six categories or themes: bibliography, biography, children, collecting, publishing, and writing. These themes, evident throughout the collection, became the headings for folders of non-author items. During the winter of 2004-05, she solved most of the problems that Tam had noted by rewriting and/or reorganizing materials in the Shaw Notes folders.\n\u003cbr\u003e\u003cbr\u003eFrom 2005-2007, Prange and Avant created a system for removal and tracking of additional items left in books, a process that continued through 2008. From 2007-2009, Prange completed and revised the storage and listing of Shaw Life materials, writings by others, and his correspondence begun in 2000, and wrote the finding aid's front matter. She, Altman, and graduate assistant Ginger H. Williams determined the intellectual arrangement of the collection. From 2008 to 2009, Altman and Williams created the EAD finding aid in NoteTab.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 1997, under the supervision of librarian Kathy Shelfer, students began organizing the piles, folders, and envelopes of loose materials that Shaw collected. These materials included articles, catalogs, serials, programs, and other items, as well as the notes Shaw wrote about the books and their authors. Under her supervision, students began making folders headed by authors' names and a few other headings Shaw had used. Cathmar Prange, John Shaw's daughter, assisted during the winter of 1997-98.\n In the winters of 1998-2000, Prange made folders and lists of the Shaw Life materials, writings by others, and his correspondence. Debra Rouse, a Special Collections Visiting Librarian, removed materials that Shaw had inserted in books, placed them in archival envelopes, and labeled them with the author, title of the item, and the title of the book in which they were discovered.\n In 2001, Shaw Notes materials were removed from non-archival envelopes and pam-binders, and filed in author folders. Prange, assisted by Garnett Avant, a Special Collections staff member, did minor preservation tasks (photocopying, stapling and taping) and sorted materials, copied labels made by Shaw into descriptive lists of individual items, and placed the items in appropriate folders.  She continued this process through 2004, adding to the lists and folders the materials that had been placed in envelopes. In 2003-2004, Delia Tam, a part-time retired library staff member, reviewed materials in the Shaw Notes boxes for typos and inconsistencies between Prange's lists and the box contents. Tam also shifted materials in boxes and on the box lists to accommodate everything that had been added since 1997.\n In 2004, Prange continued organizing and preparing detailed lists of the Shaw Notes folders, which was completed in 2005. In sorting these bibliography and source materials, she found items that could not be attributed to any particular author whose name Shaw had used as a heading in his original author arrangement scheme. The subjects of these items fell into six categories or themes: bibliography, biography, children, collecting, publishing, and writing. These themes, evident throughout the collection, became the headings for folders of non-author items. During the winter of 2004-05, she solved most of the problems that Tam had noted by rewriting and/or reorganizing materials in the Shaw Notes folders.\n From 2005-2007, Prange and Avant created a system for removal and tracking of additional items left in books, a process that continued through 2008. From 2007-2009, Prange completed and revised the storage and listing of Shaw Life materials, writings by others, and his correspondence begun in 2000, and wrote the finding aid's front matter. She, Altman, and graduate assistant Ginger H. Williams determined the intellectual arrangement of the collection. From 2008 to 2009, Altman and Williams created the EAD finding aid in NoteTab."],"relatedmaterial_html_tesm":["\u003cp\u003eWisconsin Historical Society, Madison, WI, USA. Three boxes of papers and one 2-page manuscript, including Bell System speeches, articles, reports and other papers, 1930-1959. Subjects discussed include public attitudes and corporate image, rate-making and governmental regulations, and marketing and market research.\n\u003cbr\u003e\u003cbr\u003eTemple University Library in Philadelphia, PA, USA. John MacKay Shaw's Mitten Management correspondence, news items, and \"Service Talks\" from 1919-1929, and his biography of transportation industry magnate Thomas Mitten.\n\u003cbr\u003e\u003cbr\u003ePennsylvania State University Labor Collection, State College, PA, USA. Union Dues Records of Neil Shaw, father of John MacKay Shaw.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wisconsin Historical Society, Madison, WI, USA. Three boxes of papers and one 2-page manuscript, including Bell System speeches, articles, reports and other papers, 1930-1959. Subjects discussed include public attitudes and corporate image, rate-making and governmental regulations, and marketing and market research.\n Temple University Library in Philadelphia, PA, USA. John MacKay Shaw's Mitten Management correspondence, news items, and \"Service Talks\" from 1919-1929, and his biography of transportation industry magnate Thomas Mitten.\n Pennsylvania State University Labor Collection, State College, PA, USA. Union Dues Records of Neil Shaw, father of John MacKay Shaw."],"scopecontent_html_tesm":["\u003cp\u003eThe John MacKay Shaw Collection, housed at the Florida State University Libraries, includes over 22,400 books in the Childhood in Poetry Collection and over 46 linear feet of other materials that document the personal, business, and collecting activities of John MacKay Shaw, an internationally-known book collector. The Childhood in Poetry Collection is one of the foremost repositories of the poetry of childhood. It includes the books by, for, and about children, and additional materials he collected relating to the themes (bibliography, biography, children, collecting, publication, and writing) of the collection.\n\u003cbr\u003e\u003cbr\u003eWhile the emphasis of the John MacKay Shaw Collection is on poetry and children, it also contains the collector's own notes and correspondence, as well as original drawings, proof sheets, catalogs, and other materials assembled during his many years of research. In these materials as well as in the books, history, sociology, music and theatre, art and education are well represented, with emphasis on the Victorian era.\n\u003cbr\u003e\u003cbr\u003eSignificant authors and poets documented in the Collection include Alfred Lord Tennyson, William Blake, Robert and Elizabeth Barrett Browning, Robert Burns, Lewis Carroll, Eugene Field, Rudyard Kipling, Walter de la Mare, A.A. Milne, Theodor Geisel, Charles and Mary Lamb, James Whitcomb Riley, Sir Walter Scott, Robert Louis Stevenson, Isaac Watts, and William B. Yeats.\n\u003cbr\u003e\u003cbr\u003eThe John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that document the books and poets and relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These additional materials are organized into several series and subseries documenting the career of this collector. The Shaw Life series comprises biography, business files, church and education materials, correspondence, and personal files; Professional Files contain Shaw Correspondence and the Collection's History and Operation; Literary Materials include Shaw Bibliography Notes and Source Materials, Theme Materials in Childhood in Poetry, Shaw Writings, Autographed Materials, and Writings by Others who used the Shaw Collection; Promotional Materials include catalogs and advertisements; Other Printed Materials comprise magazines, catalogs, and newspaper articles; Audiovisual Materials contain films, photographs, and recordings. Additional materials include artwork, memorabilia, and the books in the Childhood in Poetry Collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The John MacKay Shaw Collection, housed at the Florida State University Libraries, includes over 22,400 books in the Childhood in Poetry Collection and over 46 linear feet of other materials that document the personal, business, and collecting activities of John MacKay Shaw, an internationally-known book collector. The Childhood in Poetry Collection is one of the foremost repositories of the poetry of childhood. It includes the books by, for, and about children, and additional materials he collected relating to the themes (bibliography, biography, children, collecting, publication, and writing) of the collection.\n While the emphasis of the John MacKay Shaw Collection is on poetry and children, it also contains the collector's own notes and correspondence, as well as original drawings, proof sheets, catalogs, and other materials assembled during his many years of research. In these materials as well as in the books, history, sociology, music and theatre, art and education are well represented, with emphasis on the Victorian era.\n Significant authors and poets documented in the Collection include Alfred Lord Tennyson, William Blake, Robert and Elizabeth Barrett Browning, Robert Burns, Lewis Carroll, Eugene Field, Rudyard Kipling, Walter de la Mare, A.A. Milne, Theodor Geisel, Charles and Mary Lamb, James Whitcomb Riley, Sir Walter Scott, Robert Louis Stevenson, Isaac Watts, and William B. Yeats.\n The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that document the books and poets and relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These additional materials are organized into several series and subseries documenting the career of this collector. The Shaw Life series comprises biography, business files, church and education materials, correspondence, and personal files; Professional Files contain Shaw Correspondence and the Collection's History and Operation; Literary Materials include Shaw Bibliography Notes and Source Materials, Theme Materials in Childhood in Poetry, Shaw Writings, Autographed Materials, and Writings by Others who used the Shaw Collection; Promotional Materials include catalogs and advertisements; Other Printed Materials comprise magazines, catalogs, and newspaper articles; Audiovisual Materials contain films, photographs, and recordings. Additional materials include artwork, memorabilia, and the books in the Childhood in Poetry Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright owned by Florida State University.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright owned by Florida State University.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_511b6ccc8f10025b9aef72bc60c8b7bb\" label=\"Abstract\"\u003eThe John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These other materials include articles, audiovisual materials, biographical materials, catalogs, correspondence, literary materials, notes, photographs, programs, and publications documenting his personal, business, and collecting activities.\u003c/abstract\u003e"],"abstract_tesim":["The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These other materials include articles, audiovisual materials, biographical materials, catalogs, correspondence, literary materials, notes, photographs, programs, and publications documenting his personal, business, and collecting activities."],"names_ssim":["FSU Special Collections \u0026 Archives","Shaw, John MacKay, 1897-1984","Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. 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(Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Shaw, John MacKay, 1897-1984","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939"],"persname_ssim":["Shaw, John MacKay, 1897-1984","Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3928,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857602626224128,"_root_":"1ac81ef5e6623d4b183a7c01","timestamp":"2026-07-16T08:00:45.077Z","bioghist_html_tesm":["\u003cp\u003eJohn Shaw was born in Glasgow, Scotland, on May 15, 1897. In 1911, he immigrated with his mother and two sisters to Philadelphia where his father had already found work and a place for the family to live. He quit school at the age of 14 and went to work as an errand boy at John Wanamaker's Department Store. Later he took stenographic courses at the Wharton Business School. He enlisted in the Army in 1917 and was stationed in France with the Ambulance Corp during World War I.\n\u003cbr\u003e\u003cbr\u003eWhen he returned to the U.S. in 1919 he became part of the steno pool for Mitten Management, which operated the transportation system in Philadelphia. Thomas Mitten, the President of the company, drew him out of the pool to be his personal secretary. His interest in people led Shaw to write fliers that were distributed to passengers on the trolleys and trains, his first public relations job. After Mr. Mitten's death, Shaw went to work for the Bell Telephone System, and remained a public relations executive with that company until he retired in 1959. Part of this job was to serve as liaison for the company in the production of the weekly classical music radio program \"The Bell Telephone Hour.\" Based on research he conducted, he also redesigned the Yellow Pages for New York City. He changed his name legally to John MacKay Shaw to distinguish himself from all the other John Shaws he had discovered. He chose MacKay in honor of his mother's uncle, the scholar, navigator, and teacher John MacKay of Stornoway, Isle of Lewis, Scotland.\n\u003cbr\u003e\u003cbr\u003eWhen his two children were young, Shaw read and sang to them often. He recited poetry, sang the old Glasgow drinking songs, Gilbert and Sullivan, and songs of the Gay Nineties. However, the children wanted to hear poems about them, not about other children. He promised to write them if they would provide the subjects for him to write about. Each year between 1933 and 1937, he collected the poems he had written that year and had them printed in pamphlets which he sent to friends at Christmas. Too soon the children outgrew the pleasures of poetry, but Shaw never did. Realizing that other fathers must have written poems for their children, he went looking for them in the second-hand bookstores. Thus began his collection of Childhood in Poetry.\n\u003cbr\u003e\u003cbr\u003eFor thirty years, while continuing to work for the Bell System, John MacKay Shaw haunted the second-hand bookstores of Great Britain and the United States, poring over catalogs in the evenings, searching out and purchasing rare and first editions of poetry for, about, and by children. He studied the books, read and wrote about them and their authors, and discoursed extensively with other collectors and scholars. He became a member of the Grolier Club and the American Library Association.\n\u003cbr\u003e\u003cbr\u003eUpon retirement in 1959, Shaw gave his collection of almost 6,000 volumes to Florida State University (FSU) Libraries. For the next 25 years, Shaw went to the library daily to study, write, and talk about his books. He continued adding to his collection. FSU provided secretarial support. Jim Birchfield helped him as curator; later Fred Korn served in that capacity. Shaw was an active member of the St. Andrews Society, the Friends of the FSU Libraries, and the Presbyterian Church. He initiated the FSU Libraries' Scottish Collection in 1975 by a donation of 100 of his books. Other Scots donated books and ephemera too, not only to the Scottish Collection but to Childhood in Poetry, including former director of the New York Public Library, George Fraser Black. In 1967 and 1969, the Friends of the FSU Libraries published two hardcover illustrated volumes of the poems Shaw had written for his children: T\u003cemph render=\"italic\"\u003ehe Things I Want: Poems for Two Children\u003c/emph\u003e (1967) and \u003cemph render=\"italic\"\u003eZumpin, More Poems for Two Children\u003c/emph\u003e (1969).\n\u003cbr\u003e\u003cbr\u003eAll during his collecting years, as he discovered new material, Shaw typed information about it into the pages of his notebooks. He collected catalogs, articles, ads, and items other than reading material as well-- anything that related to childhood and poetry. He stored non-book items in labeled envelopes and folders as well as in his notebooks, and even in the books themselves. These items and the notes he kept for each book provided the source material for his 11-volume annotated bibliography, \u003cemph render=\"italic\"\u003eChildhood in Poetry\u003c/emph\u003e, which includes a keyword index to the poems as well. In addition to scholarly journal articles, Shaw published several monographs covering various categories of authors. He also gave talks to professional librarians and English teachers around the U.S. and read to children in the local schools.\n\u003cbr\u003e\u003cbr\u003eOn the recommendation of Jim Walters of FSU's Department of Child Development, the FSU faculty awarded John MacKay Shaw the Doctor of Humane Letters degree on May 24, 1972. Shaw died in Tallahassee, FL on March 15, 1984.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1ac81ef5e6623d4b183a7c01","title_ssm":["John MacKay Shaw Collection"],"title_tesim":["John MacKay Shaw Collection"],"ead_ssi":"1ac81ef5e6623d4b183a7c01","unitdate_ssm":["1737-2007"],"unitdate_inclusive_ssm":["1737-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2008-006","/repositories/10/resources/1390"],"text":["MSS 2008-006","/repositories/10/resources/1390","John MacKay Shaw Collection, 1737-2007","Bibliography","Biography","Book collecting--United States.","Children","Children's poetry","Collectors and collecting.","Letters--20th century","Poets, American--20th century","Publishers and publishing.","Writing.","Autographs.","Advertising fliers","Pamphlets","Poetry","Genealogy","Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides.","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","TABLE OF CONTENTS FOR MAJOR SERIES, WITH BOX NUMBER LOCATIONS\n Shaw Life: Boxes 1-11B. Arranged alphabetically within each subseries.\n Shaw Bibliography Notes and Source Materials: Boxes 12-72, 59, 73-74, 117-119. Arranged alphabetically by author's name.\n Shaw Writings: Boxes 75-82. Arranged alphabetically by title (not strictly in order).\n Theme Materials in Childhood in Poetry: Boxes 90-93. Arranged alphabetically within each theme subseries.\n Autographed Materials: Boxes 83-89, 94-95. Arranged alphabetically by name of writer.\n Folders in the Shaw Bibliography Notes and Source Materials series contain detailed lists of the contents. Folder lists for the Autographed Materials, Shaw Correspondence, Themes, and other series will be created in the future.","John Shaw was born in Glasgow, Scotland, on May 15, 1897. In 1911, he immigrated with his mother and two sisters to Philadelphia where his father had already found work and a place for the family to live. He quit school at the age of 14 and went to work as an errand boy at John Wanamaker's Department Store. Later he took stenographic courses at the Wharton Business School. He enlisted in the Army in 1917 and was stationed in France with the Ambulance Corp during World War I.\n When he returned to the U.S. in 1919 he became part of the steno pool for Mitten Management, which operated the transportation system in Philadelphia. Thomas Mitten, the President of the company, drew him out of the pool to be his personal secretary. His interest in people led Shaw to write fliers that were distributed to passengers on the trolleys and trains, his first public relations job. After Mr. Mitten's death, Shaw went to work for the Bell Telephone System, and remained a public relations executive with that company until he retired in 1959. Part of this job was to serve as liaison for the company in the production of the weekly classical music radio program \"The Bell Telephone Hour.\" Based on research he conducted, he also redesigned the Yellow Pages for New York City. He changed his name legally to John MacKay Shaw to distinguish himself from all the other John Shaws he had discovered. He chose MacKay in honor of his mother's uncle, the scholar, navigator, and teacher John MacKay of Stornoway, Isle of Lewis, Scotland.\n When his two children were young, Shaw read and sang to them often. He recited poetry, sang the old Glasgow drinking songs, Gilbert and Sullivan, and songs of the Gay Nineties. However, the children wanted to hear poems about them, not about other children. He promised to write them if they would provide the subjects for him to write about. Each year between 1933 and 1937, he collected the poems he had written that year and had them printed in pamphlets which he sent to friends at Christmas. Too soon the children outgrew the pleasures of poetry, but Shaw never did. Realizing that other fathers must have written poems for their children, he went looking for them in the second-hand bookstores. Thus began his collection of Childhood in Poetry.\n For thirty years, while continuing to work for the Bell System, John MacKay Shaw haunted the second-hand bookstores of Great Britain and the United States, poring over catalogs in the evenings, searching out and purchasing rare and first editions of poetry for, about, and by children. He studied the books, read and wrote about them and their authors, and discoursed extensively with other collectors and scholars. He became a member of the Grolier Club and the American Library Association.\n Upon retirement in 1959, Shaw gave his collection of almost 6,000 volumes to Florida State University (FSU) Libraries. For the next 25 years, Shaw went to the library daily to study, write, and talk about his books. He continued adding to his collection. FSU provided secretarial support. Jim Birchfield helped him as curator; later Fred Korn served in that capacity. Shaw was an active member of the St. Andrews Society, the Friends of the FSU Libraries, and the Presbyterian Church. He initiated the FSU Libraries' Scottish Collection in 1975 by a donation of 100 of his books. Other Scots donated books and ephemera too, not only to the Scottish Collection but to Childhood in Poetry, including former director of the New York Public Library, George Fraser Black. In 1967 and 1969, the Friends of the FSU Libraries published two hardcover illustrated volumes of the poems Shaw had written for his children: T he Things I Want: Poems for Two Children  (1967) and  Zumpin, More Poems for Two Children  (1969).\n All during his collecting years, as he discovered new material, Shaw typed information about it into the pages of his notebooks. He collected catalogs, articles, ads, and items other than reading material as well-- anything that related to childhood and poetry. He stored non-book items in labeled envelopes and folders as well as in his notebooks, and even in the books themselves. These items and the notes he kept for each book provided the source material for his 11-volume annotated bibliography,  Childhood in Poetry , which includes a keyword index to the poems as well. In addition to scholarly journal articles, Shaw published several monographs covering various categories of authors. He also gave talks to professional librarians and English teachers around the U.S. and read to children in the local schools.\n On the recommendation of Jim Walters of FSU's Department of Child Development, the FSU faculty awarded John MacKay Shaw the Doctor of Humane Letters degree on May 24, 1972. Shaw died in Tallahassee, FL on March 15, 1984.","John MacKay Shaw, in anticipation of his retirement in the late 1950s, sought a repository where he could continue to work on his Childhood in Poetry Collection and collect materials related to the building of that collection. Jacqueline Dupont, Florida State University alumna and friend of his daughter Cathmar, suggested FSU. In 1959, 6,000 volumes of the Childhood in Poetry Collection, along with its collector, came to FSU.","Some books from the John M. Shaw collection are available through the  FSU Digital Library .","In 1997, under the supervision of librarian Kathy Shelfer, students began organizing the piles, folders, and envelopes of loose materials that Shaw collected. These materials included articles, catalogs, serials, programs, and other items, as well as the notes Shaw wrote about the books and their authors. Under her supervision, students began making folders headed by authors' names and a few other headings Shaw had used. Cathmar Prange, John Shaw's daughter, assisted during the winter of 1997-98.\n In the winters of 1998-2000, Prange made folders and lists of the Shaw Life materials, writings by others, and his correspondence. Debra Rouse, a Special Collections Visiting Librarian, removed materials that Shaw had inserted in books, placed them in archival envelopes, and labeled them with the author, title of the item, and the title of the book in which they were discovered.\n In 2001, Shaw Notes materials were removed from non-archival envelopes and pam-binders, and filed in author folders. Prange, assisted by Garnett Avant, a Special Collections staff member, did minor preservation tasks (photocopying, stapling and taping) and sorted materials, copied labels made by Shaw into descriptive lists of individual items, and placed the items in appropriate folders.  She continued this process through 2004, adding to the lists and folders the materials that had been placed in envelopes. In 2003-2004, Delia Tam, a part-time retired library staff member, reviewed materials in the Shaw Notes boxes for typos and inconsistencies between Prange's lists and the box contents. Tam also shifted materials in boxes and on the box lists to accommodate everything that had been added since 1997.\n In 2004, Prange continued organizing and preparing detailed lists of the Shaw Notes folders, which was completed in 2005. In sorting these bibliography and source materials, she found items that could not be attributed to any particular author whose name Shaw had used as a heading in his original author arrangement scheme. The subjects of these items fell into six categories or themes: bibliography, biography, children, collecting, publishing, and writing. These themes, evident throughout the collection, became the headings for folders of non-author items. During the winter of 2004-05, she solved most of the problems that Tam had noted by rewriting and/or reorganizing materials in the Shaw Notes folders.\n From 2005-2007, Prange and Avant created a system for removal and tracking of additional items left in books, a process that continued through 2008. From 2007-2009, Prange completed and revised the storage and listing of Shaw Life materials, writings by others, and his correspondence begun in 2000, and wrote the finding aid's front matter. She, Altman, and graduate assistant Ginger H. Williams determined the intellectual arrangement of the collection. From 2008 to 2009, Altman and Williams created the EAD finding aid in NoteTab.","Wisconsin Historical Society, Madison, WI, USA. Three boxes of papers and one 2-page manuscript, including Bell System speeches, articles, reports and other papers, 1930-1959. Subjects discussed include public attitudes and corporate image, rate-making and governmental regulations, and marketing and market research.\n Temple University Library in Philadelphia, PA, USA. John MacKay Shaw's Mitten Management correspondence, news items, and \"Service Talks\" from 1919-1929, and his biography of transportation industry magnate Thomas Mitten.\n Pennsylvania State University Labor Collection, State College, PA, USA. Union Dues Records of Neil Shaw, father of John MacKay Shaw.","The John MacKay Shaw Collection, housed at the Florida State University Libraries, includes over 22,400 books in the Childhood in Poetry Collection and over 46 linear feet of other materials that document the personal, business, and collecting activities of John MacKay Shaw, an internationally-known book collector. The Childhood in Poetry Collection is one of the foremost repositories of the poetry of childhood. It includes the books by, for, and about children, and additional materials he collected relating to the themes (bibliography, biography, children, collecting, publication, and writing) of the collection.\n While the emphasis of the John MacKay Shaw Collection is on poetry and children, it also contains the collector's own notes and correspondence, as well as original drawings, proof sheets, catalogs, and other materials assembled during his many years of research. In these materials as well as in the books, history, sociology, music and theatre, art and education are well represented, with emphasis on the Victorian era.\n Significant authors and poets documented in the Collection include Alfred Lord Tennyson, William Blake, Robert and Elizabeth Barrett Browning, Robert Burns, Lewis Carroll, Eugene Field, Rudyard Kipling, Walter de la Mare, A.A. Milne, Theodor Geisel, Charles and Mary Lamb, James Whitcomb Riley, Sir Walter Scott, Robert Louis Stevenson, Isaac Watts, and William B. Yeats.\n The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that document the books and poets and relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These additional materials are organized into several series and subseries documenting the career of this collector. The Shaw Life series comprises biography, business files, church and education materials, correspondence, and personal files; Professional Files contain Shaw Correspondence and the Collection's History and Operation; Literary Materials include Shaw Bibliography Notes and Source Materials, Theme Materials in Childhood in Poetry, Shaw Writings, Autographed Materials, and Writings by Others who used the Shaw Collection; Promotional Materials include catalogs and advertisements; Other Printed Materials comprise magazines, catalogs, and newspaper articles; Audiovisual Materials contain films, photographs, and recordings. Additional materials include artwork, memorabilia, and the books in the Childhood in Poetry Collection.","Copyright owned by Florida State University.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These other materials include articles, audiovisual materials, biographical materials, catalogs, correspondence, literary materials, notes, photographs, programs, and publications documenting his personal, business, and collecting activities.","FSU Special Collections \u0026 Archives","Shaw, John MacKay, 1897-1984","Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939","English"],"unitid_tesim":["MSS 2008-006","/repositories/10/resources/1390"],"normalized_date_ssm":["1737-2007"],"normalized_title_ssm":["John MacKay Shaw Collection, 1737-2007"],"collection_title_tesim":["John MacKay Shaw Collection, 1737-2007"],"collection_ssim":["John MacKay Shaw Collection, 1737-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Shaw, John MacKay, 1897-1984"],"creator_ssim":["Shaw, John MacKay, 1897-1984"],"creator_persname_ssim":["Shaw, John MacKay, 1897-1984"],"creators_ssim":["Shaw, John MacKay, 1897-1984"],"access_terms_ssm":["Copyright owned by Florida State University.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Bibliography","Biography","Book collecting--United States.","Children","Children's poetry","Collectors and collecting.","Letters--20th century","Poets, American--20th century","Publishers and publishing.","Writing.","Autographs.","Advertising fliers","Pamphlets","Poetry","Genealogy","Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides."],"access_subjects_ssm":["Bibliography","Biography","Book collecting--United States.","Children","Children's poetry","Collectors and collecting.","Letters--20th century","Poets, American--20th century","Publishers and publishing.","Writing.","Autographs.","Advertising fliers","Pamphlets","Poetry","Genealogy","Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["69.00 Linear Feet"],"extent_tesim":["69.00 Linear Feet"],"genreform_ssim":["Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides."],"date_range_isim":[1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eTABLE OF CONTENTS FOR MAJOR SERIES, WITH BOX NUMBER LOCATIONS\n\u003cbr\u003e\u003cbr\u003eShaw Life: Boxes 1-11B. Arranged alphabetically within each subseries.\n\u003cbr\u003e\u003cbr\u003eShaw Bibliography Notes and Source Materials: Boxes 12-72, 59, 73-74, 117-119. Arranged alphabetically by author's name.\n\u003cbr\u003e\u003cbr\u003eShaw Writings: Boxes 75-82. Arranged alphabetically by title (not strictly in order).\n\u003cbr\u003e\u003cbr\u003eTheme Materials in Childhood in Poetry: Boxes 90-93. Arranged alphabetically within each theme subseries.\n\u003cbr\u003e\u003cbr\u003eAutographed Materials: Boxes 83-89, 94-95. Arranged alphabetically by name of writer.\n\u003cbr\u003e\u003cbr\u003eFolders in the Shaw Bibliography Notes and Source Materials series contain detailed lists of the contents. Folder lists for the Autographed Materials, Shaw Correspondence, Themes, and other series will be created in the future.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["TABLE OF CONTENTS FOR MAJOR SERIES, WITH BOX NUMBER LOCATIONS\n Shaw Life: Boxes 1-11B. Arranged alphabetically within each subseries.\n Shaw Bibliography Notes and Source Materials: Boxes 12-72, 59, 73-74, 117-119. Arranged alphabetically by author's name.\n Shaw Writings: Boxes 75-82. Arranged alphabetically by title (not strictly in order).\n Theme Materials in Childhood in Poetry: Boxes 90-93. Arranged alphabetically within each theme subseries.\n Autographed Materials: Boxes 83-89, 94-95. Arranged alphabetically by name of writer.\n Folders in the Shaw Bibliography Notes and Source Materials series contain detailed lists of the contents. Folder lists for the Autographed Materials, Shaw Correspondence, Themes, and other series will be created in the future."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John Shaw was born in Glasgow, Scotland, on May 15, 1897. In 1911, he immigrated with his mother and two sisters to Philadelphia where his father had already found work and a place for the family to live. He quit school at the age of 14 and went to work as an errand boy at John Wanamaker's Department Store. Later he took stenographic courses at the Wharton Business School. He enlisted in the Army in 1917 and was stationed in France with the Ambulance Corp during World War I.\n When he returned to the U.S. in 1919 he became part of the steno pool for Mitten Management, which operated the transportation system in Philadelphia. Thomas Mitten, the President of the company, drew him out of the pool to be his personal secretary. His interest in people led Shaw to write fliers that were distributed to passengers on the trolleys and trains, his first public relations job. After Mr. Mitten's death, Shaw went to work for the Bell Telephone System, and remained a public relations executive with that company until he retired in 1959. Part of this job was to serve as liaison for the company in the production of the weekly classical music radio program \"The Bell Telephone Hour.\" Based on research he conducted, he also redesigned the Yellow Pages for New York City. He changed his name legally to John MacKay Shaw to distinguish himself from all the other John Shaws he had discovered. He chose MacKay in honor of his mother's uncle, the scholar, navigator, and teacher John MacKay of Stornoway, Isle of Lewis, Scotland.\n When his two children were young, Shaw read and sang to them often. He recited poetry, sang the old Glasgow drinking songs, Gilbert and Sullivan, and songs of the Gay Nineties. However, the children wanted to hear poems about them, not about other children. He promised to write them if they would provide the subjects for him to write about. Each year between 1933 and 1937, he collected the poems he had written that year and had them printed in pamphlets which he sent to friends at Christmas. Too soon the children outgrew the pleasures of poetry, but Shaw never did. Realizing that other fathers must have written poems for their children, he went looking for them in the second-hand bookstores. Thus began his collection of Childhood in Poetry.\n For thirty years, while continuing to work for the Bell System, John MacKay Shaw haunted the second-hand bookstores of Great Britain and the United States, poring over catalogs in the evenings, searching out and purchasing rare and first editions of poetry for, about, and by children. He studied the books, read and wrote about them and their authors, and discoursed extensively with other collectors and scholars. He became a member of the Grolier Club and the American Library Association.\n Upon retirement in 1959, Shaw gave his collection of almost 6,000 volumes to Florida State University (FSU) Libraries. For the next 25 years, Shaw went to the library daily to study, write, and talk about his books. He continued adding to his collection. FSU provided secretarial support. Jim Birchfield helped him as curator; later Fred Korn served in that capacity. Shaw was an active member of the St. Andrews Society, the Friends of the FSU Libraries, and the Presbyterian Church. He initiated the FSU Libraries' Scottish Collection in 1975 by a donation of 100 of his books. Other Scots donated books and ephemera too, not only to the Scottish Collection but to Childhood in Poetry, including former director of the New York Public Library, George Fraser Black. In 1967 and 1969, the Friends of the FSU Libraries published two hardcover illustrated volumes of the poems Shaw had written for his children: T he Things I Want: Poems for Two Children  (1967) and  Zumpin, More Poems for Two Children  (1969).\n All during his collecting years, as he discovered new material, Shaw typed information about it into the pages of his notebooks. He collected catalogs, articles, ads, and items other than reading material as well-- anything that related to childhood and poetry. He stored non-book items in labeled envelopes and folders as well as in his notebooks, and even in the books themselves. These items and the notes he kept for each book provided the source material for his 11-volume annotated bibliography,  Childhood in Poetry , which includes a keyword index to the poems as well. In addition to scholarly journal articles, Shaw published several monographs covering various categories of authors. He also gave talks to professional librarians and English teachers around the U.S. and read to children in the local schools.\n On the recommendation of Jim Walters of FSU's Department of Child Development, the FSU faculty awarded John MacKay Shaw the Doctor of Humane Letters degree on May 24, 1972. Shaw died in Tallahassee, FL on March 15, 1984."],"custodhist_html_tesm":["\u003cp\u003eJohn MacKay Shaw, in anticipation of his retirement in the late 1950s, sought a repository where he could continue to work on his Childhood in Poetry Collection and collect materials related to the building of that collection. Jacqueline Dupont, Florida State University alumna and friend of his daughter Cathmar, suggested FSU. In 1959, 6,000 volumes of the Childhood in Poetry Collection, along with its collector, came to FSU.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["John MacKay Shaw, in anticipation of his retirement in the late 1950s, sought a repository where he could continue to work on his Childhood in Poetry Collection and collect materials related to the building of that collection. Jacqueline Dupont, Florida State University alumna and friend of his daughter Cathmar, suggested FSU. In 1959, 6,000 volumes of the Childhood in Poetry Collection, along with its collector, came to FSU."],"originalsloc_html_tesm":["\u003cp\u003eSome books from the John M. Shaw collection are available through the \u003cextref href=\"http://fsu.digital.flvc.org/islandora/object/fsu%3Adigital_library\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Some books from the John M. Shaw collection are available through the  FSU Digital Library ."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], John MacKay Shaw Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2008-006\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], John MacKay Shaw Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2008-006"],"processinfo_html_tesm":["\u003cp\u003eIn 1997, under the supervision of librarian Kathy Shelfer, students began organizing the piles, folders, and envelopes of loose materials that Shaw collected. These materials included articles, catalogs, serials, programs, and other items, as well as the notes Shaw wrote about the books and their authors. Under her supervision, students began making folders headed by authors' names and a few other headings Shaw had used. Cathmar Prange, John Shaw's daughter, assisted during the winter of 1997-98.\n\u003cbr\u003e\u003cbr\u003eIn the winters of 1998-2000, Prange made folders and lists of the Shaw Life materials, writings by others, and his correspondence. Debra Rouse, a Special Collections Visiting Librarian, removed materials that Shaw had inserted in books, placed them in archival envelopes, and labeled them with the author, title of the item, and the title of the book in which they were discovered.\n\u003cbr\u003e\u003cbr\u003eIn 2001, Shaw Notes materials were removed from non-archival envelopes and pam-binders, and filed in author folders. Prange, assisted by Garnett Avant, a Special Collections staff member, did minor preservation tasks (photocopying, stapling and taping) and sorted materials, copied labels made by Shaw into descriptive lists of individual items, and placed the items in appropriate folders.\u0026#xA0; She continued this process through 2004, adding to the lists and folders the materials that had been placed in envelopes. In 2003-2004, Delia Tam, a part-time retired library staff member, reviewed materials in the Shaw Notes boxes for typos and inconsistencies between Prange's lists and the box contents. Tam also shifted materials in boxes and on the box lists to accommodate everything that had been added since 1997.\n\u003cbr\u003e\u003cbr\u003eIn 2004, Prange continued organizing and preparing detailed lists of the Shaw Notes folders, which was completed in 2005. In sorting these bibliography and source materials, she found items that could not be attributed to any particular author whose name Shaw had used as a heading in his original author arrangement scheme. The subjects of these items fell into six categories or themes: bibliography, biography, children, collecting, publishing, and writing. These themes, evident throughout the collection, became the headings for folders of non-author items. During the winter of 2004-05, she solved most of the problems that Tam had noted by rewriting and/or reorganizing materials in the Shaw Notes folders.\n\u003cbr\u003e\u003cbr\u003eFrom 2005-2007, Prange and Avant created a system for removal and tracking of additional items left in books, a process that continued through 2008. From 2007-2009, Prange completed and revised the storage and listing of Shaw Life materials, writings by others, and his correspondence begun in 2000, and wrote the finding aid's front matter. She, Altman, and graduate assistant Ginger H. Williams determined the intellectual arrangement of the collection. From 2008 to 2009, Altman and Williams created the EAD finding aid in NoteTab.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 1997, under the supervision of librarian Kathy Shelfer, students began organizing the piles, folders, and envelopes of loose materials that Shaw collected. These materials included articles, catalogs, serials, programs, and other items, as well as the notes Shaw wrote about the books and their authors. Under her supervision, students began making folders headed by authors' names and a few other headings Shaw had used. Cathmar Prange, John Shaw's daughter, assisted during the winter of 1997-98.\n In the winters of 1998-2000, Prange made folders and lists of the Shaw Life materials, writings by others, and his correspondence. Debra Rouse, a Special Collections Visiting Librarian, removed materials that Shaw had inserted in books, placed them in archival envelopes, and labeled them with the author, title of the item, and the title of the book in which they were discovered.\n In 2001, Shaw Notes materials were removed from non-archival envelopes and pam-binders, and filed in author folders. Prange, assisted by Garnett Avant, a Special Collections staff member, did minor preservation tasks (photocopying, stapling and taping) and sorted materials, copied labels made by Shaw into descriptive lists of individual items, and placed the items in appropriate folders.  She continued this process through 2004, adding to the lists and folders the materials that had been placed in envelopes. In 2003-2004, Delia Tam, a part-time retired library staff member, reviewed materials in the Shaw Notes boxes for typos and inconsistencies between Prange's lists and the box contents. Tam also shifted materials in boxes and on the box lists to accommodate everything that had been added since 1997.\n In 2004, Prange continued organizing and preparing detailed lists of the Shaw Notes folders, which was completed in 2005. In sorting these bibliography and source materials, she found items that could not be attributed to any particular author whose name Shaw had used as a heading in his original author arrangement scheme. The subjects of these items fell into six categories or themes: bibliography, biography, children, collecting, publishing, and writing. These themes, evident throughout the collection, became the headings for folders of non-author items. During the winter of 2004-05, she solved most of the problems that Tam had noted by rewriting and/or reorganizing materials in the Shaw Notes folders.\n From 2005-2007, Prange and Avant created a system for removal and tracking of additional items left in books, a process that continued through 2008. From 2007-2009, Prange completed and revised the storage and listing of Shaw Life materials, writings by others, and his correspondence begun in 2000, and wrote the finding aid's front matter. She, Altman, and graduate assistant Ginger H. Williams determined the intellectual arrangement of the collection. From 2008 to 2009, Altman and Williams created the EAD finding aid in NoteTab."],"relatedmaterial_html_tesm":["\u003cp\u003eWisconsin Historical Society, Madison, WI, USA. Three boxes of papers and one 2-page manuscript, including Bell System speeches, articles, reports and other papers, 1930-1959. Subjects discussed include public attitudes and corporate image, rate-making and governmental regulations, and marketing and market research.\n\u003cbr\u003e\u003cbr\u003eTemple University Library in Philadelphia, PA, USA. John MacKay Shaw's Mitten Management correspondence, news items, and \"Service Talks\" from 1919-1929, and his biography of transportation industry magnate Thomas Mitten.\n\u003cbr\u003e\u003cbr\u003ePennsylvania State University Labor Collection, State College, PA, USA. Union Dues Records of Neil Shaw, father of John MacKay Shaw.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wisconsin Historical Society, Madison, WI, USA. Three boxes of papers and one 2-page manuscript, including Bell System speeches, articles, reports and other papers, 1930-1959. Subjects discussed include public attitudes and corporate image, rate-making and governmental regulations, and marketing and market research.\n Temple University Library in Philadelphia, PA, USA. John MacKay Shaw's Mitten Management correspondence, news items, and \"Service Talks\" from 1919-1929, and his biography of transportation industry magnate Thomas Mitten.\n Pennsylvania State University Labor Collection, State College, PA, USA. Union Dues Records of Neil Shaw, father of John MacKay Shaw."],"scopecontent_html_tesm":["\u003cp\u003eThe John MacKay Shaw Collection, housed at the Florida State University Libraries, includes over 22,400 books in the Childhood in Poetry Collection and over 46 linear feet of other materials that document the personal, business, and collecting activities of John MacKay Shaw, an internationally-known book collector. The Childhood in Poetry Collection is one of the foremost repositories of the poetry of childhood. It includes the books by, for, and about children, and additional materials he collected relating to the themes (bibliography, biography, children, collecting, publication, and writing) of the collection.\n\u003cbr\u003e\u003cbr\u003eWhile the emphasis of the John MacKay Shaw Collection is on poetry and children, it also contains the collector's own notes and correspondence, as well as original drawings, proof sheets, catalogs, and other materials assembled during his many years of research. In these materials as well as in the books, history, sociology, music and theatre, art and education are well represented, with emphasis on the Victorian era.\n\u003cbr\u003e\u003cbr\u003eSignificant authors and poets documented in the Collection include Alfred Lord Tennyson, William Blake, Robert and Elizabeth Barrett Browning, Robert Burns, Lewis Carroll, Eugene Field, Rudyard Kipling, Walter de la Mare, A.A. Milne, Theodor Geisel, Charles and Mary Lamb, James Whitcomb Riley, Sir Walter Scott, Robert Louis Stevenson, Isaac Watts, and William B. Yeats.\n\u003cbr\u003e\u003cbr\u003eThe John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that document the books and poets and relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These additional materials are organized into several series and subseries documenting the career of this collector. The Shaw Life series comprises biography, business files, church and education materials, correspondence, and personal files; Professional Files contain Shaw Correspondence and the Collection's History and Operation; Literary Materials include Shaw Bibliography Notes and Source Materials, Theme Materials in Childhood in Poetry, Shaw Writings, Autographed Materials, and Writings by Others who used the Shaw Collection; Promotional Materials include catalogs and advertisements; Other Printed Materials comprise magazines, catalogs, and newspaper articles; Audiovisual Materials contain films, photographs, and recordings. Additional materials include artwork, memorabilia, and the books in the Childhood in Poetry Collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The John MacKay Shaw Collection, housed at the Florida State University Libraries, includes over 22,400 books in the Childhood in Poetry Collection and over 46 linear feet of other materials that document the personal, business, and collecting activities of John MacKay Shaw, an internationally-known book collector. The Childhood in Poetry Collection is one of the foremost repositories of the poetry of childhood. It includes the books by, for, and about children, and additional materials he collected relating to the themes (bibliography, biography, children, collecting, publication, and writing) of the collection.\n While the emphasis of the John MacKay Shaw Collection is on poetry and children, it also contains the collector's own notes and correspondence, as well as original drawings, proof sheets, catalogs, and other materials assembled during his many years of research. In these materials as well as in the books, history, sociology, music and theatre, art and education are well represented, with emphasis on the Victorian era.\n Significant authors and poets documented in the Collection include Alfred Lord Tennyson, William Blake, Robert and Elizabeth Barrett Browning, Robert Burns, Lewis Carroll, Eugene Field, Rudyard Kipling, Walter de la Mare, A.A. Milne, Theodor Geisel, Charles and Mary Lamb, James Whitcomb Riley, Sir Walter Scott, Robert Louis Stevenson, Isaac Watts, and William B. Yeats.\n The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that document the books and poets and relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These additional materials are organized into several series and subseries documenting the career of this collector. The Shaw Life series comprises biography, business files, church and education materials, correspondence, and personal files; Professional Files contain Shaw Correspondence and the Collection's History and Operation; Literary Materials include Shaw Bibliography Notes and Source Materials, Theme Materials in Childhood in Poetry, Shaw Writings, Autographed Materials, and Writings by Others who used the Shaw Collection; Promotional Materials include catalogs and advertisements; Other Printed Materials comprise magazines, catalogs, and newspaper articles; Audiovisual Materials contain films, photographs, and recordings. Additional materials include artwork, memorabilia, and the books in the Childhood in Poetry Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright owned by Florida State University.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright owned by Florida State University.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_511b6ccc8f10025b9aef72bc60c8b7bb\" label=\"Abstract\"\u003eThe John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These other materials include articles, audiovisual materials, biographical materials, catalogs, correspondence, literary materials, notes, photographs, programs, and publications documenting his personal, business, and collecting activities.\u003c/abstract\u003e"],"abstract_tesim":["The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These other materials include articles, audiovisual materials, biographical materials, catalogs, correspondence, literary materials, notes, photographs, programs, and publications documenting his personal, business, and collecting activities."],"names_ssim":["FSU Special Collections \u0026 Archives","Shaw, John MacKay, 1897-1984","Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Shaw, John MacKay, 1897-1984","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939"],"persname_ssim":["Shaw, John MacKay, 1897-1984","Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3928,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857602626224128,"_root_":"1ac81ef5e6623d4b183a7c01","timestamp":"2026-07-16T08:00:45.077Z","bioghist_html_tesm":["\u003cp\u003eJohn Shaw was born in Glasgow, Scotland, on May 15, 1897. In 1911, he immigrated with his mother and two sisters to Philadelphia where his father had already found work and a place for the family to live. He quit school at the age of 14 and went to work as an errand boy at John Wanamaker's Department Store. Later he took stenographic courses at the Wharton Business School. He enlisted in the Army in 1917 and was stationed in France with the Ambulance Corp during World War I.\n\u003cbr\u003e\u003cbr\u003eWhen he returned to the U.S. in 1919 he became part of the steno pool for Mitten Management, which operated the transportation system in Philadelphia. Thomas Mitten, the President of the company, drew him out of the pool to be his personal secretary. His interest in people led Shaw to write fliers that were distributed to passengers on the trolleys and trains, his first public relations job. After Mr. Mitten's death, Shaw went to work for the Bell Telephone System, and remained a public relations executive with that company until he retired in 1959. Part of this job was to serve as liaison for the company in the production of the weekly classical music radio program \"The Bell Telephone Hour.\" Based on research he conducted, he also redesigned the Yellow Pages for New York City. He changed his name legally to John MacKay Shaw to distinguish himself from all the other John Shaws he had discovered. He chose MacKay in honor of his mother's uncle, the scholar, navigator, and teacher John MacKay of Stornoway, Isle of Lewis, Scotland.\n\u003cbr\u003e\u003cbr\u003eWhen his two children were young, Shaw read and sang to them often. He recited poetry, sang the old Glasgow drinking songs, Gilbert and Sullivan, and songs of the Gay Nineties. However, the children wanted to hear poems about them, not about other children. He promised to write them if they would provide the subjects for him to write about. Each year between 1933 and 1937, he collected the poems he had written that year and had them printed in pamphlets which he sent to friends at Christmas. Too soon the children outgrew the pleasures of poetry, but Shaw never did. Realizing that other fathers must have written poems for their children, he went looking for them in the second-hand bookstores. Thus began his collection of Childhood in Poetry.\n\u003cbr\u003e\u003cbr\u003eFor thirty years, while continuing to work for the Bell System, John MacKay Shaw haunted the second-hand bookstores of Great Britain and the United States, poring over catalogs in the evenings, searching out and purchasing rare and first editions of poetry for, about, and by children. He studied the books, read and wrote about them and their authors, and discoursed extensively with other collectors and scholars. He became a member of the Grolier Club and the American Library Association.\n\u003cbr\u003e\u003cbr\u003eUpon retirement in 1959, Shaw gave his collection of almost 6,000 volumes to Florida State University (FSU) Libraries. For the next 25 years, Shaw went to the library daily to study, write, and talk about his books. He continued adding to his collection. FSU provided secretarial support. Jim Birchfield helped him as curator; later Fred Korn served in that capacity. Shaw was an active member of the St. Andrews Society, the Friends of the FSU Libraries, and the Presbyterian Church. He initiated the FSU Libraries' Scottish Collection in 1975 by a donation of 100 of his books. Other Scots donated books and ephemera too, not only to the Scottish Collection but to Childhood in Poetry, including former director of the New York Public Library, George Fraser Black. In 1967 and 1969, the Friends of the FSU Libraries published two hardcover illustrated volumes of the poems Shaw had written for his children: T\u003cemph render=\"italic\"\u003ehe Things I Want: Poems for Two Children\u003c/emph\u003e (1967) and \u003cemph render=\"italic\"\u003eZumpin, More Poems for Two Children\u003c/emph\u003e (1969).\n\u003cbr\u003e\u003cbr\u003eAll during his collecting years, as he discovered new material, Shaw typed information about it into the pages of his notebooks. He collected catalogs, articles, ads, and items other than reading material as well-- anything that related to childhood and poetry. He stored non-book items in labeled envelopes and folders as well as in his notebooks, and even in the books themselves. These items and the notes he kept for each book provided the source material for his 11-volume annotated bibliography, \u003cemph render=\"italic\"\u003eChildhood in Poetry\u003c/emph\u003e, which includes a keyword index to the poems as well. In addition to scholarly journal articles, Shaw published several monographs covering various categories of authors. He also gave talks to professional librarians and English teachers around the U.S. and read to children in the local schools.\n\u003cbr\u003e\u003cbr\u003eOn the recommendation of Jim Walters of FSU's Department of Child Development, the FSU faculty awarded John MacKay Shaw the Doctor of Humane Letters degree on May 24, 1972. Shaw died in Tallahassee, FL on March 15, 1984.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1ac81ef5e6623d4b183a7c01"}},{"id":"f13109d786f3aa68f4507d92","type":"collection","attributes":{"title":"Justice Glenn Terrell Papers, 1775-1985, Date acquired: 12/00/1992, bulk 1920-1970","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/f13109d786f3aa68f4507d92#creator","type":"document_value","attributes":{"value":["Terrell, Glenn, 1878-1964"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f13109d786f3aa68f4507d92#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCollection includes Judge Terrell's official papers, speeches, newspaper articles by and about the Judge, correspondence \u0026amp; legal files pertaining to the Florida Bar, court rules, impeachments, campaigns, law books, bulletins, journals, \u0026amp; maps; most of the items are legal files, opinions and per curiams; also includes personal papers, photos, scrapbooks \u0026amp; memorabilia. Approximately 7,663 items including opinions and per curiams, speeches, court rules, official papers and private correspondence.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f13109d786f3aa68f4507d92#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f13109d786f3aa68f4507d92","title_ssm":["Justice Glenn Terrell Papers"],"title_tesim":["Justice Glenn Terrell Papers"],"ead_ssi":"f13109d786f3aa68f4507d92","unitdate_ssm":["1775-1985","1920-1970","Date acquired: 12/00/1992"],"unitdate_bulk_ssim":["1920-1970"],"unitdate_inclusive_ssm":["1775-1985"],"unitdate_other_ssim":["Date acquired: 12/00/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 92-25","/repositories/10/resources/337"],"text":["MSS 92-25","/repositories/10/resources/337","Justice Glenn Terrell Papers, 1775-1985, Date acquired: 12/00/1992, bulk 1920-1970","Judges--Florida","Pamphlets","Gambling","Memorials","Municipal bonds","Segregation","Periodicals.","Correspondence","Legal documents.","Maps","Photographs","Programs","Scrapbooks","This collection is open to all researchers. Users may access this collection at the Claude Pepper Library.","Justice Glenn Terrell was a member of the Supreme Court of Florida for 41 years at the time of his death in January 1964. In 1965, Mrs. Esther Collins Terrell, his wife, presented his papers to the Florida State University Library.","The scrapbooks have been microfilmed; scrapbooks 1-6, listed below, can be found on Film 9411 (2 reels) in the Florida State University Libraries. Reel 1 has Books 1-5. Reel 2 has Book 6.","Collection is available on microfilm 9411.","Collection includes Judge Terrell's official papers, speeches, newspaper articles by and about the Judge, correspondence \u0026 legal files pertaining to the Florida Bar, court rules, impeachments, campaigns, law books, bulletins, journals, \u0026 maps; most of the items are legal files, opinions and per curiams; also includes personal papers, photos, scrapbooks \u0026 memorabilia. Approximately 7,663 items including opinions and per curiams, speeches, court rules, official papers and private correspondence.","Select materials from the Justice Glenn Terrell Papers have been digitized and are available through the  FSU Digital Library .","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Claude Pepper Library.","FSU Special Collections \u0026 Archives","Florida. Supreme Court","Florida Bar","Terrell, Glenn, 1878-1964","Bloxham, William Dunnington, 1835-1911","Holland, Spessard L. (Spessard Lindsey), 1892-1971","McLemore, Henry","English"],"unitid_tesim":["MSS 92-25","/repositories/10/resources/337"],"normalized_date_ssm":["1775-1985, Date acquired: 12/00/1992, bulk 1920-1970"],"normalized_title_ssm":["Justice Glenn Terrell Papers, 1775-1985, Date acquired: 12/00/1992, bulk 1920-1970"],"collection_title_tesim":["Justice Glenn Terrell Papers, 1775-1985, Date acquired: 12/00/1992, bulk 1920-1970"],"collection_ssim":["Justice Glenn Terrell Papers, 1775-1985, Date acquired: 12/00/1992, bulk 1920-1970"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Terrell, Glenn, 1878-1964"],"creator_ssim":["Terrell, Glenn, 1878-1964"],"creator_persname_ssim":["Terrell, Glenn, 1878-1964"],"creators_ssim":["Terrell, Glenn, 1878-1964"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The papers, audiovisual materials, and memorabilia of William Glenn Terrell were given to the Florida State University Libraries by his wife, Esther Collins; F. Perry Odom, Tallahassee, Florida; Campbell Thornal, Justice of the Florida Supreme Court; and Fred 0. Dickinson, Jr., Florida Comptroller. Materials were given from 1965-1973."],"access_subjects_ssim":["Judges--Florida","Pamphlets","Gambling","Memorials","Municipal bonds","Segregation","Periodicals.","Correspondence","Legal documents.","Maps","Photographs","Programs","Scrapbooks"],"access_subjects_ssm":["Judges--Florida","Pamphlets","Gambling","Memorials","Municipal bonds","Segregation","Periodicals.","Correspondence","Legal documents.","Maps","Photographs","Programs","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["24.00 Linear Feet"],"extent_tesim":["24.00 Linear Feet"],"genreform_ssim":["Periodicals.","Correspondence","Legal documents.","Maps","Photographs","Programs","Scrapbooks"],"date_range_isim":[1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eJustice Glenn Terrell was a member of the Supreme Court of Florida for 41 years at the time of his death in January 1964. In 1965, Mrs. Esther Collins Terrell, his wife, presented his papers to the Florida State University Library.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Justice Glenn Terrell was a member of the Supreme Court of Florida for 41 years at the time of his death in January 1964. In 1965, Mrs. Esther Collins Terrell, his wife, presented his papers to the Florida State University Library."],"originalsloc_html_tesm":["\u003cp\u003eThe scrapbooks have been microfilmed; scrapbooks 1-6, listed below, can be found on Film 9411 (2 reels) in the Florida State University Libraries. Reel 1 has Books 1-5. Reel 2 has Book 6.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["The scrapbooks have been microfilmed; scrapbooks 1-6, listed below, can be found on Film 9411 (2 reels) in the Florida State University Libraries. Reel 1 has Books 1-5. Reel 2 has Book 6."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Justice Glenn Terrell Papers, Claude Pepper Library, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-92-25\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Justice Glenn Terrell Papers, Claude Pepper Library, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-92-25"],"relatedmaterial_html_tesm":["\u003cp\u003eCollection is available on microfilm 9411.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Collection is available on microfilm 9411."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes Judge Terrell's official papers, speeches, newspaper articles by and about the Judge, correspondence \u0026amp; legal files pertaining to the Florida Bar, court rules, impeachments, campaigns, law books, bulletins, journals, \u0026amp; maps; most of the items are legal files, opinions and per curiams; also includes personal papers, photos, scrapbooks \u0026amp; memorabilia. 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