{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bdate_range%5D%5B%5D=1950","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bdate_range%5D%5B%5D=1950\u0026page=2","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bdate_range%5D%5B%5D=1950\u0026page=3"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":3,"limit_value":10,"offset_value":0,"total_count":21,"first_page?":true,"last_page?":false}},"data":[{"id":"54237cddaf95d1cafbd41f5a","type":"collection","attributes":{"title":"Barbara Boling Anderson Collection, 1947-1950, Date acquired: 12/07/2009","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/54237cddaf95d1cafbd41f5a#creator","type":"document_value","attributes":{"value":["Anderson, Barbara Boling"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/54237cddaf95d1cafbd41f5a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eItems include three photographs, FSU Artist Series programs, and other assorted documents, publications and ephemera relating to Barbara Boling Anderson's college life at Florida State College for Women and Florida State University, from 1947-1950.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/54237cddaf95d1cafbd41f5a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"54237cddaf95d1cafbd41f5a","title_ssm":["Barbara Boling Anderson Collection"],"title_tesim":["Barbara Boling Anderson Collection"],"ead_ssi":"54237cddaf95d1cafbd41f5a","unitdate_ssm":["1947-1950","Date acquired: 12/07/2009"],"unitdate_inclusive_ssm":["1947-1950"],"unitdate_other_ssim":["Date acquired: 12/07/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2009-046","/repositories/10/resources/647"],"text":["HP 2009-046","/repositories/10/resources/647","Barbara Boling Anderson Collection, 1947-1950, Date acquired: 12/07/2009","Homecoming.","Class of 1950","Pamphlets","Student handbooks","Aerial photographs","Brochures","Invitation cards.","Photographs","Programs","Tickets","This collection is open to all researchers.","Processed and entered on 4 May 2010.","Items include three photographs, FSU Artist Series programs, and other assorted documents, publications and ephemera relating to Barbara Boling Anderson's college life at Florida State College for Women and Florida State University, from 1947-1950.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.","Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers","Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. 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Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.\u003c/p\u003e\n","\u003cp\u003eLeeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.\u003c/p\u003e\n","\u003cp\u003eLeeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.\u003c/p\u003e\n","\u003cp\u003eLeeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000."],"prefercite_html_tesm":["\u003cp\u003eBeth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Beth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990258927300306596\" show=\"new\"\u003eDoris Leeper: A Retrospective, 1995\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990289293970306596\" show=\"new\"\u003eThe First Decade: Atlantic Center for the Arts, 1987\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990299590550306596\" show=\"new\"\u003eThe Second Decade: 1987-1997, [199?]\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-04\" show=\"new\"\u003eDoris Leeper Papers\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e91330cd1bdee9022869c5487bfc88aa\"\u003eThe Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.\u003c/abstract\u003e"],"abstract_tesim":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"names_coll_ssim":["Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"names_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857766114951168,"_root_":"1bd2b3a5aa54c3d8f9586e86","timestamp":"2026-07-16T08:03:21.192Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1bd2b3a5aa54c3d8f9586e86","title_ssm":["Beth Urban Collection on Doris Leeper"],"title_tesim":["Beth Urban Collection on Doris Leeper"],"ead_ssi":"1bd2b3a5aa54c3d8f9586e86","unitdate_ssm":["Circa 1930-2013"],"unitdate_inclusive_ssm":["Circa 1930-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.117","/repositories/4/resources/217"],"text":["SC.117","/repositories/4/resources/217","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits","The entire collection is open for research.","Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.","Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers","Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.","UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000","The materials are written in English"],"unitid_tesim":["SC.117","/repositories/4/resources/217"],"normalized_date_ssm":["Circa 1930-2013"],"normalized_title_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_title_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Beth Urban donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2019 (CFM2019_09)."],"access_subjects_ssim":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"access_subjects_ssm":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 4 Boxes"],"extent_tesim":["1.75 Linear Feet 4 Boxes"],"genreform_ssim":["correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eDoris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.\u003c/p\u003e\n","\u003cp\u003eLeeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.\u003c/p\u003e\n","\u003cp\u003eLeeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.\u003c/p\u003e\n","\u003cp\u003eLeeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.\u003c/p\u003e\n","\u003cp\u003eLeeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000."],"prefercite_html_tesm":["\u003cp\u003eBeth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Beth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990258927300306596\" show=\"new\"\u003eDoris Leeper: A Retrospective, 1995\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990289293970306596\" show=\"new\"\u003eThe First Decade: Atlantic Center for the Arts, 1987\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990299590550306596\" show=\"new\"\u003eThe Second Decade: 1987-1997, [199?]\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-04\" show=\"new\"\u003eDoris Leeper Papers\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e91330cd1bdee9022869c5487bfc88aa\"\u003eThe Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.\u003c/abstract\u003e"],"abstract_tesim":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"names_coll_ssim":["Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"names_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857766114951168,"_root_":"1bd2b3a5aa54c3d8f9586e86","timestamp":"2026-07-16T08:03:21.192Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86"}},{"id":"600dd03625ade929be9fe7fd","type":"collection","attributes":{"title":"Beverly Jean Fogarty Smith Collection, 1946-1952, Date acquired: 01/15/2008, bulk 1946-1950","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/600dd03625ade929be9fe7fd#creator","type":"document_value","attributes":{"value":["Smith, Beverly Jean Fogarty"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/600dd03625ade929be9fe7fd#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePersonal items of Florida State College for Women/Florida State University student Beverly Jean Fogarty Smith (formerly Beverly Jean Fogarty) (BA, Education, 1950). Items include freshman papers, programs, personal photographs, and assorted ephemera and memorabilia. She is the sister of Marjorie Fogarty Lee (Accession No. HP-2007-014). 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Entered 6 February 2008.","Personal items of Florida State College for Women/Florida State University student Beverly Jean Fogarty Smith (formerly Beverly Jean Fogarty) (BA, Education, 1950). Items include freshman papers, programs, personal photographs, and assorted ephemera and memorabilia. She is the sister of Marjorie Fogarty Lee (Accession No. HP-2007-014). (See box list.)","Select materials from this Collection have been digitized and are available through the  FSU Digital Library .","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University. Artist Series","Baptist Student Union","Civic Music Association","First Baptist Church (Tallahassee, Fla.)","First Presbyterian Church","Florida State College for Women","Florida State University. Flying High Circus","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Kappa Delta Pi (Honor society)","Leon High School (Tallahassee, Fla.)","Modern Dance Group","Scholarship and Loan Committee","University of Florida. Tallahassee Branch","Tallahassee Playmakers","Florida State University. 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School of Music","Student accounts","Student application papers","Student clubs and organizations","Symphonic Band","University Chorus","Sarasota Jungle Gardens","Student grade reports","Personal correspondence","Invitation cards.","Manuscripts","Newsletters","Clippings (Books, newspapers, etc.)","Paper.","Programs","Receipts","Student handbooks","Luggage tags","Name tags","Student schedule cards"],"access_subjects_ssm":["Campus housing","Campus performances","Church bulletins","Class of 1950","Commencement Programs","Official Correspondence","Professional Correspondence","Florida State University. Department of Modern Languages","Dormitory life.","Faculty Recital","Football Programs","Freshman Convocation","Freshman Papers","Friday Evening Series","House of Representatives Scholarships","Junior Counselors","May Day Festival","Office of Treasurer and Business Manager","Pamphlets","Scholarships.","Florida State University. School of Music","Student accounts","Student application papers","Student clubs and organizations","Symphonic Band","University Chorus","Sarasota Jungle Gardens","Student grade reports","Personal correspondence","Invitation cards.","Manuscripts","Newsletters","Clippings (Books, newspapers, etc.)","Paper.","Programs","Receipts","Student handbooks","Luggage tags","Name tags","Student schedule cards"],"has_online_content_ssim":["false"],"extent_ssm":["102.00 items"],"extent_tesim":["102.00 items"],"genreform_ssim":["Personal correspondence","Invitation cards.","Manuscripts","Newsletters","Clippings (Books, newspapers, etc.)","Paper.","Programs","Receipts","Student handbooks","Luggage tags","Name tags","Student schedule cards"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. 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(See box list.)","Select materials from this Collection have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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West Campus","Stetson University","YWCA","Andrews, Elizabeth Gordon, 1880-1967","Campbell, Margaret V.","English, Colin","Fogarty, Beverly Jean","Goodell, Virginia","Kreisler, Fritz, 1875-1962","Kimbrough, Verman","Lamson, Carl","McCollum, Edith","Rhodes, Judy","Pitchford, Sue","Smith, Beverly Jean Fogarty, 1928-","Weekly, Lil","Hamilton, Pat","Haldeman, Margie","Wilson, Maureen","Smith, Aurelia","Ward, Elsie"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Artist Series","Baptist Student Union","Civic Music Association","First Baptist Church (Tallahassee, Fla.)","First Presbyterian Church","Florida State College for Women","Florida State University. Flying High Circus","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Kappa Delta Pi (Honor society)","Leon High School (Tallahassee, Fla.)","Modern Dance Group","Scholarship and Loan Committee","University of Florida. Tallahassee Branch","Tallahassee Playmakers","Florida State University. West Campus","Stetson University","YWCA","Smith, Beverly Jean Fogarty","Andrews, Elizabeth Gordon, 1880-1967","Campbell, Margaret V.","English, Colin","Fogarty, Beverly Jean","Goodell, Virginia","Kreisler, Fritz, 1875-1962","Kimbrough, Verman","Lamson, Carl","McCollum, Edith","Rhodes, Judy","Pitchford, Sue","Smith, Beverly Jean Fogarty, 1928-","Weekly, Lil","Hamilton, Pat","Haldeman, Margie","Wilson, Maureen","Smith, Aurelia","Ward, Elsie"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Artist Series","Baptist Student Union","Civic Music Association","First Baptist Church (Tallahassee, Fla.)","First Presbyterian Church","Florida State College for Women","Florida State University. Flying High Circus","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Kappa Delta Pi (Honor society)","Leon High School (Tallahassee, Fla.)","Modern Dance Group","Scholarship and Loan Committee","University of Florida. Tallahassee Branch","Tallahassee Playmakers","Florida State University. 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Department of Modern Languages","Dormitory life.","Faculty Recital","Football Programs","Freshman Convocation","Freshman Papers","Friday Evening Series","House of Representatives Scholarships","Junior Counselors","May Day Festival","Office of Treasurer and Business Manager","Pamphlets","Scholarships.","Florida State University. School of Music","Student accounts","Student application papers","Student clubs and organizations","Symphonic Band","University Chorus","Sarasota Jungle Gardens","Student grade reports","Personal correspondence","Invitation cards.","Manuscripts","Newsletters","Clippings (Books, newspapers, etc.)","Paper.","Programs","Receipts","Student handbooks","Luggage tags","Name tags","Student schedule cards","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Entered 6 February 2008.","Personal items of Florida State College for Women/Florida State University student Beverly Jean Fogarty Smith (formerly Beverly Jean Fogarty) (BA, Education, 1950). Items include freshman papers, programs, personal photographs, and assorted ephemera and memorabilia. She is the sister of Marjorie Fogarty Lee (Accession No. HP-2007-014). (See box list.)","Select materials from this Collection have been digitized and are available through the  FSU Digital Library .","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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School of Music","Student accounts","Student application papers","Student clubs and organizations","Symphonic Band","University Chorus","Sarasota Jungle Gardens","Student grade reports","Personal correspondence","Invitation cards.","Manuscripts","Newsletters","Clippings (Books, newspapers, etc.)","Paper.","Programs","Receipts","Student handbooks","Luggage tags","Name tags","Student schedule cards"],"access_subjects_ssm":["Campus housing","Campus performances","Church bulletins","Class of 1950","Commencement Programs","Official Correspondence","Professional Correspondence","Florida State University. Department of Modern Languages","Dormitory life.","Faculty Recital","Football Programs","Freshman Convocation","Freshman Papers","Friday Evening Series","House of Representatives Scholarships","Junior Counselors","May Day Festival","Office of Treasurer and Business Manager","Pamphlets","Scholarships.","Florida State University. School of Music","Student accounts","Student application papers","Student clubs and organizations","Symphonic Band","University Chorus","Sarasota Jungle Gardens","Student grade reports","Personal correspondence","Invitation cards.","Manuscripts","Newsletters","Clippings (Books, newspapers, etc.)","Paper.","Programs","Receipts","Student handbooks","Luggage tags","Name tags","Student schedule cards"],"has_online_content_ssim":["false"],"extent_ssm":["102.00 items"],"extent_tesim":["102.00 items"],"genreform_ssim":["Personal correspondence","Invitation cards.","Manuscripts","Newsletters","Clippings (Books, newspapers, etc.)","Paper.","Programs","Receipts","Student handbooks","Luggage tags","Name tags","Student schedule cards"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. 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(See box list.)","Select materials from this Collection have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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Heritage Protocol \u0026 University Archives","Kappa Delta Pi (Honor society)","Leon High School (Tallahassee, Fla.)","Modern Dance Group","Scholarship and Loan Committee","University of Florida. Tallahassee Branch","Tallahassee Playmakers","Florida State University. 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He died at 90 years old on January 31, 2006."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Chester W. Bailes papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_14_0031\"\u003ehttp://purl.fcla.edu/fsu/WWII_14_0031\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Chester W. 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He married Georgia Line Bailes before the war. He served in the Army from 1940 to 1945. While in the Army, he served in Ireland, North Africa, Sicily, and Italy. He worked for Broadway Chevrolet in Grayson County, Kentucky before his retirement. He died at 90 years old on January 31, 2006.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Chester W. Bailes served as a 4th Grade technician in the US Army 1st Armored Division during World War II. He was first sent to Ireland, before participating in the North Africa invasion, Sicily, and Anzio during the invasion of Italy, where he spent the rest of the war. 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DeMille's role in its founding."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55"}},{"id":"8b5c8f8d615541cc2c2e15fc","type":"collection","attributes":{"title":"Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8b5c8f8d615541cc2c2e15fc#creator","type":"document_value","attributes":{"value":["MacInnes, Betty"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8b5c8f8d615541cc2c2e15fc#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to Staff Sergeant Warren R. MacInnes (part of the 834th) in Italy. The box contains letters and photographs sent to him from his wife while he was stationed on the Italian front in Europe. In addition, there are periodicals and pamphlets related to the reintroduction of soldiers from the Italian front back into civilian life Stateside.  This collection also contains documents related to Private Gerald Greenbaum who served with 1560th Service Unit, Medical Section-Station Complement, Camp Atterbury, Indiana.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b5c8f8d615541cc2c2e15fc#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8b5c8f8d615541cc2c2e15fc","title_filing_ssi":"Stapleton, Darwin collection","title_ssm":["Darwin Stapleton collection"],"title_tesim":["Darwin Stapleton collection"],"ead_ssi":"8b5c8f8d615541cc2c2e15fc","unitdate_ssm":["1942-1976","1944-1946","Date acquired: 05/15/2015","Date accessioned: 2020-05-25"],"unitdate_bulk_ssim":["1944-1946"],"unitdate_inclusive_ssm":["1942-1976"],"unitdate_other_ssim":["Date acquired: 05/15/2015","Date accessioned: 2020-05-25"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["14.0035","/repositories/10/resources/361"],"text":["14.0035","/repositories/10/resources/361","Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946","Pamphlets","United States. Navy--History--20th century","World War, 1939-1945","World War, 1939-1945--Naval operations, American","World War, 1939-1945--Women","World War, 1939-1945--Naval operations","United States. Army Ground Forces","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Japan","World War, 1939-1945--Germany","World War, 1939-1945--Hospitals--France","Military Discharge--United States","World War, 1939-1945--Campaigns","Letters--20th century","Periodicals.","Correspondence","Letters","This collections is open to all researchers.","These folders are grouped by who sent the letters, or by pamphlet type.","Staff Sergeant Warren R. MacInnes was stationed in Italy (part of the 834th) during World War II. His wife Betty McInnes was left Stateside during his deployment. Many of the letters contain typical domestic conversation as well as reference to the miliary progress and wartime situations.","Note written by Erik Braeden Lewis","This collection was donated by Darwin Stapleton. The collection was acquired by the Institute on World War II and the Human Experience on May 15, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Entered 06/02/2016","This collection relates to Staff Sergeant Warren R. MacInnes (part of the 834th) in Italy. The box contains letters and photographs sent to him from his wife while he was stationed on the Italian front in Europe. In addition, there are periodicals and pamphlets related to the reintroduction of soldiers from the Italian front back into civilian life Stateside.  This collection also contains documents related to Private Gerald Greenbaum who served with 1560th Service Unit, Medical Section-Station Complement, Camp Atterbury, Indiana.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army. European Theater of Operations","MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin","MacInness, Warren R. -- Correspondence","MacInnes, Betty -- Correspondence","English"],"unitid_tesim":["14.0035","/repositories/10/resources/361"],"normalized_date_ssm":["1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"normalized_title_ssm":["Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"collection_title_tesim":["Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"collection_ssim":["Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"creator_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"creator_persname_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"creators_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Pamphlets","United States. Navy--History--20th century","World War, 1939-1945","World War, 1939-1945--Naval operations, American","World War, 1939-1945--Women","World War, 1939-1945--Naval operations","United States. Army Ground Forces","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Japan","World War, 1939-1945--Germany","World War, 1939-1945--Hospitals--France","Military Discharge--United States","World War, 1939-1945--Campaigns","Letters--20th century","Periodicals.","Correspondence","Letters"],"access_subjects_ssm":["Pamphlets","United States. Navy--History--20th century","World War, 1939-1945","World War, 1939-1945--Naval operations, American","World War, 1939-1945--Women","World War, 1939-1945--Naval operations","United States. Army Ground Forces","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Japan","World War, 1939-1945--Germany","World War, 1939-1945--Hospitals--France","Military Discharge--United States","World War, 1939-1945--Campaigns","Letters--20th century","Periodicals.","Correspondence","Letters"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet"],"extent_tesim":[".5 Linear Feet"],"genreform_ssim":["Periodicals.","Correspondence","Letters"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collections is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collections is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThese folders are grouped by who sent the letters, or by pamphlet type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["These folders are grouped by who sent the letters, or by pamphlet type."],"bioghist_html_tesm":["\u003cp\u003eStaff Sergeant Warren R. MacInnes was stationed in Italy (part of the 834th) during World War II. His wife Betty McInnes was left Stateside during his deployment. Many of the letters contain typical domestic conversation as well as reference to the miliary progress and wartime situations.\u003c/p\u003e\n","\u003cp\u003eNote written by Erik Braeden Lewis\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Staff Sergeant Warren R. MacInnes was stationed in Italy (part of the 834th) during World War II. His wife Betty McInnes was left Stateside during his deployment. Many of the letters contain typical domestic conversation as well as reference to the miliary progress and wartime situations.","Note written by Erik Braeden Lewis"],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Darwin Stapleton. The collection was acquired by the Institute on World War II and the Human Experience on May 15, 2015.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Darwin Stapleton. The collection was acquired by the Institute on World War II and the Human Experience on May 15, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Darwin Stapleton collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_14_0035\"\u003ehttp://purl.fcla.edu/fsu/WWII_14_0035\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Darwin Stapleton collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_14_0035"],"processinfo_html_tesm":["\u003cp\u003eEntered 06/02/2016\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Entered 06/02/2016"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Staff Sergeant Warren R. MacInnes (part of the 834th) in Italy. The box contains letters and photographs sent to him from his wife while he was stationed on the Italian front in Europe. In addition, there are periodicals and pamphlets related to the reintroduction of soldiers from the Italian front back into civilian life Stateside.\u0026#xA0; This collection also contains documents related to Private Gerald Greenbaum who served with 1560th Service Unit, Medical Section-Station Complement, Camp Atterbury, Indiana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Staff Sergeant Warren R. MacInnes (part of the 834th) in Italy. The box contains letters and photographs sent to him from his wife while he was stationed on the Italian front in Europe. In addition, there are periodicals and pamphlets related to the reintroduction of soldiers from the Italian front back into civilian life Stateside.  This collection also contains documents related to Private Gerald Greenbaum who served with 1560th Service Unit, Medical Section-Station Complement, Camp Atterbury, Indiana."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army. European Theater of Operations","MacInness, Warren R. -- Correspondence","MacInnes, Betty -- Correspondence","Stapleton, Dawrin"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. European Theater of Operations","MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin","MacInness, Warren R. -- Correspondence","MacInnes, Betty -- Correspondence"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. European Theater of Operations"],"persname_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin","MacInness, Warren R. -- Correspondence","MacInnes, Betty -- Correspondence"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8b5c8f8d615541cc2c2e15fc","timestamp":"2026-07-10T07:52:15.759Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b5c8f8d615541cc2c2e15fc","title_filing_ssi":"Stapleton, Darwin collection","title_ssm":["Darwin Stapleton collection"],"title_tesim":["Darwin Stapleton collection"],"ead_ssi":"8b5c8f8d615541cc2c2e15fc","unitdate_ssm":["1942-1976","1944-1946","Date acquired: 05/15/2015","Date accessioned: 2020-05-25"],"unitdate_bulk_ssim":["1944-1946"],"unitdate_inclusive_ssm":["1942-1976"],"unitdate_other_ssim":["Date acquired: 05/15/2015","Date accessioned: 2020-05-25"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["14.0035","/repositories/10/resources/361"],"text":["14.0035","/repositories/10/resources/361","Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946","Pamphlets","United States. Navy--History--20th century","World War, 1939-1945","World War, 1939-1945--Naval operations, American","World War, 1939-1945--Women","World War, 1939-1945--Naval operations","United States. Army Ground Forces","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Japan","World War, 1939-1945--Germany","World War, 1939-1945--Hospitals--France","Military Discharge--United States","World War, 1939-1945--Campaigns","Letters--20th century","Periodicals.","Correspondence","Letters","This collections is open to all researchers.","These folders are grouped by who sent the letters, or by pamphlet type.","Staff Sergeant Warren R. MacInnes was stationed in Italy (part of the 834th) during World War II. His wife Betty McInnes was left Stateside during his deployment. Many of the letters contain typical domestic conversation as well as reference to the miliary progress and wartime situations.","Note written by Erik Braeden Lewis","This collection was donated by Darwin Stapleton. The collection was acquired by the Institute on World War II and the Human Experience on May 15, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Entered 06/02/2016","This collection relates to Staff Sergeant Warren R. MacInnes (part of the 834th) in Italy. The box contains letters and photographs sent to him from his wife while he was stationed on the Italian front in Europe. In addition, there are periodicals and pamphlets related to the reintroduction of soldiers from the Italian front back into civilian life Stateside.  This collection also contains documents related to Private Gerald Greenbaum who served with 1560th Service Unit, Medical Section-Station Complement, Camp Atterbury, Indiana.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army. European Theater of Operations","MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin","MacInness, Warren R. -- Correspondence","MacInnes, Betty -- Correspondence","English"],"unitid_tesim":["14.0035","/repositories/10/resources/361"],"normalized_date_ssm":["1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"normalized_title_ssm":["Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"collection_title_tesim":["Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"collection_ssim":["Darwin Stapleton collection, 1942-1976, Date acquired: 05/15/2015, Date accessioned: 2020-05-25, bulk 1944-1946"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"creator_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"creator_persname_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"creators_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Pamphlets","United States. Navy--History--20th century","World War, 1939-1945","World War, 1939-1945--Naval operations, American","World War, 1939-1945--Women","World War, 1939-1945--Naval operations","United States. Army Ground Forces","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Japan","World War, 1939-1945--Germany","World War, 1939-1945--Hospitals--France","Military Discharge--United States","World War, 1939-1945--Campaigns","Letters--20th century","Periodicals.","Correspondence","Letters"],"access_subjects_ssm":["Pamphlets","United States. Navy--History--20th century","World War, 1939-1945","World War, 1939-1945--Naval operations, American","World War, 1939-1945--Women","World War, 1939-1945--Naval operations","United States. Army Ground Forces","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Japan","World War, 1939-1945--Germany","World War, 1939-1945--Hospitals--France","Military Discharge--United States","World War, 1939-1945--Campaigns","Letters--20th century","Periodicals.","Correspondence","Letters"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet"],"extent_tesim":[".5 Linear Feet"],"genreform_ssim":["Periodicals.","Correspondence","Letters"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collections is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collections is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThese folders are grouped by who sent the letters, or by pamphlet type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["These folders are grouped by who sent the letters, or by pamphlet type."],"bioghist_html_tesm":["\u003cp\u003eStaff Sergeant Warren R. MacInnes was stationed in Italy (part of the 834th) during World War II. His wife Betty McInnes was left Stateside during his deployment. Many of the letters contain typical domestic conversation as well as reference to the miliary progress and wartime situations.\u003c/p\u003e\n","\u003cp\u003eNote written by Erik Braeden Lewis\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Staff Sergeant Warren R. MacInnes was stationed in Italy (part of the 834th) during World War II. His wife Betty McInnes was left Stateside during his deployment. Many of the letters contain typical domestic conversation as well as reference to the miliary progress and wartime situations.","Note written by Erik Braeden Lewis"],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Darwin Stapleton. The collection was acquired by the Institute on World War II and the Human Experience on May 15, 2015.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Darwin Stapleton. The collection was acquired by the Institute on World War II and the Human Experience on May 15, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Darwin Stapleton collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_14_0035\"\u003ehttp://purl.fcla.edu/fsu/WWII_14_0035\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Darwin Stapleton collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_14_0035"],"processinfo_html_tesm":["\u003cp\u003eEntered 06/02/2016\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Entered 06/02/2016"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Staff Sergeant Warren R. MacInnes (part of the 834th) in Italy. The box contains letters and photographs sent to him from his wife while he was stationed on the Italian front in Europe. In addition, there are periodicals and pamphlets related to the reintroduction of soldiers from the Italian front back into civilian life Stateside.\u0026#xA0; This collection also contains documents related to Private Gerald Greenbaum who served with 1560th Service Unit, Medical Section-Station Complement, Camp Atterbury, Indiana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Staff Sergeant Warren R. MacInnes (part of the 834th) in Italy. The box contains letters and photographs sent to him from his wife while he was stationed on the Italian front in Europe. In addition, there are periodicals and pamphlets related to the reintroduction of soldiers from the Italian front back into civilian life Stateside.  This collection also contains documents related to Private Gerald Greenbaum who served with 1560th Service Unit, Medical Section-Station Complement, Camp Atterbury, Indiana."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army. European Theater of Operations","MacInness, Warren R. -- Correspondence","MacInnes, Betty -- Correspondence","Stapleton, Dawrin"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. European Theater of Operations","MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin","MacInness, Warren R. -- Correspondence","MacInnes, Betty -- Correspondence"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. European Theater of Operations"],"persname_ssim":["MacInnes, Betty","MacInnes, Warren R.","Greenbaum, Gerald L.","Stapleton, Dawrin","MacInness, Warren R. -- Correspondence","MacInnes, Betty -- Correspondence"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8b5c8f8d615541cc2c2e15fc","timestamp":"2026-07-10T07:52:15.759Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b5c8f8d615541cc2c2e15fc"}},{"id":"a7490b54d89eb8991c50757e","type":"collection","attributes":{"title":"Duval County, Florida, Elections and Voting Collection, 1904-2012","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a7490b54d89eb8991c50757e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe primary source materials in this collection provide historical documentation and evidence of selective elections and political campaigns held in Duval County and Jacksonville, Florida. The earliest items are Duval County election records dated 1904; the majority of the materials date from the late twentieth century to the present decade. Printed materials include sample election ballots and guides, voting brochures and pamphlets, and a voting registration receipt card. Artifacts and memorabilia include political campaign buttons and stickers from Jacksonville mayoral, U.S. Senate, and Presidential campaigns.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a7490b54d89eb8991c50757e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a7490b54d89eb8991c50757e","title_ssm":["Duval County, Florida, Elections and Voting Collection"],"title_tesim":["Duval County, Florida, Elections and Voting Collection"],"ead_ssi":"a7490b54d89eb8991c50757e","unitdate_ssm":["1904-2012"],"unitdate_inclusive_ssm":["1904-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2012.009","/repositories/3/resources/36"],"text":["2012.009","/repositories/3/resources/36","Duval County, Florida, Elections and Voting Collection, 1904-2012","Memorabilia","Pamphlets","Posters","Printed materials","Publications","Realia","The collection is open for research by appointment only. 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Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2012.009","/repositories/3/resources/36"],"normalized_date_ssm":["1904-2012"],"normalized_title_ssm":["Duval County, Florida, Elections and Voting Collection, 1904-2012"],"collection_title_tesim":["Duval County, Florida, Elections and Voting Collection, 1904-2012"],"collection_ssim":["Duval County, Florida, Elections and Voting Collection, 1904-2012"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Archives staff, and University of North Florida faculty."],"access_subjects_ssim":["Memorabilia","Pamphlets","Posters","Printed materials","Publications","Realia"],"access_subjects_ssm":["Memorabilia","Pamphlets","Posters","Printed materials","Publications","Realia"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Memorabilia","Pamphlets","Posters","Printed materials","Publications","Realia"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eUnder Revision\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Under Revision"],"prefercite_html_tesm":["\u003cp\u003eDuval County, Florida, Elections and Voting Collection. Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Duval County, Florida, Elections and Voting Collection. Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe primary source materials in this collection provide historical documentation and evidence of selective elections and political campaigns held in Duval County and Jacksonville, Florida. The earliest items are Duval County election records dated 1904; the majority of the materials date from the late twentieth century to the present decade. Printed materials include sample election ballots and guides, voting brochures and pamphlets, and a voting registration receipt card. 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Artifacts and memorabilia include political campaign buttons and stickers from Jacksonville mayoral, U.S. Senate, and Presidential campaigns."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860517964251136,"_root_":"a7490b54d89eb8991c50757e","timestamp":"2026-07-16T08:47:05.561Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a7490b54d89eb8991c50757e","title_ssm":["Duval County, Florida, Elections and Voting Collection"],"title_tesim":["Duval County, Florida, Elections and Voting Collection"],"ead_ssi":"a7490b54d89eb8991c50757e","unitdate_ssm":["1904-2012"],"unitdate_inclusive_ssm":["1904-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2012.009","/repositories/3/resources/36"],"text":["2012.009","/repositories/3/resources/36","Duval County, Florida, Elections and Voting Collection, 1904-2012","Memorabilia","Pamphlets","Posters","Printed materials","Publications","Realia","The collection is open for research by appointment only. 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Artifacts and memorabilia include political campaign buttons and stickers from Jacksonville mayoral, U.S. Senate, and Presidential campaigns."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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Heritage Protocol \u0026 University Archives","Spirogira (Honor Society)","Emeritus Alumni Society","Heritage Tower (Tallahassee, Fla.)","Adams Studio","Katz Ladies Shop","Florida. Governor (1929-1933 : Carlton)","Florida. Governor (1933-1937 : Sholtz)","Albert W. Gilchrist Hall (Tallahassee, Fla.)","F Club","Florida State College for Women"],"persname_ssim":["Autrey, Elizabeth and Katharine","Autrey, Elizabeth","Autrey, Katharine","Norwood, Mary Lou","Conradi, Edward, 1869-1944","Owens, Ruth B.","Byrd, Katherine","Beyer, Kathryn","Mackeilski, Marjorie Batchelder","House, L. Margueritte, 1901-1979","Geffcken, Helen","Emerson, Alma","Gaillard, Margaret","Shogren, Dot","Geffcken, Dot","Sembler, Cora","Byrd, Eva","Newman, Clementine","Ransley, Helen","Bell, Bookie","Baillies, Mary Ellen","Monroe, Kathleen","DuBois, Dr. P.W.","Caldwell, Reverend Edward N.","Norwood, Dr. G. Hunter","Hatchell, Elaine","Lytle, Fulton","Sloan, Virginia","Denham, Rose","Andrews, Mamie","Barrs, Katherine","Cone, Jennie Rae Nall","Royall, Hazel","Parks, Frances","Hurlin, Frances","Hall, Frances \"Frankie\"","Warren, Eleanor","Warren, Mary Virginia","Haight, Eleanor","Monroe, Julia","Makinson, Joy","Kelley, Frances","Hooper, Bessie","Vinal, Carleen","Pierce, Elizabeth","Sumner, Fay","Whitthorne, Frankie","Leuders, Lady Jane","Menendez, Martha","Tucker, Ruth","Milton, Wilma (Sox)","Bottari, Ines Lee","Cermack, Elizabeth","Earle, Betty","Gallentine, Bee","Greer, Rose Bud","Key, Mary Lou","Mackey, Marjorie","Teague, Margaret","Pope, Lucy","Grady, Jackie","Mathewson, Genie","Gillies, Elizabeth","Coker, Mildred","Searlett, Jo","Griffin, Nannie M.","Heffecken, Helen","Floyd, Effie","Hicks, Dorothy \"Dot\"","Clough, Adaline","Dale, Ruth","Lutz, Nancy","Gardiner, Marion","Wills, Janet","Ruff, Irma","McCormick, Harriet","Bell, Betty","Waldrop, Rebecca \"Becky\"","Embry, Sara","Diamond, Rowena","Settle, Mary","Monroe, Martha","Hebb, Hazel","Mattox, Edna","Connor, Dolly","Wood, Betty","Bozler, Janet","Geiger, Tillie","Pace, Juanita","Lewis, Jimmie","Dunn, Betty","White, Sara Holt","McClearen, Eleanor","Proctor, Gladys Storrs","Tracy, Anna May","Tootle, Isabel","Boyd, Helen","Pamil, Bet","Bullock, Dot","Taylor, Marie","Wood, Bernice","Moffet, Ruth Jennings","White, Dorothy","Albright, Eleanor","Stewart, Mildred","Morrison, Jo","Mayer, Marjorie","Beckham, Charlotte","Sivia, Olive","Burnett, Dorothy \"Dot\"","Grady, Marion (Jack)","Whitthorn, Frances","Daniel, Elizabeth"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":686,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870856941385809920,"_root_":"faee9e479740ddd498701f1f","timestamp":"2026-07-16T07:50:14.662Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/faee9e479740ddd498701f1f"}},{"id":"2509bdd3a9c797c4a5d03e51","type":"collection","attributes":{"title":"Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2509bdd3a9c797c4a5d03e51#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis small collection documents the history of the Florida extension service program from its beginnings at the Florida State College for Women (FSCW) / Florida State University (FSU) School of Home Economics. The collection includes reference materials about other statewide agricultural extension service agencies and home economics, articles about Florida 4-H Clubs and the history of Florida home demonstration work, and publicity brochures about Florida home demonstration work published by the Florida State Home Demonstration Office at FSU. It is historically significant to researchers studying the cooperative extension movement in Florida and the United States and its relationship to higher education programs.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2509bdd3a9c797c4a5d03e51#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2509bdd3a9c797c4a5d03e51","title_ssm":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection"],"title_tesim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection"],"ead_ssi":"2509bdd3a9c797c4a5d03e51","unitdate_ssm":["1937-1969","1951-1964","Date acquired: 12/00/2005"],"unitdate_bulk_ssim":["1951-1964"],"unitdate_inclusive_ssm":["1937-1969"],"unitdate_other_ssim":["Date acquired: 12/00/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2005-016","/repositories/10/resources/1387"],"text":["MSS 2005-016","/repositories/10/resources/1387","Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964","Bibliography","Home economics extension work--Florida","4-H clubs--Florida","Advertising fliers","Pamphlets","Manuscripts","Reports","Scrapbooks","Periodicals.","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","According to Agnes Ellen Harris, the head of Florida State College for Women (FSCW)'s Department of Home Economics, and Florida's First State and County Home Demonstration Agent, home demonstration work in Florida began during FSCW's 1908-1909 academic term, when she was invited by Mrs. Lena A. Shackelford, president of the Florida State Federation of Women's Clubs and wife of Florida Supreme Court Justice T.M. Shackelford, to give a cooking demonstration in Ocala, Florida. A book of recipes, considered the first home economics work published by FSCW, was printed and distributed at this meeting. The demonstration was so successful that Miss Harris requested a year's leave of absence from FSCW to go to Columbia University, where she prepared herself for extension work. Also during this time, FSCW's President, Dr. Edward Conradi, strongly supported the home demonstration program and was instrumental in establishing the state headquarters for home demonstration work at FSCW.\n After a year's work at Columbia, Miss Harris returned to FSCW and, after learning that a type of extension work for country girls, called \"Tomato Clubs,\" was being established at agricultural colleges in the South, she created these clubs at the college. These clubs were also the first Girls 4-H Clubs in Florida. Club members planted and harvested tomatoes on a one-tenth acre plot and held \"canning parties.\" The girls' mothers came as chaperones and helped with canning the tomatoes, an activity which was among the first \"method\" demonstrations given in home demonstration work in Florida.\n Many of the early Florida home demonstration agents were teachers who worked with the tomato clubs during a few months in the summer. Their salaries were small, and travel was slow and often difficult. Twelve agents began work in 1912 and 500 girls enrolled in the tomato clubs. During this active period, agents worked directly with county superintendents and newspaper reporters for the purpose of educating Florida residents about how to save surplus fruits and vegetables.\n In 1914, the Smith-Lever Act was passed by the U.S. Congress, providing federal aid for agricultural extension work in agriculture and home economics. The legislation also gave official government sanction to a plan of cooperation among the federal, state, and county governments in a system of rural education now known as Cooperative Extension work. This was the first time that the term \"Home Economics\" appeared in federal legislation. After the passage of this bill, more agents with better training and salaries were appointed, and FSCW began a cooperative program with the College of Agriculture at the University of Florida and the United States Department of Agriculture providing home demonstration training in Florida. Funds for conducting the work were available not only from these two institutions, but also from appropriations made by Boards of Commissioners and Boards of Public Instruction of the various state counties. In addition, extension services for adult women started in Florida in 1916.\n In 1918, President Conradi proposed a \"war college\" for women to be held in Tallahassee. 375 women attending from all parts of Florida discussed how World War I impacted home demonstration activities and how home demonstration agents should respond to the demands of all-out war. As a result of this conference, the position of the extension agents was clarified and the women became better organized and participated in Liberty Loan drives, Red Cross work, community services to military camps, and other activities.\n Home demonstration activities expanded after World War I and through the 1920s. There were developments such as the extension of telephone and electric lines, better roads, improved homes, health programs, and better schools. This work fostered a growing community spirit and the beginning of the community recreation program. In 1920, the first movie depicting home demonstration work was filmed in Florida. It included many scenes from the first 4-H Club camp for boys and girls. In 1927, the FSCW's 4-H Club was organized. In 1928, through the donation of $100 by Appleyard Printing Company, Tallahassee, a Council scholarship fund for 4-H Club girls was started by FSCW's Senior Home Demonstration Council.\n With the close of Florida's prosperous years in the late 1920s, home demonstration work was challenged by a rapid succession of devastating storms in South Florida, bank failures, crop losses, and other difficult situations. Gardening, canning, and clothes remodeling became matters of necessity to feed and clothe families under trying financial conditions. During the depression, the need to increase the income of the farm family, in both cash and kind, was paramount. The sale of surplus products through home demonstration markets, roadside stands, or individual sales served as a means to supplement cash income. Reports supplied by the home demonstration women and girls for this period show they sold home-manufactured products or produced quality goods worth hundreds of thousands of dollars annually. In addition, during this time, the first 4-H girls, all FSCW graduates, were appointed county home demonstration agents.\n As field agents of the U.S. Department of Agriculture, home demonstration workers were assigned many essential duties during World War II, including food production and conservation, nutrition, salvage, and rural health. As leaders in the state and counties, they were able to accept local and statewide responsibilities for wartime programs.\n Following World War II, Florida State University (FSU, formerly FSCW) classroom space was at a premium and it was necessary to move the home demonstration state headquarters to the Administration Building at the discontinued Dale Mabry Air Force Base, just west of the main campus in Tallahassee. While the quality of the quarters was minimal, space was abundant, providing ample room for offices, storage, production, and collating of educational mimeographed materials.\n During the immediate post-war period, there were several changes in the program. In 1948, two new positions were added - one in health improvement and the other the first state girls 4-H Club agent. Up to that time, state home demonstration staff had alternately shared the responsibility of working with the state 4-H program and chaperoning the girls to state and national meetings. Anna Mae Sikes was appointed state home demonstration leader in 1950 and served in this capacity until 1964.\n Throughout the 1950s, home demonstration work continued to experience great expansion, reorganization, and a move to new state headquarters. An assistant editor and visual aids specialist position was created and filled by Alma Warren in 1951. This position recognized the need for mass media to reach an expanding audience.\n In-service training for agents and state staff members continued to expand and an additional state staff position was created. In 1953, Eunice Grady was appointed assistant to the state home demonstration agent in training programs. Her responsibilities included recruitment, pre-service training, in-service training, graduate training for home demonstration workers, and assisting the state agent when requested. These activities resulted in the establishment of FSU's Department of Home Demonstration.\n In 1958, the state staff was moved back to the main FSU campus in the Extension wing of the just completed Sandels Home Economics Building. That year, FSU's Extension Committee on Reorganization and Policy Subcommittee on Scope and Responsibility published The Cooperative Extension Service-Today. In 1959, the scope report was followed by A Guide for Extension Programs in the Future.\n When the Florida Extension Service reorganized in 1963, seven state home demonstration staff members were transferred from FSU to new headquarters at the University of Florida in Gainesville. Floy Britt, the Negro district home demonstration agent, was moved from Florida Agricultural and Mechanical University to FSU and her title was changed to Extension Home Economist for Special Programs. Subsequently, Home Demonstration Agents' titles were changed to Extension Home Economics Agents.\n The next major reorganization occurred in 1968 when women district agents were eliminated in favor of program assignments. The state leader became Assistant Dean for Home Economics and all county personnel and operations were united under the direction of county directors.\n Other organizational changes followed. In 1971, the Department of Extension Home Economics was established at FSU. With the creation of this new department, the duties of Assistant Dean of Extension of Home Economics was expanded to include 4-H Club work and the position title was changed to Assistant Dean of Human Resource Development. Two program positions were transferred to an administrative unit on program development. To comply with affirmative action standards, changes were made in the organizational structure of Florida state and county extension offices and title listings.","The collection was processed in December 2005 and January 2006","Related materials covering home demonstration work in Leon County may be found in the Florida Association of Family and Consumer Science Records, housed in this repository.","This small collection documents the history of the Florida extension service program from its beginnings at the Florida State College for Women (FSCW) / Florida State University (FSU) School of Home Economics. The collection includes reference materials about other statewide agricultural extension service agencies and home economics, articles about Florida 4-H Clubs and the history of Florida home demonstration work, and publicity brochures about Florida home demonstration work published by the Florida State Home Demonstration Office at FSU. It is historically significant to researchers studying the cooperative extension movement in Florida and the United States and its relationship to higher education programs."," Related Materials: In addition to the reference files, articles, publicity, and scrapbooks in this collection, there are photographs and negatives documenting Florida State University's 4-H Club (early 1950s), and its School of Home Economics (1953-1964), and Home Demonstration Division (early 1950s) available to researchers in the Florida State University Special Collections Photographic Archives.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service.","English"],"unitid_tesim":["MSS 2005-016","/repositories/10/resources/1387"],"normalized_date_ssm":["1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"normalized_title_ssm":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"collection_title_tesim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"collection_ssim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Reference materials, articles, and publicity items were acquired from the Florida State University College of Human Sciences in December 2005"],"access_subjects_ssim":["Bibliography","Home economics extension work--Florida","4-H clubs--Florida","Advertising fliers","Pamphlets","Manuscripts","Reports","Scrapbooks","Periodicals."],"access_subjects_ssm":["Bibliography","Home economics extension work--Florida","4-H clubs--Florida","Advertising fliers","Pamphlets","Manuscripts","Reports","Scrapbooks","Periodicals."],"has_online_content_ssim":["false"],"extent_ssm":["0.40 Linear Feet 7 Folders"],"extent_tesim":["0.40 Linear Feet 7 Folders"],"genreform_ssim":["Manuscripts","Reports","Scrapbooks","Periodicals."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to Agnes Ellen Harris, the head of Florida State College for Women (FSCW)'s Department of Home Economics, and Florida's First State and County Home Demonstration Agent, home demonstration work in Florida began during FSCW's 1908-1909 academic term, when she was invited by Mrs. Lena A. Shackelford, president of the Florida State Federation of Women's Clubs and wife of Florida Supreme Court Justice T.M. Shackelford, to give a cooking demonstration in Ocala, Florida. A book of recipes, considered the first home economics work published by FSCW, was printed and distributed at this meeting. The demonstration was so successful that Miss Harris requested a year's leave of absence from FSCW to go to Columbia University, where she prepared herself for extension work. Also during this time, FSCW's President, Dr. Edward Conradi, strongly supported the home demonstration program and was instrumental in establishing the state headquarters for home demonstration work at FSCW.\n After a year's work at Columbia, Miss Harris returned to FSCW and, after learning that a type of extension work for country girls, called \"Tomato Clubs,\" was being established at agricultural colleges in the South, she created these clubs at the college. These clubs were also the first Girls 4-H Clubs in Florida. Club members planted and harvested tomatoes on a one-tenth acre plot and held \"canning parties.\" The girls' mothers came as chaperones and helped with canning the tomatoes, an activity which was among the first \"method\" demonstrations given in home demonstration work in Florida.\n Many of the early Florida home demonstration agents were teachers who worked with the tomato clubs during a few months in the summer. Their salaries were small, and travel was slow and often difficult. Twelve agents began work in 1912 and 500 girls enrolled in the tomato clubs. During this active period, agents worked directly with county superintendents and newspaper reporters for the purpose of educating Florida residents about how to save surplus fruits and vegetables.\n In 1914, the Smith-Lever Act was passed by the U.S. Congress, providing federal aid for agricultural extension work in agriculture and home economics. The legislation also gave official government sanction to a plan of cooperation among the federal, state, and county governments in a system of rural education now known as Cooperative Extension work. This was the first time that the term \"Home Economics\" appeared in federal legislation. After the passage of this bill, more agents with better training and salaries were appointed, and FSCW began a cooperative program with the College of Agriculture at the University of Florida and the United States Department of Agriculture providing home demonstration training in Florida. Funds for conducting the work were available not only from these two institutions, but also from appropriations made by Boards of Commissioners and Boards of Public Instruction of the various state counties. In addition, extension services for adult women started in Florida in 1916.\n In 1918, President Conradi proposed a \"war college\" for women to be held in Tallahassee. 375 women attending from all parts of Florida discussed how World War I impacted home demonstration activities and how home demonstration agents should respond to the demands of all-out war. As a result of this conference, the position of the extension agents was clarified and the women became better organized and participated in Liberty Loan drives, Red Cross work, community services to military camps, and other activities.\n Home demonstration activities expanded after World War I and through the 1920s. There were developments such as the extension of telephone and electric lines, better roads, improved homes, health programs, and better schools. This work fostered a growing community spirit and the beginning of the community recreation program. In 1920, the first movie depicting home demonstration work was filmed in Florida. It included many scenes from the first 4-H Club camp for boys and girls. In 1927, the FSCW's 4-H Club was organized. In 1928, through the donation of $100 by Appleyard Printing Company, Tallahassee, a Council scholarship fund for 4-H Club girls was started by FSCW's Senior Home Demonstration Council.\n With the close of Florida's prosperous years in the late 1920s, home demonstration work was challenged by a rapid succession of devastating storms in South Florida, bank failures, crop losses, and other difficult situations. Gardening, canning, and clothes remodeling became matters of necessity to feed and clothe families under trying financial conditions. During the depression, the need to increase the income of the farm family, in both cash and kind, was paramount. The sale of surplus products through home demonstration markets, roadside stands, or individual sales served as a means to supplement cash income. Reports supplied by the home demonstration women and girls for this period show they sold home-manufactured products or produced quality goods worth hundreds of thousands of dollars annually. In addition, during this time, the first 4-H girls, all FSCW graduates, were appointed county home demonstration agents.\n As field agents of the U.S. Department of Agriculture, home demonstration workers were assigned many essential duties during World War II, including food production and conservation, nutrition, salvage, and rural health. As leaders in the state and counties, they were able to accept local and statewide responsibilities for wartime programs.\n Following World War II, Florida State University (FSU, formerly FSCW) classroom space was at a premium and it was necessary to move the home demonstration state headquarters to the Administration Building at the discontinued Dale Mabry Air Force Base, just west of the main campus in Tallahassee. While the quality of the quarters was minimal, space was abundant, providing ample room for offices, storage, production, and collating of educational mimeographed materials.\n During the immediate post-war period, there were several changes in the program. In 1948, two new positions were added - one in health improvement and the other the first state girls 4-H Club agent. Up to that time, state home demonstration staff had alternately shared the responsibility of working with the state 4-H program and chaperoning the girls to state and national meetings. Anna Mae Sikes was appointed state home demonstration leader in 1950 and served in this capacity until 1964.\n Throughout the 1950s, home demonstration work continued to experience great expansion, reorganization, and a move to new state headquarters. An assistant editor and visual aids specialist position was created and filled by Alma Warren in 1951. This position recognized the need for mass media to reach an expanding audience.\n In-service training for agents and state staff members continued to expand and an additional state staff position was created. In 1953, Eunice Grady was appointed assistant to the state home demonstration agent in training programs. Her responsibilities included recruitment, pre-service training, in-service training, graduate training for home demonstration workers, and assisting the state agent when requested. These activities resulted in the establishment of FSU's Department of Home Demonstration.\n In 1958, the state staff was moved back to the main FSU campus in the Extension wing of the just completed Sandels Home Economics Building. That year, FSU's Extension Committee on Reorganization and Policy Subcommittee on Scope and Responsibility published The Cooperative Extension Service-Today. In 1959, the scope report was followed by A Guide for Extension Programs in the Future.\n When the Florida Extension Service reorganized in 1963, seven state home demonstration staff members were transferred from FSU to new headquarters at the University of Florida in Gainesville. Floy Britt, the Negro district home demonstration agent, was moved from Florida Agricultural and Mechanical University to FSU and her title was changed to Extension Home Economist for Special Programs. Subsequently, Home Demonstration Agents' titles were changed to Extension Home Economics Agents.\n The next major reorganization occurred in 1968 when women district agents were eliminated in favor of program assignments. The state leader became Assistant Dean for Home Economics and all county personnel and operations were united under the direction of county directors.\n Other organizational changes followed. In 1971, the Department of Extension Home Economics was established at FSU. With the creation of this new department, the duties of Assistant Dean of Extension of Home Economics was expanded to include 4-H Club work and the position title was changed to Assistant Dean of Human Resource Development. Two program positions were transferred to an administrative unit on program development. To comply with affirmative action standards, changes were made in the organizational structure of Florida state and county extension offices and title listings."],"prefercite_html_tesm":["\u003cp\u003eFlorida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2005-016\u003c/p\u003e"],"prefercite_tesim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2005-016"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in December 2005 and January 2006\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in December 2005 and January 2006"],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials covering home demonstration work in Leon County may be found in the Florida Association of Family and Consumer Science Records, housed in this repository.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials covering home demonstration work in Leon County may be found in the Florida Association of Family and Consumer Science Records, housed in this repository."],"scopecontent_html_tesm":["\u003cp\u003eThis small collection documents the history of the Florida extension service program from its beginnings at the Florida State College for Women (FSCW) / Florida State University (FSU) School of Home Economics. The collection includes reference materials about other statewide agricultural extension service agencies and home economics, articles about Florida 4-H Clubs and the history of Florida home demonstration work, and publicity brochures about Florida home demonstration work published by the Florida State Home Demonstration Office at FSU. It is historically significant to researchers studying the cooperative extension movement in Florida and the United States and its relationship to higher education programs.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e Related Materials: In addition to the reference files, articles, publicity, and scrapbooks in this collection, there are photographs and negatives documenting Florida State University's 4-H Club (early 1950s), and its School of Home Economics (1953-1964), and Home Demonstration Division (early 1950s) available to researchers in the Florida State University Special Collections Photographic Archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This small collection documents the history of the Florida extension service program from its beginnings at the Florida State College for Women (FSCW) / Florida State University (FSU) School of Home Economics. The collection includes reference materials about other statewide agricultural extension service agencies and home economics, articles about Florida 4-H Clubs and the history of Florida home demonstration work, and publicity brochures about Florida home demonstration work published by the Florida State Home Demonstration Office at FSU. It is historically significant to researchers studying the cooperative extension movement in Florida and the United States and its relationship to higher education programs."," Related Materials: In addition to the reference files, articles, publicity, and scrapbooks in this collection, there are photographs and negatives documenting Florida State University's 4-H Club (early 1950s), and its School of Home Economics (1953-1964), and Home Demonstration Division (early 1950s) available to researchers in the Florida State University Special Collections Photographic Archives."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service."],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2509bdd3a9c797c4a5d03e51","timestamp":"2026-07-08T05:02:19.029Z","bioghist_html_tesm":["\u003cp\u003eAccording to Agnes Ellen Harris, the head of Florida State College for Women (FSCW)'s Department of Home Economics, and Florida's First State and County Home Demonstration Agent, home demonstration work in Florida began during FSCW's 1908-1909 academic term, when she was invited by Mrs. Lena A. Shackelford, president of the Florida State Federation of Women's Clubs and wife of Florida Supreme Court Justice T.M. Shackelford, to give a cooking demonstration in Ocala, Florida. A book of recipes, considered the first home economics work published by FSCW, was printed and distributed at this meeting. The demonstration was so successful that Miss Harris requested a year's leave of absence from FSCW to go to Columbia University, where she prepared herself for extension work. Also during this time, FSCW's President, Dr. Edward Conradi, strongly supported the home demonstration program and was instrumental in establishing the state headquarters for home demonstration work at FSCW.\n\u003cbr\u003e\u003cbr\u003eAfter a year's work at Columbia, Miss Harris returned to FSCW and, after learning that a type of extension work for country girls, called \"Tomato Clubs,\" was being established at agricultural colleges in the South, she created these clubs at the college. These clubs were also the first Girls 4-H Clubs in Florida. Club members planted and harvested tomatoes on a one-tenth acre plot and held \"canning parties.\" The girls' mothers came as chaperones and helped with canning the tomatoes, an activity which was among the first \"method\" demonstrations given in home demonstration work in Florida.\n\u003cbr\u003e\u003cbr\u003eMany of the early Florida home demonstration agents were teachers who worked with the tomato clubs during a few months in the summer. Their salaries were small, and travel was slow and often difficult. Twelve agents began work in 1912 and 500 girls enrolled in the tomato clubs. During this active period, agents worked directly with county superintendents and newspaper reporters for the purpose of educating Florida residents about how to save surplus fruits and vegetables.\n\u003cbr\u003e\u003cbr\u003eIn 1914, the Smith-Lever Act was passed by the U.S. Congress, providing federal aid for agricultural extension work in agriculture and home economics. The legislation also gave official government sanction to a plan of cooperation among the federal, state, and county governments in a system of rural education now known as Cooperative Extension work. This was the first time that the term \"Home Economics\" appeared in federal legislation. After the passage of this bill, more agents with better training and salaries were appointed, and FSCW began a cooperative program with the College of Agriculture at the University of Florida and the United States Department of Agriculture providing home demonstration training in Florida. Funds for conducting the work were available not only from these two institutions, but also from appropriations made by Boards of Commissioners and Boards of Public Instruction of the various state counties. In addition, extension services for adult women started in Florida in 1916.\n\u003cbr\u003e\u003cbr\u003eIn 1918, President Conradi proposed a \"war college\" for women to be held in Tallahassee. 375 women attending from all parts of Florida discussed how World War I impacted home demonstration activities and how home demonstration agents should respond to the demands of all-out war. As a result of this conference, the position of the extension agents was clarified and the women became better organized and participated in Liberty Loan drives, Red Cross work, community services to military camps, and other activities.\n\u003cbr\u003e\u003cbr\u003eHome demonstration activities expanded after World War I and through the 1920s. There were developments such as the extension of telephone and electric lines, better roads, improved homes, health programs, and better schools. This work fostered a growing community spirit and the beginning of the community recreation program. In 1920, the first movie depicting home demonstration work was filmed in Florida. It included many scenes from the first 4-H Club camp for boys and girls. In 1927, the FSCW's 4-H Club was organized. In 1928, through the donation of $100 by Appleyard Printing Company, Tallahassee, a Council scholarship fund for 4-H Club girls was started by FSCW's Senior Home Demonstration Council.\n\u003cbr\u003e\u003cbr\u003eWith the close of Florida's prosperous years in the late 1920s, home demonstration work was challenged by a rapid succession of devastating storms in South Florida, bank failures, crop losses, and other difficult situations. Gardening, canning, and clothes remodeling became matters of necessity to feed and clothe families under trying financial conditions. During the depression, the need to increase the income of the farm family, in both cash and kind, was paramount. The sale of surplus products through home demonstration markets, roadside stands, or individual sales served as a means to supplement cash income. Reports supplied by the home demonstration women and girls for this period show they sold home-manufactured products or produced quality goods worth hundreds of thousands of dollars annually. In addition, during this time, the first 4-H girls, all FSCW graduates, were appointed county home demonstration agents.\n\u003cbr\u003e\u003cbr\u003eAs field agents of the U.S. Department of Agriculture, home demonstration workers were assigned many essential duties during World War II, including food production and conservation, nutrition, salvage, and rural health. As leaders in the state and counties, they were able to accept local and statewide responsibilities for wartime programs.\n\u003cbr\u003e\u003cbr\u003eFollowing World War II, Florida State University (FSU, formerly FSCW) classroom space was at a premium and it was necessary to move the home demonstration state headquarters to the Administration Building at the discontinued Dale Mabry Air Force Base, just west of the main campus in Tallahassee. While the quality of the quarters was minimal, space was abundant, providing ample room for offices, storage, production, and collating of educational mimeographed materials.\n\u003cbr\u003e\u003cbr\u003eDuring the immediate post-war period, there were several changes in the program. In 1948, two new positions were added - one in health improvement and the other the first state girls 4-H Club agent. Up to that time, state home demonstration staff had alternately shared the responsibility of working with the state 4-H program and chaperoning the girls to state and national meetings. Anna Mae Sikes was appointed state home demonstration leader in 1950 and served in this capacity until 1964.\n\u003cbr\u003e\u003cbr\u003eThroughout the 1950s, home demonstration work continued to experience great expansion, reorganization, and a move to new state headquarters. An assistant editor and visual aids specialist position was created and filled by Alma Warren in 1951. This position recognized the need for mass media to reach an expanding audience.\n\u003cbr\u003e\u003cbr\u003eIn-service training for agents and state staff members continued to expand and an additional state staff position was created. In 1953, Eunice Grady was appointed assistant to the state home demonstration agent in training programs. Her responsibilities included recruitment, pre-service training, in-service training, graduate training for home demonstration workers, and assisting the state agent when requested. These activities resulted in the establishment of FSU's Department of Home Demonstration.\n\u003cbr\u003e\u003cbr\u003eIn 1958, the state staff was moved back to the main FSU campus in the Extension wing of the just completed Sandels Home Economics Building. That year, FSU's Extension Committee on Reorganization and Policy Subcommittee on Scope and Responsibility published The Cooperative Extension Service-Today. In 1959, the scope report was followed by A Guide for Extension Programs in the Future.\n\u003cbr\u003e\u003cbr\u003eWhen the Florida Extension Service reorganized in 1963, seven state home demonstration staff members were transferred from FSU to new headquarters at the University of Florida in Gainesville. Floy Britt, the Negro district home demonstration agent, was moved from Florida Agricultural and Mechanical University to FSU and her title was changed to Extension Home Economist for Special Programs. Subsequently, Home Demonstration Agents' titles were changed to Extension Home Economics Agents.\n\u003cbr\u003e\u003cbr\u003eThe next major reorganization occurred in 1968 when women district agents were eliminated in favor of program assignments. The state leader became Assistant Dean for Home Economics and all county personnel and operations were united under the direction of county directors.\n\u003cbr\u003e\u003cbr\u003eOther organizational changes followed. In 1971, the Department of Extension Home Economics was established at FSU. With the creation of this new department, the duties of Assistant Dean of Extension of Home Economics was expanded to include 4-H Club work and the position title was changed to Assistant Dean of Human Resource Development. Two program positions were transferred to an administrative unit on program development. To comply with affirmative action standards, changes were made in the organizational structure of Florida state and county extension offices and title listings.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2509bdd3a9c797c4a5d03e51","title_ssm":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection"],"title_tesim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection"],"ead_ssi":"2509bdd3a9c797c4a5d03e51","unitdate_ssm":["1937-1969","1951-1964","Date acquired: 12/00/2005"],"unitdate_bulk_ssim":["1951-1964"],"unitdate_inclusive_ssm":["1937-1969"],"unitdate_other_ssim":["Date acquired: 12/00/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2005-016","/repositories/10/resources/1387"],"text":["MSS 2005-016","/repositories/10/resources/1387","Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964","Bibliography","Home economics extension work--Florida","4-H clubs--Florida","Advertising fliers","Pamphlets","Manuscripts","Reports","Scrapbooks","Periodicals.","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","According to Agnes Ellen Harris, the head of Florida State College for Women (FSCW)'s Department of Home Economics, and Florida's First State and County Home Demonstration Agent, home demonstration work in Florida began during FSCW's 1908-1909 academic term, when she was invited by Mrs. Lena A. Shackelford, president of the Florida State Federation of Women's Clubs and wife of Florida Supreme Court Justice T.M. Shackelford, to give a cooking demonstration in Ocala, Florida. A book of recipes, considered the first home economics work published by FSCW, was printed and distributed at this meeting. The demonstration was so successful that Miss Harris requested a year's leave of absence from FSCW to go to Columbia University, where she prepared herself for extension work. Also during this time, FSCW's President, Dr. Edward Conradi, strongly supported the home demonstration program and was instrumental in establishing the state headquarters for home demonstration work at FSCW.\n After a year's work at Columbia, Miss Harris returned to FSCW and, after learning that a type of extension work for country girls, called \"Tomato Clubs,\" was being established at agricultural colleges in the South, she created these clubs at the college. These clubs were also the first Girls 4-H Clubs in Florida. Club members planted and harvested tomatoes on a one-tenth acre plot and held \"canning parties.\" The girls' mothers came as chaperones and helped with canning the tomatoes, an activity which was among the first \"method\" demonstrations given in home demonstration work in Florida.\n Many of the early Florida home demonstration agents were teachers who worked with the tomato clubs during a few months in the summer. Their salaries were small, and travel was slow and often difficult. Twelve agents began work in 1912 and 500 girls enrolled in the tomato clubs. During this active period, agents worked directly with county superintendents and newspaper reporters for the purpose of educating Florida residents about how to save surplus fruits and vegetables.\n In 1914, the Smith-Lever Act was passed by the U.S. Congress, providing federal aid for agricultural extension work in agriculture and home economics. The legislation also gave official government sanction to a plan of cooperation among the federal, state, and county governments in a system of rural education now known as Cooperative Extension work. This was the first time that the term \"Home Economics\" appeared in federal legislation. After the passage of this bill, more agents with better training and salaries were appointed, and FSCW began a cooperative program with the College of Agriculture at the University of Florida and the United States Department of Agriculture providing home demonstration training in Florida. Funds for conducting the work were available not only from these two institutions, but also from appropriations made by Boards of Commissioners and Boards of Public Instruction of the various state counties. In addition, extension services for adult women started in Florida in 1916.\n In 1918, President Conradi proposed a \"war college\" for women to be held in Tallahassee. 375 women attending from all parts of Florida discussed how World War I impacted home demonstration activities and how home demonstration agents should respond to the demands of all-out war. As a result of this conference, the position of the extension agents was clarified and the women became better organized and participated in Liberty Loan drives, Red Cross work, community services to military camps, and other activities.\n Home demonstration activities expanded after World War I and through the 1920s. There were developments such as the extension of telephone and electric lines, better roads, improved homes, health programs, and better schools. This work fostered a growing community spirit and the beginning of the community recreation program. In 1920, the first movie depicting home demonstration work was filmed in Florida. It included many scenes from the first 4-H Club camp for boys and girls. In 1927, the FSCW's 4-H Club was organized. In 1928, through the donation of $100 by Appleyard Printing Company, Tallahassee, a Council scholarship fund for 4-H Club girls was started by FSCW's Senior Home Demonstration Council.\n With the close of Florida's prosperous years in the late 1920s, home demonstration work was challenged by a rapid succession of devastating storms in South Florida, bank failures, crop losses, and other difficult situations. Gardening, canning, and clothes remodeling became matters of necessity to feed and clothe families under trying financial conditions. During the depression, the need to increase the income of the farm family, in both cash and kind, was paramount. The sale of surplus products through home demonstration markets, roadside stands, or individual sales served as a means to supplement cash income. Reports supplied by the home demonstration women and girls for this period show they sold home-manufactured products or produced quality goods worth hundreds of thousands of dollars annually. In addition, during this time, the first 4-H girls, all FSCW graduates, were appointed county home demonstration agents.\n As field agents of the U.S. Department of Agriculture, home demonstration workers were assigned many essential duties during World War II, including food production and conservation, nutrition, salvage, and rural health. As leaders in the state and counties, they were able to accept local and statewide responsibilities for wartime programs.\n Following World War II, Florida State University (FSU, formerly FSCW) classroom space was at a premium and it was necessary to move the home demonstration state headquarters to the Administration Building at the discontinued Dale Mabry Air Force Base, just west of the main campus in Tallahassee. While the quality of the quarters was minimal, space was abundant, providing ample room for offices, storage, production, and collating of educational mimeographed materials.\n During the immediate post-war period, there were several changes in the program. In 1948, two new positions were added - one in health improvement and the other the first state girls 4-H Club agent. Up to that time, state home demonstration staff had alternately shared the responsibility of working with the state 4-H program and chaperoning the girls to state and national meetings. Anna Mae Sikes was appointed state home demonstration leader in 1950 and served in this capacity until 1964.\n Throughout the 1950s, home demonstration work continued to experience great expansion, reorganization, and a move to new state headquarters. An assistant editor and visual aids specialist position was created and filled by Alma Warren in 1951. This position recognized the need for mass media to reach an expanding audience.\n In-service training for agents and state staff members continued to expand and an additional state staff position was created. In 1953, Eunice Grady was appointed assistant to the state home demonstration agent in training programs. Her responsibilities included recruitment, pre-service training, in-service training, graduate training for home demonstration workers, and assisting the state agent when requested. These activities resulted in the establishment of FSU's Department of Home Demonstration.\n In 1958, the state staff was moved back to the main FSU campus in the Extension wing of the just completed Sandels Home Economics Building. That year, FSU's Extension Committee on Reorganization and Policy Subcommittee on Scope and Responsibility published The Cooperative Extension Service-Today. In 1959, the scope report was followed by A Guide for Extension Programs in the Future.\n When the Florida Extension Service reorganized in 1963, seven state home demonstration staff members were transferred from FSU to new headquarters at the University of Florida in Gainesville. Floy Britt, the Negro district home demonstration agent, was moved from Florida Agricultural and Mechanical University to FSU and her title was changed to Extension Home Economist for Special Programs. Subsequently, Home Demonstration Agents' titles were changed to Extension Home Economics Agents.\n The next major reorganization occurred in 1968 when women district agents were eliminated in favor of program assignments. The state leader became Assistant Dean for Home Economics and all county personnel and operations were united under the direction of county directors.\n Other organizational changes followed. In 1971, the Department of Extension Home Economics was established at FSU. With the creation of this new department, the duties of Assistant Dean of Extension of Home Economics was expanded to include 4-H Club work and the position title was changed to Assistant Dean of Human Resource Development. Two program positions were transferred to an administrative unit on program development. To comply with affirmative action standards, changes were made in the organizational structure of Florida state and county extension offices and title listings.","The collection was processed in December 2005 and January 2006","Related materials covering home demonstration work in Leon County may be found in the Florida Association of Family and Consumer Science Records, housed in this repository.","This small collection documents the history of the Florida extension service program from its beginnings at the Florida State College for Women (FSCW) / Florida State University (FSU) School of Home Economics. The collection includes reference materials about other statewide agricultural extension service agencies and home economics, articles about Florida 4-H Clubs and the history of Florida home demonstration work, and publicity brochures about Florida home demonstration work published by the Florida State Home Demonstration Office at FSU. It is historically significant to researchers studying the cooperative extension movement in Florida and the United States and its relationship to higher education programs."," Related Materials: In addition to the reference files, articles, publicity, and scrapbooks in this collection, there are photographs and negatives documenting Florida State University's 4-H Club (early 1950s), and its School of Home Economics (1953-1964), and Home Demonstration Division (early 1950s) available to researchers in the Florida State University Special Collections Photographic Archives.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service.","English"],"unitid_tesim":["MSS 2005-016","/repositories/10/resources/1387"],"normalized_date_ssm":["1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"normalized_title_ssm":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"collection_title_tesim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"collection_ssim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Reference materials, articles, and publicity items were acquired from the Florida State University College of Human Sciences in December 2005"],"access_subjects_ssim":["Bibliography","Home economics extension work--Florida","4-H clubs--Florida","Advertising fliers","Pamphlets","Manuscripts","Reports","Scrapbooks","Periodicals."],"access_subjects_ssm":["Bibliography","Home economics extension work--Florida","4-H clubs--Florida","Advertising fliers","Pamphlets","Manuscripts","Reports","Scrapbooks","Periodicals."],"has_online_content_ssim":["false"],"extent_ssm":["0.40 Linear Feet 7 Folders"],"extent_tesim":["0.40 Linear Feet 7 Folders"],"genreform_ssim":["Manuscripts","Reports","Scrapbooks","Periodicals."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to Agnes Ellen Harris, the head of Florida State College for Women (FSCW)'s Department of Home Economics, and Florida's First State and County Home Demonstration Agent, home demonstration work in Florida began during FSCW's 1908-1909 academic term, when she was invited by Mrs. Lena A. Shackelford, president of the Florida State Federation of Women's Clubs and wife of Florida Supreme Court Justice T.M. Shackelford, to give a cooking demonstration in Ocala, Florida. A book of recipes, considered the first home economics work published by FSCW, was printed and distributed at this meeting. The demonstration was so successful that Miss Harris requested a year's leave of absence from FSCW to go to Columbia University, where she prepared herself for extension work. Also during this time, FSCW's President, Dr. Edward Conradi, strongly supported the home demonstration program and was instrumental in establishing the state headquarters for home demonstration work at FSCW.\n After a year's work at Columbia, Miss Harris returned to FSCW and, after learning that a type of extension work for country girls, called \"Tomato Clubs,\" was being established at agricultural colleges in the South, she created these clubs at the college. These clubs were also the first Girls 4-H Clubs in Florida. Club members planted and harvested tomatoes on a one-tenth acre plot and held \"canning parties.\" The girls' mothers came as chaperones and helped with canning the tomatoes, an activity which was among the first \"method\" demonstrations given in home demonstration work in Florida.\n Many of the early Florida home demonstration agents were teachers who worked with the tomato clubs during a few months in the summer. Their salaries were small, and travel was slow and often difficult. Twelve agents began work in 1912 and 500 girls enrolled in the tomato clubs. During this active period, agents worked directly with county superintendents and newspaper reporters for the purpose of educating Florida residents about how to save surplus fruits and vegetables.\n In 1914, the Smith-Lever Act was passed by the U.S. Congress, providing federal aid for agricultural extension work in agriculture and home economics. The legislation also gave official government sanction to a plan of cooperation among the federal, state, and county governments in a system of rural education now known as Cooperative Extension work. This was the first time that the term \"Home Economics\" appeared in federal legislation. After the passage of this bill, more agents with better training and salaries were appointed, and FSCW began a cooperative program with the College of Agriculture at the University of Florida and the United States Department of Agriculture providing home demonstration training in Florida. Funds for conducting the work were available not only from these two institutions, but also from appropriations made by Boards of Commissioners and Boards of Public Instruction of the various state counties. In addition, extension services for adult women started in Florida in 1916.\n In 1918, President Conradi proposed a \"war college\" for women to be held in Tallahassee. 375 women attending from all parts of Florida discussed how World War I impacted home demonstration activities and how home demonstration agents should respond to the demands of all-out war. As a result of this conference, the position of the extension agents was clarified and the women became better organized and participated in Liberty Loan drives, Red Cross work, community services to military camps, and other activities.\n Home demonstration activities expanded after World War I and through the 1920s. There were developments such as the extension of telephone and electric lines, better roads, improved homes, health programs, and better schools. This work fostered a growing community spirit and the beginning of the community recreation program. In 1920, the first movie depicting home demonstration work was filmed in Florida. It included many scenes from the first 4-H Club camp for boys and girls. In 1927, the FSCW's 4-H Club was organized. In 1928, through the donation of $100 by Appleyard Printing Company, Tallahassee, a Council scholarship fund for 4-H Club girls was started by FSCW's Senior Home Demonstration Council.\n With the close of Florida's prosperous years in the late 1920s, home demonstration work was challenged by a rapid succession of devastating storms in South Florida, bank failures, crop losses, and other difficult situations. Gardening, canning, and clothes remodeling became matters of necessity to feed and clothe families under trying financial conditions. During the depression, the need to increase the income of the farm family, in both cash and kind, was paramount. The sale of surplus products through home demonstration markets, roadside stands, or individual sales served as a means to supplement cash income. Reports supplied by the home demonstration women and girls for this period show they sold home-manufactured products or produced quality goods worth hundreds of thousands of dollars annually. In addition, during this time, the first 4-H girls, all FSCW graduates, were appointed county home demonstration agents.\n As field agents of the U.S. Department of Agriculture, home demonstration workers were assigned many essential duties during World War II, including food production and conservation, nutrition, salvage, and rural health. As leaders in the state and counties, they were able to accept local and statewide responsibilities for wartime programs.\n Following World War II, Florida State University (FSU, formerly FSCW) classroom space was at a premium and it was necessary to move the home demonstration state headquarters to the Administration Building at the discontinued Dale Mabry Air Force Base, just west of the main campus in Tallahassee. While the quality of the quarters was minimal, space was abundant, providing ample room for offices, storage, production, and collating of educational mimeographed materials.\n During the immediate post-war period, there were several changes in the program. In 1948, two new positions were added - one in health improvement and the other the first state girls 4-H Club agent. Up to that time, state home demonstration staff had alternately shared the responsibility of working with the state 4-H program and chaperoning the girls to state and national meetings. Anna Mae Sikes was appointed state home demonstration leader in 1950 and served in this capacity until 1964.\n Throughout the 1950s, home demonstration work continued to experience great expansion, reorganization, and a move to new state headquarters. An assistant editor and visual aids specialist position was created and filled by Alma Warren in 1951. This position recognized the need for mass media to reach an expanding audience.\n In-service training for agents and state staff members continued to expand and an additional state staff position was created. In 1953, Eunice Grady was appointed assistant to the state home demonstration agent in training programs. Her responsibilities included recruitment, pre-service training, in-service training, graduate training for home demonstration workers, and assisting the state agent when requested. These activities resulted in the establishment of FSU's Department of Home Demonstration.\n In 1958, the state staff was moved back to the main FSU campus in the Extension wing of the just completed Sandels Home Economics Building. That year, FSU's Extension Committee on Reorganization and Policy Subcommittee on Scope and Responsibility published The Cooperative Extension Service-Today. In 1959, the scope report was followed by A Guide for Extension Programs in the Future.\n When the Florida Extension Service reorganized in 1963, seven state home demonstration staff members were transferred from FSU to new headquarters at the University of Florida in Gainesville. Floy Britt, the Negro district home demonstration agent, was moved from Florida Agricultural and Mechanical University to FSU and her title was changed to Extension Home Economist for Special Programs. Subsequently, Home Demonstration Agents' titles were changed to Extension Home Economics Agents.\n The next major reorganization occurred in 1968 when women district agents were eliminated in favor of program assignments. The state leader became Assistant Dean for Home Economics and all county personnel and operations were united under the direction of county directors.\n Other organizational changes followed. In 1971, the Department of Extension Home Economics was established at FSU. With the creation of this new department, the duties of Assistant Dean of Extension of Home Economics was expanded to include 4-H Club work and the position title was changed to Assistant Dean of Human Resource Development. Two program positions were transferred to an administrative unit on program development. To comply with affirmative action standards, changes were made in the organizational structure of Florida state and county extension offices and title listings."],"prefercite_html_tesm":["\u003cp\u003eFlorida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2005-016\u003c/p\u003e"],"prefercite_tesim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2005-016"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in December 2005 and January 2006\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in December 2005 and January 2006"],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials covering home demonstration work in Leon County may be found in the Florida Association of Family and Consumer Science Records, housed in this repository.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials covering home demonstration work in Leon County may be found in the Florida Association of Family and Consumer Science Records, housed in this repository."],"scopecontent_html_tesm":["\u003cp\u003eThis small collection documents the history of the Florida extension service program from its beginnings at the Florida State College for Women (FSCW) / Florida State University (FSU) School of Home Economics. The collection includes reference materials about other statewide agricultural extension service agencies and home economics, articles about Florida 4-H Clubs and the history of Florida home demonstration work, and publicity brochures about Florida home demonstration work published by the Florida State Home Demonstration Office at FSU. It is historically significant to researchers studying the cooperative extension movement in Florida and the United States and its relationship to higher education programs.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e Related Materials: In addition to the reference files, articles, publicity, and scrapbooks in this collection, there are photographs and negatives documenting Florida State University's 4-H Club (early 1950s), and its School of Home Economics (1953-1964), and Home Demonstration Division (early 1950s) available to researchers in the Florida State University Special Collections Photographic Archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This small collection documents the history of the Florida extension service program from its beginnings at the Florida State College for Women (FSCW) / Florida State University (FSU) School of Home Economics. The collection includes reference materials about other statewide agricultural extension service agencies and home economics, articles about Florida 4-H Clubs and the history of Florida home demonstration work, and publicity brochures about Florida home demonstration work published by the Florida State Home Demonstration Office at FSU. It is historically significant to researchers studying the cooperative extension movement in Florida and the United States and its relationship to higher education programs."," Related Materials: In addition to the reference files, articles, publicity, and scrapbooks in this collection, there are photographs and negatives documenting Florida State University's 4-H Club (early 1950s), and its School of Home Economics (1953-1964), and Home Demonstration Division (early 1950s) available to researchers in the Florida State University Special Collections Photographic Archives."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service."],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2509bdd3a9c797c4a5d03e51","timestamp":"2026-07-08T05:02:19.029Z","bioghist_html_tesm":["\u003cp\u003eAccording to Agnes Ellen Harris, the head of Florida State College for Women (FSCW)'s Department of Home Economics, and Florida's First State and County Home Demonstration Agent, home demonstration work in Florida began during FSCW's 1908-1909 academic term, when she was invited by Mrs. Lena A. Shackelford, president of the Florida State Federation of Women's Clubs and wife of Florida Supreme Court Justice T.M. Shackelford, to give a cooking demonstration in Ocala, Florida. A book of recipes, considered the first home economics work published by FSCW, was printed and distributed at this meeting. The demonstration was so successful that Miss Harris requested a year's leave of absence from FSCW to go to Columbia University, where she prepared herself for extension work. Also during this time, FSCW's President, Dr. Edward Conradi, strongly supported the home demonstration program and was instrumental in establishing the state headquarters for home demonstration work at FSCW.\n\u003cbr\u003e\u003cbr\u003eAfter a year's work at Columbia, Miss Harris returned to FSCW and, after learning that a type of extension work for country girls, called \"Tomato Clubs,\" was being established at agricultural colleges in the South, she created these clubs at the college. These clubs were also the first Girls 4-H Clubs in Florida. Club members planted and harvested tomatoes on a one-tenth acre plot and held \"canning parties.\" The girls' mothers came as chaperones and helped with canning the tomatoes, an activity which was among the first \"method\" demonstrations given in home demonstration work in Florida.\n\u003cbr\u003e\u003cbr\u003eMany of the early Florida home demonstration agents were teachers who worked with the tomato clubs during a few months in the summer. Their salaries were small, and travel was slow and often difficult. Twelve agents began work in 1912 and 500 girls enrolled in the tomato clubs. During this active period, agents worked directly with county superintendents and newspaper reporters for the purpose of educating Florida residents about how to save surplus fruits and vegetables.\n\u003cbr\u003e\u003cbr\u003eIn 1914, the Smith-Lever Act was passed by the U.S. Congress, providing federal aid for agricultural extension work in agriculture and home economics. The legislation also gave official government sanction to a plan of cooperation among the federal, state, and county governments in a system of rural education now known as Cooperative Extension work. This was the first time that the term \"Home Economics\" appeared in federal legislation. After the passage of this bill, more agents with better training and salaries were appointed, and FSCW began a cooperative program with the College of Agriculture at the University of Florida and the United States Department of Agriculture providing home demonstration training in Florida. Funds for conducting the work were available not only from these two institutions, but also from appropriations made by Boards of Commissioners and Boards of Public Instruction of the various state counties. In addition, extension services for adult women started in Florida in 1916.\n\u003cbr\u003e\u003cbr\u003eIn 1918, President Conradi proposed a \"war college\" for women to be held in Tallahassee. 375 women attending from all parts of Florida discussed how World War I impacted home demonstration activities and how home demonstration agents should respond to the demands of all-out war. As a result of this conference, the position of the extension agents was clarified and the women became better organized and participated in Liberty Loan drives, Red Cross work, community services to military camps, and other activities.\n\u003cbr\u003e\u003cbr\u003eHome demonstration activities expanded after World War I and through the 1920s. There were developments such as the extension of telephone and electric lines, better roads, improved homes, health programs, and better schools. This work fostered a growing community spirit and the beginning of the community recreation program. In 1920, the first movie depicting home demonstration work was filmed in Florida. It included many scenes from the first 4-H Club camp for boys and girls. In 1927, the FSCW's 4-H Club was organized. In 1928, through the donation of $100 by Appleyard Printing Company, Tallahassee, a Council scholarship fund for 4-H Club girls was started by FSCW's Senior Home Demonstration Council.\n\u003cbr\u003e\u003cbr\u003eWith the close of Florida's prosperous years in the late 1920s, home demonstration work was challenged by a rapid succession of devastating storms in South Florida, bank failures, crop losses, and other difficult situations. Gardening, canning, and clothes remodeling became matters of necessity to feed and clothe families under trying financial conditions. During the depression, the need to increase the income of the farm family, in both cash and kind, was paramount. The sale of surplus products through home demonstration markets, roadside stands, or individual sales served as a means to supplement cash income. Reports supplied by the home demonstration women and girls for this period show they sold home-manufactured products or produced quality goods worth hundreds of thousands of dollars annually. In addition, during this time, the first 4-H girls, all FSCW graduates, were appointed county home demonstration agents.\n\u003cbr\u003e\u003cbr\u003eAs field agents of the U.S. Department of Agriculture, home demonstration workers were assigned many essential duties during World War II, including food production and conservation, nutrition, salvage, and rural health. As leaders in the state and counties, they were able to accept local and statewide responsibilities for wartime programs.\n\u003cbr\u003e\u003cbr\u003eFollowing World War II, Florida State University (FSU, formerly FSCW) classroom space was at a premium and it was necessary to move the home demonstration state headquarters to the Administration Building at the discontinued Dale Mabry Air Force Base, just west of the main campus in Tallahassee. While the quality of the quarters was minimal, space was abundant, providing ample room for offices, storage, production, and collating of educational mimeographed materials.\n\u003cbr\u003e\u003cbr\u003eDuring the immediate post-war period, there were several changes in the program. In 1948, two new positions were added - one in health improvement and the other the first state girls 4-H Club agent. Up to that time, state home demonstration staff had alternately shared the responsibility of working with the state 4-H program and chaperoning the girls to state and national meetings. Anna Mae Sikes was appointed state home demonstration leader in 1950 and served in this capacity until 1964.\n\u003cbr\u003e\u003cbr\u003eThroughout the 1950s, home demonstration work continued to experience great expansion, reorganization, and a move to new state headquarters. An assistant editor and visual aids specialist position was created and filled by Alma Warren in 1951. This position recognized the need for mass media to reach an expanding audience.\n\u003cbr\u003e\u003cbr\u003eIn-service training for agents and state staff members continued to expand and an additional state staff position was created. In 1953, Eunice Grady was appointed assistant to the state home demonstration agent in training programs. Her responsibilities included recruitment, pre-service training, in-service training, graduate training for home demonstration workers, and assisting the state agent when requested. These activities resulted in the establishment of FSU's Department of Home Demonstration.\n\u003cbr\u003e\u003cbr\u003eIn 1958, the state staff was moved back to the main FSU campus in the Extension wing of the just completed Sandels Home Economics Building. That year, FSU's Extension Committee on Reorganization and Policy Subcommittee on Scope and Responsibility published The Cooperative Extension Service-Today. In 1959, the scope report was followed by A Guide for Extension Programs in the Future.\n\u003cbr\u003e\u003cbr\u003eWhen the Florida Extension Service reorganized in 1963, seven state home demonstration staff members were transferred from FSU to new headquarters at the University of Florida in Gainesville. Floy Britt, the Negro district home demonstration agent, was moved from Florida Agricultural and Mechanical University to FSU and her title was changed to Extension Home Economist for Special Programs. Subsequently, Home Demonstration Agents' titles were changed to Extension Home Economics Agents.\n\u003cbr\u003e\u003cbr\u003eThe next major reorganization occurred in 1968 when women district agents were eliminated in favor of program assignments. The state leader became Assistant Dean for Home Economics and all county personnel and operations were united under the direction of county directors.\n\u003cbr\u003e\u003cbr\u003eOther organizational changes followed. In 1971, the Department of Extension Home Economics was established at FSU. With the creation of this new department, the duties of Assistant Dean of Extension of Home Economics was expanded to include 4-H Club work and the position title was changed to Assistant Dean of Human Resource Development. Two program positions were transferred to an administrative unit on program development. To comply with affirmative action standards, changes were made in the organizational structure of Florida state and county extension offices and title listings.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2509bdd3a9c797c4a5d03e51"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Barbara Boling Anderson Collection, 1947-1950, Date acquired: 12/07/2009","value":"Barbara Boling Anderson Collection, 1947-1950, Date acquired: 12/07/2009","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bcollection%5D%5B%5D=Barbara+Boling+Anderson+Collection%2C+1947-1950%2C+Date+acquired%3A+12%2F07%2F2009\u0026f%5Bdate_range%5D%5B%5D=1950"}},{"attributes":{"label":"Beth Urban Collection on Doris Leeper, Circa 1930-2013","value":"Beth Urban Collection on Doris Leeper, Circa 1930-2013","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bcollection%5D%5B%5D=Beth+Urban+Collection+on+Doris+Leeper%2C+Circa+1930-2013\u0026f%5Bdate_range%5D%5B%5D=1950"}},{"attributes":{"label":"Beverly Jean Fogarty Smith Collection, 1946-1952, Date acquired: 01/15/2008, bulk 1946-1950","value":"Beverly Jean Fogarty Smith Collection, 1946-1952, Date acquired: 01/15/2008, bulk 1946-1950","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bcollection%5D%5B%5D=Beverly+Jean+Fogarty+Smith+Collection%2C+1946-1952%2C+Date+acquired%3A+01%2F15%2F2008%2C+bulk+1946-1950\u0026f%5Bdate_range%5D%5B%5D=1950"}},{"attributes":{"label":"Chester W. 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