{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bdate_range%5D%5B%5D=1935\u0026f%5Blevel%5D%5B%5D=Collection","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bdate_range%5D%5B%5D=1935\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Pamphlets\u0026f%5Bdate_range%5D%5B%5D=1935\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":17,"first_page?":true,"last_page?":false}},"data":[{"id":"1bd2b3a5aa54c3d8f9586e86","type":"collection","attributes":{"title":"Beth Urban Collection on Doris Leeper, Circa 1930-2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86#abstract_or_scope","type":"document_value","attributes":{"value":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1bd2b3a5aa54c3d8f9586e86","title_ssm":["Beth Urban Collection on Doris Leeper"],"title_tesim":["Beth Urban Collection on Doris Leeper"],"ead_ssi":"1bd2b3a5aa54c3d8f9586e86","unitdate_ssm":["Circa 1930-2013"],"unitdate_inclusive_ssm":["Circa 1930-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.117","/repositories/4/resources/217"],"text":["SC.117","/repositories/4/resources/217","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits","The entire collection is open for research.","Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.","Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers","Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.","UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000","The materials are written in English"],"unitid_tesim":["SC.117","/repositories/4/resources/217"],"normalized_date_ssm":["Circa 1930-2013"],"normalized_title_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_title_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Beth Urban donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2019 (CFM2019_09)."],"access_subjects_ssim":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"access_subjects_ssm":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 4 Boxes"],"extent_tesim":["1.75 Linear Feet 4 Boxes"],"genreform_ssim":["correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eDoris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.\u003c/p\u003e\n","\u003cp\u003eLeeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.\u003c/p\u003e\n","\u003cp\u003eLeeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.\u003c/p\u003e\n","\u003cp\u003eLeeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.\u003c/p\u003e\n","\u003cp\u003eLeeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000."],"prefercite_html_tesm":["\u003cp\u003eBeth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Beth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990258927300306596\" show=\"new\"\u003eDoris Leeper: A Retrospective, 1995\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990289293970306596\" show=\"new\"\u003eThe First Decade: Atlantic Center for the Arts, 1987\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990299590550306596\" show=\"new\"\u003eThe Second Decade: 1987-1997, [199?]\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-04\" show=\"new\"\u003eDoris Leeper Papers\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e91330cd1bdee9022869c5487bfc88aa\"\u003eThe Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.\u003c/abstract\u003e"],"abstract_tesim":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"names_coll_ssim":["Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"names_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857766114951168,"_root_":"1bd2b3a5aa54c3d8f9586e86","timestamp":"2026-07-16T08:03:21.192Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1bd2b3a5aa54c3d8f9586e86","title_ssm":["Beth Urban Collection on Doris Leeper"],"title_tesim":["Beth Urban Collection on Doris Leeper"],"ead_ssi":"1bd2b3a5aa54c3d8f9586e86","unitdate_ssm":["Circa 1930-2013"],"unitdate_inclusive_ssm":["Circa 1930-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.117","/repositories/4/resources/217"],"text":["SC.117","/repositories/4/resources/217","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits","The entire collection is open for research.","Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.","Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers","Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.","UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000","The materials are written in English"],"unitid_tesim":["SC.117","/repositories/4/resources/217"],"normalized_date_ssm":["Circa 1930-2013"],"normalized_title_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_title_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. 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Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.\u003c/p\u003e\n","\u003cp\u003eLeeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.\u003c/p\u003e\n","\u003cp\u003eLeeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.\u003c/p\u003e\n","\u003cp\u003eLeeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.\u003c/p\u003e\n","\u003cp\u003eLeeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000."],"prefercite_html_tesm":["\u003cp\u003eBeth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Beth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990258927300306596\" show=\"new\"\u003eDoris Leeper: A Retrospective, 1995\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990289293970306596\" show=\"new\"\u003eThe First Decade: Atlantic Center for the Arts, 1987\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990299590550306596\" show=\"new\"\u003eThe Second Decade: 1987-1997, [199?]\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-04\" show=\"new\"\u003eDoris Leeper Papers\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e91330cd1bdee9022869c5487bfc88aa\"\u003eThe Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.\u003c/abstract\u003e"],"abstract_tesim":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"names_coll_ssim":["Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"names_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857766114951168,"_root_":"1bd2b3a5aa54c3d8f9586e86","timestamp":"2026-07-16T08:03:21.192Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86"}},{"id":"8444b6038f267e52515349a3","type":"collection","attributes":{"title":"Carrie Forehand Crocker Collection, 1931-1947, bulk 1938-1942","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8444b6038f267e52515349a3#creator","type":"document_value","attributes":{"value":["Crocker, Carrie Forehand"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8444b6038f267e52515349a3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePersonal items of Florida State College for Women student Carrie Forehand Crocker (formerly Carrie Lee Crocker) (BA, Home Economics, 1942). Items include papers and memorabilia related to her participation in student organizations, the Dining Room Girls, and assorted student related activities. (See box list.)\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8444b6038f267e52515349a3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8444b6038f267e52515349a3","title_ssm":["Carrie Forehand Crocker Collection"],"title_tesim":["Carrie Forehand Crocker Collection"],"ead_ssi":"8444b6038f267e52515349a3","unitdate_ssm":["1931-1947","1938-1942"],"unitdate_bulk_ssim":["1938-1942"],"unitdate_inclusive_ssm":["1931-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2007-025","/repositories/10/resources/1219"],"text":["HP 2007-025","/repositories/10/resources/1219","Carrie Forehand Crocker Collection, 1931-1947, bulk 1938-1942","Distaff, The","Thanksgiving dinner","Commencement Programs","Commencement Announcements","Investiture ceremony","Class of 1942","Schedule of Classes","Pamphlets","Official Correspondence","Organizational Correspondence","Dining Room Scholarships","Work Scholarships","Scholarships.","Student clubs and organizations","Florida State University. Department of Dance","Odd Team (Sports Team)","Even Team Memorabilia","Honors Day","Convocation","Dining Room Girls","San Carlo Opera Company","Graduation announcement name cards","Concerts.","Schedules, School","Student publications","Programs","Identification Cards","Universities and colleges--Curricula--Catalogs.","Invitation cards.","Student handbooks","Paper.","Periodicals.","Menus.","Clippings (Books, newspapers, etc.)","Postcards.","Student schedule cards","Name tags","Newspapers","Scrapbooks","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Entered 2008-01-31.","Personal items of Florida State College for Women student Carrie Forehand Crocker (formerly Carrie Lee Crocker) (BA, Home Economics, 1942). Items include papers and memorabilia related to her participation in student organizations, the Dining Room Girls, and assorted student related activities. (See box list.)","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State College for Women. Alumnae Association","Omicron Nu Society","Florida Flambeau","Florida State University. Artist Series","Even Team (Sports Team)","Phi Kappa Phi","Sigma Delta Pi","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Florida State College for Women--Sports","Scholarship and Loan Committee","Crocker, Carrie Forehand","Andrews, Elizabeth Gordon, 1880-1967","Forehand, Carrie Lee","Maxwell, Sarah","Rushing, Sarah Grace","English"],"unitid_tesim":["HP 2007-025","/repositories/10/resources/1219"],"normalized_date_ssm":["1931-1947, bulk 1938-1942"],"normalized_title_ssm":["Carrie Forehand Crocker Collection, 1931-1947, bulk 1938-1942"],"collection_title_tesim":["Carrie Forehand Crocker Collection, 1931-1947, bulk 1938-1942"],"collection_ssim":["Carrie Forehand Crocker Collection, 1931-1947, bulk 1938-1942"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Crocker, Carrie Forehand"],"creator_ssim":["Crocker, Carrie Forehand"],"creator_persname_ssim":["Crocker, Carrie Forehand"],"creators_ssim":["Crocker, Carrie Forehand"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Carrie Forehand Crocker","Donated to Heritage Protocol through Mary Lou Norwood."],"access_subjects_ssim":["Distaff, The","Thanksgiving dinner","Commencement Programs","Commencement Announcements","Investiture ceremony","Class of 1942","Schedule of Classes","Pamphlets","Official Correspondence","Organizational Correspondence","Dining Room Scholarships","Work Scholarships","Scholarships.","Student clubs and organizations","Florida State University. Department of Dance","Odd Team (Sports Team)","Even Team Memorabilia","Honors Day","Convocation","Dining Room Girls","San Carlo Opera Company","Graduation announcement name cards","Concerts.","Schedules, School","Student publications","Programs","Identification Cards","Universities and colleges--Curricula--Catalogs.","Invitation cards.","Student handbooks","Paper.","Periodicals.","Menus.","Clippings (Books, newspapers, etc.)","Postcards.","Student schedule cards","Name tags","Newspapers","Scrapbooks"],"access_subjects_ssm":["Distaff, The","Thanksgiving dinner","Commencement Programs","Commencement Announcements","Investiture ceremony","Class of 1942","Schedule of Classes","Pamphlets","Official Correspondence","Organizational Correspondence","Dining Room Scholarships","Work Scholarships","Scholarships.","Student clubs and organizations","Florida State University. Department of Dance","Odd Team (Sports Team)","Even Team Memorabilia","Honors Day","Convocation","Dining Room Girls","San Carlo Opera Company","Graduation announcement name cards","Concerts.","Schedules, School","Student publications","Programs","Identification Cards","Universities and colleges--Curricula--Catalogs.","Invitation cards.","Student handbooks","Paper.","Periodicals.","Menus.","Clippings (Books, newspapers, etc.)","Postcards.","Student schedule cards","Name tags","Newspapers","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["62.00 items"],"extent_tesim":["62.00 items"],"genreform_ssim":["Student publications","Programs","Identification Cards","Universities and colleges--Curricula--Catalogs.","Invitation cards.","Student handbooks","Paper.","Periodicals.","Menus.","Clippings (Books, newspapers, etc.)","Postcards.","Student schedule cards","Name tags","Newspapers","Scrapbooks"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eCarrie Forehand Crocker Collection, Heritage Protocol, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HP-2007-025\u003c/p\u003e"],"prefercite_tesim":["Carrie Forehand Crocker Collection, Heritage Protocol, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HP-2007-025"],"processinfo_html_tesm":["\u003cp\u003eEntered 2008-01-31.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Entered 2008-01-31."],"scopecontent_html_tesm":["\u003cp\u003ePersonal items of Florida State College for Women student Carrie Forehand Crocker (formerly Carrie Lee Crocker) (BA, Home Economics, 1942). Items include papers and memorabilia related to her participation in student organizations, the Dining Room Girls, and assorted student related activities. (See box list.)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal items of Florida State College for Women student Carrie Forehand Crocker (formerly Carrie Lee Crocker) (BA, Home Economics, 1942). Items include papers and memorabilia related to her participation in student organizations, the Dining Room Girls, and assorted student related activities. (See box list.)"],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State College for Women. Alumnae Association","Omicron Nu Society","Florida Flambeau","Florida State University. Artist Series","Even Team (Sports Team)","Phi Kappa Phi","Sigma Delta Pi","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Florida State College for Women--Sports","Scholarship and Loan Committee","Andrews, Elizabeth Gordon, 1880-1967","Crocker, Carrie Forehand","Forehand, Carrie Lee","Maxwell, Sarah","Rushing, Sarah Grace"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women. Alumnae Association","Omicron Nu Society","Florida Flambeau","Florida State University. Artist Series","Even Team (Sports Team)","Phi Kappa Phi","Sigma Delta Pi","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Florida State College for Women--Sports","Scholarship and Loan Committee","Crocker, Carrie Forehand","Andrews, Elizabeth Gordon, 1880-1967","Forehand, Carrie Lee","Maxwell, Sarah","Rushing, Sarah Grace"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women. Alumnae Association","Omicron Nu Society","Florida Flambeau","Florida State University. Artist Series","Even Team (Sports Team)","Phi Kappa Phi","Sigma Delta Pi","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Florida State College for Women--Sports","Scholarship and Loan Committee"],"persname_ssim":["Crocker, Carrie Forehand","Andrews, Elizabeth Gordon, 1880-1967","Forehand, Carrie Lee","Maxwell, Sarah","Rushing, Sarah Grace"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":70,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8444b6038f267e52515349a3","timestamp":"2026-07-08T04:03:22.510Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8444b6038f267e52515349a3","title_ssm":["Carrie Forehand Crocker Collection"],"title_tesim":["Carrie Forehand Crocker Collection"],"ead_ssi":"8444b6038f267e52515349a3","unitdate_ssm":["1931-1947","1938-1942"],"unitdate_bulk_ssim":["1938-1942"],"unitdate_inclusive_ssm":["1931-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2007-025","/repositories/10/resources/1219"],"text":["HP 2007-025","/repositories/10/resources/1219","Carrie Forehand Crocker Collection, 1931-1947, bulk 1938-1942","Distaff, The","Thanksgiving dinner","Commencement Programs","Commencement Announcements","Investiture ceremony","Class of 1942","Schedule of Classes","Pamphlets","Official Correspondence","Organizational Correspondence","Dining Room Scholarships","Work Scholarships","Scholarships.","Student clubs and organizations","Florida State University. Department of Dance","Odd Team (Sports Team)","Even Team Memorabilia","Honors Day","Convocation","Dining Room Girls","San Carlo Opera Company","Graduation announcement name cards","Concerts.","Schedules, School","Student publications","Programs","Identification Cards","Universities and colleges--Curricula--Catalogs.","Invitation cards.","Student handbooks","Paper.","Periodicals.","Menus.","Clippings (Books, newspapers, etc.)","Postcards.","Student schedule cards","Name tags","Newspapers","Scrapbooks","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Entered 2008-01-31.","Personal items of Florida State College for Women student Carrie Forehand Crocker (formerly Carrie Lee Crocker) (BA, Home Economics, 1942). Items include papers and memorabilia related to her participation in student organizations, the Dining Room Girls, and assorted student related activities. (See box list.)","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State College for Women. Alumnae Association","Omicron Nu Society","Florida Flambeau","Florida State University. Artist Series","Even Team (Sports Team)","Phi Kappa Phi","Sigma Delta Pi","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Florida State College for Women--Sports","Scholarship and Loan Committee","Crocker, Carrie Forehand","Andrews, Elizabeth Gordon, 1880-1967","Forehand, Carrie Lee","Maxwell, Sarah","Rushing, Sarah Grace","English"],"unitid_tesim":["HP 2007-025","/repositories/10/resources/1219"],"normalized_date_ssm":["1931-1947, bulk 1938-1942"],"normalized_title_ssm":["Carrie Forehand Crocker Collection, 1931-1947, bulk 1938-1942"],"collection_title_tesim":["Carrie Forehand Crocker Collection, 1931-1947, bulk 1938-1942"],"collection_ssim":["Carrie Forehand Crocker Collection, 1931-1947, bulk 1938-1942"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Crocker, Carrie Forehand"],"creator_ssim":["Crocker, Carrie Forehand"],"creator_persname_ssim":["Crocker, Carrie Forehand"],"creators_ssim":["Crocker, Carrie Forehand"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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Department of Dance","Odd Team (Sports Team)","Even Team Memorabilia","Honors Day","Convocation","Dining Room Girls","San Carlo Opera Company","Graduation announcement name cards","Concerts.","Schedules, School","Student publications","Programs","Identification Cards","Universities and colleges--Curricula--Catalogs.","Invitation cards.","Student handbooks","Paper.","Periodicals.","Menus.","Clippings (Books, newspapers, etc.)","Postcards.","Student schedule cards","Name tags","Newspapers","Scrapbooks"],"access_subjects_ssm":["Distaff, The","Thanksgiving dinner","Commencement Programs","Commencement Announcements","Investiture ceremony","Class of 1942","Schedule of Classes","Pamphlets","Official Correspondence","Organizational Correspondence","Dining Room Scholarships","Work Scholarships","Scholarships.","Student clubs and organizations","Florida State University. Department of Dance","Odd Team (Sports Team)","Even Team Memorabilia","Honors Day","Convocation","Dining Room Girls","San Carlo Opera Company","Graduation announcement name cards","Concerts.","Schedules, School","Student publications","Programs","Identification Cards","Universities and colleges--Curricula--Catalogs.","Invitation cards.","Student handbooks","Paper.","Periodicals.","Menus.","Clippings (Books, newspapers, etc.)","Postcards.","Student schedule cards","Name tags","Newspapers","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["62.00 items"],"extent_tesim":["62.00 items"],"genreform_ssim":["Student publications","Programs","Identification Cards","Universities and colleges--Curricula--Catalogs.","Invitation cards.","Student handbooks","Paper.","Periodicals.","Menus.","Clippings (Books, newspapers, etc.)","Postcards.","Student schedule cards","Name tags","Newspapers","Scrapbooks"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eCarrie Forehand Crocker Collection, Heritage Protocol, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HP-2007-025\u003c/p\u003e"],"prefercite_tesim":["Carrie Forehand Crocker Collection, Heritage Protocol, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HP-2007-025"],"processinfo_html_tesm":["\u003cp\u003eEntered 2008-01-31.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Entered 2008-01-31."],"scopecontent_html_tesm":["\u003cp\u003ePersonal items of Florida State College for Women student Carrie Forehand Crocker (formerly Carrie Lee Crocker) (BA, Home Economics, 1942). Items include papers and memorabilia related to her participation in student organizations, the Dining Room Girls, and assorted student related activities. (See box list.)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal items of Florida State College for Women student Carrie Forehand Crocker (formerly Carrie Lee Crocker) (BA, Home Economics, 1942). Items include papers and memorabilia related to her participation in student organizations, the Dining Room Girls, and assorted student related activities. (See box list.)"],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State College for Women. Alumnae Association","Omicron Nu Society","Florida Flambeau","Florida State University. Artist Series","Even Team (Sports Team)","Phi Kappa Phi","Sigma Delta Pi","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Florida State College for Women--Sports","Scholarship and Loan Committee","Andrews, Elizabeth Gordon, 1880-1967","Crocker, Carrie Forehand","Forehand, Carrie Lee","Maxwell, Sarah","Rushing, Sarah Grace"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women. Alumnae Association","Omicron Nu Society","Florida Flambeau","Florida State University. Artist Series","Even Team (Sports Team)","Phi Kappa Phi","Sigma Delta Pi","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Florida State College for Women--Sports","Scholarship and Loan Committee","Crocker, Carrie Forehand","Andrews, Elizabeth Gordon, 1880-1967","Forehand, Carrie Lee","Maxwell, Sarah","Rushing, Sarah Grace"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women. Alumnae Association","Omicron Nu Society","Florida Flambeau","Florida State University. Artist Series","Even Team (Sports Team)","Phi Kappa Phi","Sigma Delta Pi","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Florida State College for Women--Sports","Scholarship and Loan Committee"],"persname_ssim":["Crocker, Carrie Forehand","Andrews, Elizabeth Gordon, 1880-1967","Forehand, Carrie Lee","Maxwell, Sarah","Rushing, Sarah Grace"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":70,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8444b6038f267e52515349a3","timestamp":"2026-07-08T04:03:22.510Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8444b6038f267e52515349a3"}},{"id":"02e6768c8de9bbedcf989f55","type":"collection","attributes":{"title":"Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#abstract_or_scope","type":"document_value","attributes":{"value":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55"}},{"id":"70c41539c9a0b1c9a469df7b","type":"collection","attributes":{"title":"Clara Mae Shepherd Scrapbook, 1928-1942, bulk 1935-1936","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/70c41539c9a0b1c9a469df7b#creator","type":"document_value","attributes":{"value":["Shepherd, Clara Mae"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/70c41539c9a0b1c9a469df7b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Clara Mae Shepherd Scrapbook contains newspaper clippings, programs, and other ephemera related to her years as a student at Florida State College for Women.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/70c41539c9a0b1c9a469df7b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"70c41539c9a0b1c9a469df7b","title_ssm":["Clara Mae Shepherd Scrapbook"],"title_tesim":["Clara Mae Shepherd Scrapbook"],"ead_ssi":"70c41539c9a0b1c9a469df7b","unitdate_ssm":["1928-1942","1935-1936"],"unitdate_bulk_ssim":["1935-1936"],"unitdate_inclusive_ssm":["1928-1942"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2007-120","/repositories/10/resources/17"],"text":["HP 2007-120","/repositories/10/resources/17","Clara Mae Shepherd Scrapbook, 1928-1942, bulk 1935-1936","Class of 1937","Pamphlets","Payment.","Announcements","Addresses","Articles","Ballots","Newman Club","Torch Night Ceremony","Odd Team (Sports Team)","Thanksgiving dinner","Florida State University. School of Music","Speech Department","Advertising fliers","Parents' Day","Cutouts","Greeting cards.","Clippings (Books, newspapers, etc.)","Registration Cards","Name tags","Place cards","Ribbons","Invitation cards.","Programs","Menus.","Schedules","Notes.","Lecture notes","Postcards.","Tickets","Envelopes (Stationery)","Lyrics","Receipts","Napkins.","Sketches","Brochures","Feathers.","Handbooks","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Clara Mae Shepherd Scrapbook contains newspaper clippings, programs, and other ephemera related to her years as a student at Florida State College for Women.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State College for Women--Sports","Florida State College for Women","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Even Team (Sports Team)","Florida State University. Artist Series","University of Florida","Shepherd, Clara Mae","Owen, Ruth Bryan, 1885-1954","English"],"unitid_tesim":["HP 2007-120","/repositories/10/resources/17"],"normalized_date_ssm":["1928-1942, bulk 1935-1936"],"normalized_title_ssm":["Clara Mae Shepherd Scrapbook, 1928-1942, bulk 1935-1936"],"collection_title_tesim":["Clara Mae Shepherd Scrapbook, 1928-1942, bulk 1935-1936"],"collection_ssim":["Clara Mae Shepherd Scrapbook, 1928-1942, bulk 1935-1936"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Shepherd, Clara Mae"],"creator_ssim":["Shepherd, Clara Mae"],"creator_persname_ssim":["Shepherd, Clara Mae"],"creators_ssim":["Shepherd, Clara Mae"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"access_subjects_ssim":["Class of 1937","Pamphlets","Payment.","Announcements","Addresses","Articles","Ballots","Newman Club","Torch Night Ceremony","Odd Team (Sports Team)","Thanksgiving dinner","Florida State University. School of Music","Speech Department","Advertising fliers","Parents' Day","Cutouts","Greeting cards.","Clippings (Books, newspapers, etc.)","Registration Cards","Name tags","Place cards","Ribbons","Invitation cards.","Programs","Menus.","Schedules","Notes.","Lecture notes","Postcards.","Tickets","Envelopes (Stationery)","Lyrics","Receipts","Napkins.","Sketches","Brochures","Feathers.","Handbooks"],"access_subjects_ssm":["Class of 1937","Pamphlets","Payment.","Announcements","Addresses","Articles","Ballots","Newman Club","Torch Night Ceremony","Odd Team (Sports Team)","Thanksgiving dinner","Florida State University. School of Music","Speech Department","Advertising fliers","Parents' Day","Cutouts","Greeting cards.","Clippings (Books, newspapers, etc.)","Registration Cards","Name tags","Place cards","Ribbons","Invitation cards.","Programs","Menus.","Schedules","Notes.","Lecture notes","Postcards.","Tickets","Envelopes (Stationery)","Lyrics","Receipts","Napkins.","Sketches","Brochures","Feathers.","Handbooks"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Cutouts","Greeting cards.","Clippings (Books, newspapers, etc.)","Registration Cards","Name tags","Place cards","Ribbons","Invitation cards.","Programs","Menus.","Schedules","Notes.","Lecture notes","Postcards.","Tickets","Envelopes (Stationery)","Lyrics","Receipts","Napkins.","Sketches","Brochures","Feathers.","Handbooks"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eClara Mae Shepherd Scrapbook, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HP-2007-120\u003c/p\u003e"],"prefercite_tesim":["Clara Mae Shepherd Scrapbook, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HP-2007-120"],"scopecontent_html_tesm":["\u003cp\u003eThe Clara Mae Shepherd Scrapbook contains newspaper clippings, programs, and other ephemera related to her years as a student at Florida State College for Women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Clara Mae Shepherd Scrapbook contains newspaper clippings, programs, and other ephemera related to her years as a student at Florida State College for Women."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State College for Women--Sports","Florida State College for Women","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Even Team (Sports Team)","Florida State University. Artist Series","University of Florida","Shepherd, Clara Mae","Owen, Ruth Bryan, 1885-1954"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--Sports","Florida State College for Women","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Even Team (Sports Team)","Florida State University. Artist Series","University of Florida","Shepherd, Clara Mae","Owen, Ruth Bryan, 1885-1954"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--Sports","Florida State College for Women","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Even Team (Sports Team)","Florida State University. Artist Series","University of Florida"],"persname_ssim":["Shepherd, Clara Mae","Owen, Ruth Bryan, 1885-1954"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":214,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"70c41539c9a0b1c9a469df7b","timestamp":"2026-07-08T06:09:42.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"70c41539c9a0b1c9a469df7b","title_ssm":["Clara Mae Shepherd Scrapbook"],"title_tesim":["Clara Mae Shepherd Scrapbook"],"ead_ssi":"70c41539c9a0b1c9a469df7b","unitdate_ssm":["1928-1942","1935-1936"],"unitdate_bulk_ssim":["1935-1936"],"unitdate_inclusive_ssm":["1928-1942"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2007-120","/repositories/10/resources/17"],"text":["HP 2007-120","/repositories/10/resources/17","Clara Mae Shepherd Scrapbook, 1928-1942, bulk 1935-1936","Class of 1937","Pamphlets","Payment.","Announcements","Addresses","Articles","Ballots","Newman Club","Torch Night Ceremony","Odd Team (Sports Team)","Thanksgiving dinner","Florida State University. School of Music","Speech Department","Advertising fliers","Parents' Day","Cutouts","Greeting cards.","Clippings (Books, newspapers, etc.)","Registration Cards","Name tags","Place cards","Ribbons","Invitation cards.","Programs","Menus.","Schedules","Notes.","Lecture notes","Postcards.","Tickets","Envelopes (Stationery)","Lyrics","Receipts","Napkins.","Sketches","Brochures","Feathers.","Handbooks","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Clara Mae Shepherd Scrapbook contains newspaper clippings, programs, and other ephemera related to her years as a student at Florida State College for Women.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State College for Women--Sports","Florida State College for Women","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Even Team (Sports Team)","Florida State University. 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Floyd Papers, 1910-1949, 1910-1949","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/f21875175edc1c9f5cf6e61f#creator","type":"document_value","attributes":{"value":["Floyd, Bayard F."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f21875175edc1c9f5cf6e61f#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection has been divided into two series: Personal and Publications. The Personal series contains materials believed to have belonged to the subject and was organized alphabetically by subject. 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(Bayard Franklin), 1882-1945","Citrus fruit industry--Florida--History--20th century","Fertilizer industry--Florida--History--20th century","Plant pathologists--Florida--Biography","Citrus--Diseases and pests--Florida","Citrus--Diseases and pests--Florida--Prevention and control","Florida Agricultural Experiment Station--History","Wilson and Toomer Fertilizer Company--History","Holly Hill Grove and Fruit Company--History","Agricultural experiment stations--Florida","Newspaper clippings","Notebooks","Pamphlets","Reports","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","Colonel Bayard Franklin Floyd (1882-1945) was a leader in both the citrus and fertilizer industries. He began his career in Florida at the Florida Agricultural Experiment Station in 1907 as a plant pathologist. He took a leave of absence during World War I to join the U.S. Army, eventually earning the rank of Colonel. In 1920, Floyd shifted to the private sector and joined\nWilson and Toomer Fertilizer Company as a horticulturalist and later becoming Vice President. He primarily worked in Davenport as part of Wilson and Toomer's subsidiary the Holly Hill Grove and Fruit Company. Floyd wrote several publications, including numerous bulletins for Wilson and Toomer; he would work for the company until his death in 1945. Colonel Bayard F. Floyd was posthumously inducted into the Florida Citrus Hall of Fame in 1962 as part of its inaugural class of inductees.","Col. Bayard F. Floyd was the first cousin once removed of Vaughn Woods who also worked for the Wilson and Toomer Fertilizer Company. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Elin Ingeborg Larson Collection contains items related to her life and years as a student at Florida State College for Women including photographs, newspaper clippings, and personal documents.","Before photographing or publishing quotations or excerpts from any materials, permission must be obtained from the Florida State University Heritage Protocol Executive Committee, and the holder of the copyright, if not Florida State University.","FSU Special Collections \u0026 Archives","Florida State University Libraries. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eElin Ingeborg Larson Collection, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HP-2007-124\u003c/p\u003e"],"prefercite_tesim":["Elin Ingeborg Larson Collection, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HP-2007-124"],"scopecontent_html_tesm":["\u003cp\u003eThe Elin Ingeborg Larson Collection contains items related to her life and years as a student at Florida State College for Women including photographs, newspaper clippings, and personal documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Elin Ingeborg Larson Collection contains items related to her life and years as a student at Florida State College for Women including photographs, newspaper clippings, and personal documents."],"userestrict_html_tesm":["\u003cp\u003eBefore photographing or publishing quotations or excerpts from any materials, permission must be obtained from the Florida State University Heritage Protocol Executive Committee, and the holder of the copyright, if not Florida State University.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before photographing or publishing quotations or excerpts from any materials, permission must be obtained from the Florida State University Heritage Protocol Executive Committee, and the holder of the copyright, if not Florida State University."],"names_coll_ssim":["Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Apopka High School","Larson, Elin","Larson, Olga"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Apopka High School","Larson, Elin Ingeborg","Larson, Elin","Larson, Olga"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University Libraries. 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Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)","Belts and belting.","Poetry","Florida State College for Women. Torch Night Festival","Excuse for Absence","Homecoming.","Sophomore council","Sophomore Senior Breakfast","Inauguration","Jennie Murphree Hall (Tallahassee, Fla.)","May Day Festival","Class of 1933","Class of 1939","Pamphlets","Investiture ceremony","Guy Linton Diffenbaugh Building (Tallahassee, Fla.)","Odd Team caps","Rings (Jewelry)","Napkins.","Clippings (Books, newspapers, etc.)","Books","Certificates","Collectibles.","Name tags","Newsletters","Postcards.","Programs","Receipts","Résumés (Employment)","Plaques","Lists.","Ticket stubs","Blank forms","Place cards","Pins (Jewelry)","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Entered 5 August 2008.","The collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Spirogira (Honor Society)","Emeritus Alumni Society","Heritage Tower (Tallahassee, Fla.)","Adams Studio","Katz Ladies Shop","Florida. Governor (1929-1933 : Carlton)","Florida. Governor (1933-1937 : Sholtz)","Albert W. Gilchrist Hall (Tallahassee, Fla.)","F Club","Florida State College for Women","Autrey, Elizabeth and Katharine","Autrey, Elizabeth","Autrey, Katharine","Norwood, Mary Lou","Conradi, Edward, 1869-1944","Owens, Ruth B.","Byrd, Katherine","Beyer, Kathryn","Mackeilski, Marjorie Batchelder","House, L. Margueritte, 1901-1979","Geffcken, Helen","Emerson, Alma","Gaillard, Margaret","Shogren, Dot","Geffcken, Dot","Sembler, Cora","Byrd, Eva","Newman, Clementine","Ransley, Helen","Bell, Bookie","Baillies, Mary Ellen","Monroe, Kathleen","DuBois, Dr. P.W.","Caldwell, Reverend Edward N.","Norwood, Dr. G. 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Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)"],"geogname_ssim":["Camp Fowler","Bradenton Beach (Fla.)","Wakulla Springs (Fla.)","Camp Frances Archbold","De Funiak Springs (Fla.)","Napoleon Bonaparte Broward Hall (Tallahassee, Fla.)","Melissa E. Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)"],"creator_ssm":["Autrey, Elizabeth and Katharine"],"creator_ssim":["Autrey, Elizabeth and Katharine"],"creator_persname_ssim":["Autrey, Elizabeth and Katharine"],"creators_ssim":["Autrey, Elizabeth and Katharine"],"places_ssim":["Camp Fowler","Bradenton Beach (Fla.)","Wakulla Springs (Fla.)","Camp Frances Archbold","De Funiak Springs (Fla.)","Napoleon Bonaparte Broward Hall (Tallahassee, Fla.)","Melissa E. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Elizabeth and Katharine Autrey Collection, Heritage \u0026amp; University Archives, Florida State University, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HP-2007-051\"\u003ehttp://purl.fcla.edu/fsu/HP-2007-051\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Elizabeth and Katharine Autrey Collection, Heritage \u0026 University Archives, Florida State University, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HP-2007-051"],"processinfo_html_tesm":["\u003cp\u003eEntered 5 August 2008.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Entered 5 August 2008."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:huaphotographcollection\"\u003eFSU Digital Library\u003c/extref\u003e as part of a larger photograph collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State University Libraries. Heritage Protocol \u0026 University Archives","Spirogira (Honor Society)","Emeritus Alumni Society","Heritage Tower (Tallahassee, Fla.)","Adams Studio","Katz Ladies Shop","Florida. Governor (1929-1933 : Carlton)","Florida. Governor (1933-1937 : Sholtz)","Albert W. 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Hunter","Hatchell, Elaine","Lytle, Fulton","Sloan, Virginia","Denham, Rose","Andrews, Mamie","Barrs, Katherine","Cone, Jennie Rae Nall","Royall, Hazel","Parks, Frances","Hurlin, Frances","Hall, Frances \"Frankie\"","Warren, Eleanor","Warren, Mary Virginia","Haight, Eleanor","Monroe, Julia","Makinson, Joy","Kelley, Frances","Hooper, Bessie","Vinal, Carleen","Pierce, Elizabeth","Sumner, Fay","Whitthorne, Frankie","Leuders, Lady Jane","Menendez, Martha","Tucker, Ruth","Milton, Wilma (Sox)","Bottari, Ines Lee","Cermack, Elizabeth","Earle, Betty","Gallentine, Bee","Greer, Rose Bud","Key, Mary Lou","Mackey, Marjorie","Teague, Margaret","Pope, Lucy","Grady, Jackie","Mathewson, Genie","Gillies, Elizabeth","Coker, Mildred","Searlett, Jo","Griffin, Nannie M.","Heffecken, Helen","Floyd, Effie","Hicks, Dorothy \"Dot\"","Clough, Adaline","Dale, Ruth","Lutz, Nancy","Gardiner, Marion","Wills, Janet","Ruff, Irma","McCormick, Harriet","Bell, Betty","Waldrop, Rebecca \"Becky\"","Embry, Sara","Diamond, Rowena","Settle, Mary","Monroe, Martha","Hebb, Hazel","Mattox, Edna","Connor, Dolly","Wood, Betty","Bozler, Janet","Geiger, Tillie","Pace, Juanita","Lewis, Jimmie","Dunn, Betty","White, Sara Holt","McClearen, Eleanor","Proctor, Gladys Storrs","Tracy, Anna May","Tootle, Isabel","Boyd, Helen","Pamil, Bet","Bullock, Dot","Taylor, Marie","Wood, Bernice","Moffet, Ruth Jennings","White, Dorothy","Albright, Eleanor","Stewart, Mildred","Morrison, Jo","Mayer, Marjorie","Beckham, Charlotte","Sivia, Olive","Burnett, Dorothy \"Dot\"","Grady, Marion (Jack)","Whitthorn, Frances","Daniel, Elizabeth"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Spirogira (Honor Society)","Emeritus Alumni Society","Heritage Tower (Tallahassee, Fla.)","Adams Studio","Katz Ladies Shop","Florida. Governor (1929-1933 : Carlton)","Florida. Governor (1933-1937 : Sholtz)","Albert W. Gilchrist Hall (Tallahassee, Fla.)","F Club","Florida State College for Women","Autrey, Elizabeth and Katharine","Autrey, Elizabeth","Autrey, Katharine","Norwood, Mary Lou","Conradi, Edward, 1869-1944","Owens, Ruth B.","Byrd, Katherine","Beyer, Kathryn","Mackeilski, Marjorie Batchelder","House, L. Margueritte, 1901-1979","Geffcken, Helen","Emerson, Alma","Gaillard, Margaret","Shogren, Dot","Geffcken, Dot","Sembler, Cora","Byrd, Eva","Newman, Clementine","Ransley, Helen","Bell, Bookie","Baillies, Mary Ellen","Monroe, Kathleen","DuBois, Dr. P.W.","Caldwell, Reverend Edward N.","Norwood, Dr. G. 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Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)","Belts and belting.","Poetry","Florida State College for Women. Torch Night Festival","Excuse for Absence","Homecoming.","Sophomore council","Sophomore Senior Breakfast","Inauguration","Jennie Murphree Hall (Tallahassee, Fla.)","May Day Festival","Class of 1933","Class of 1939","Pamphlets","Investiture ceremony","Guy Linton Diffenbaugh Building (Tallahassee, Fla.)","Odd Team caps","Rings (Jewelry)","Napkins.","Clippings (Books, newspapers, etc.)","Books","Certificates","Collectibles.","Name tags","Newsletters","Postcards.","Programs","Receipts","Résumés (Employment)","Plaques","Lists.","Ticket stubs","Blank forms","Place cards","Pins (Jewelry)","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Entered 5 August 2008.","The collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University Libraries. 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Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)"],"geogname_ssim":["Camp Fowler","Bradenton Beach (Fla.)","Wakulla Springs (Fla.)","Camp Frances Archbold","De Funiak Springs (Fla.)","Napoleon Bonaparte Broward Hall (Tallahassee, Fla.)","Melissa E. Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)"],"creator_ssm":["Autrey, Elizabeth and Katharine"],"creator_ssim":["Autrey, Elizabeth and Katharine"],"creator_persname_ssim":["Autrey, Elizabeth and Katharine"],"creators_ssim":["Autrey, Elizabeth and Katharine"],"places_ssim":["Camp Fowler","Bradenton Beach (Fla.)","Wakulla Springs (Fla.)","Camp Frances Archbold","De Funiak Springs (Fla.)","Napoleon Bonaparte Broward Hall (Tallahassee, Fla.)","Melissa E. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. 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Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State University Libraries. Heritage Protocol \u0026 University Archives","Spirogira (Honor Society)","Emeritus Alumni Society","Heritage Tower (Tallahassee, Fla.)","Adams Studio","Katz Ladies Shop","Florida. Governor (1929-1933 : Carlton)","Florida. Governor (1933-1937 : Sholtz)","Albert W. 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Hunter","Hatchell, Elaine","Lytle, Fulton","Sloan, Virginia","Denham, Rose","Andrews, Mamie","Barrs, Katherine","Cone, Jennie Rae Nall","Royall, Hazel","Parks, Frances","Hurlin, Frances","Hall, Frances \"Frankie\"","Warren, Eleanor","Warren, Mary Virginia","Haight, Eleanor","Monroe, Julia","Makinson, Joy","Kelley, Frances","Hooper, Bessie","Vinal, Carleen","Pierce, Elizabeth","Sumner, Fay","Whitthorne, Frankie","Leuders, Lady Jane","Menendez, Martha","Tucker, Ruth","Milton, Wilma (Sox)","Bottari, Ines Lee","Cermack, Elizabeth","Earle, Betty","Gallentine, Bee","Greer, Rose Bud","Key, Mary Lou","Mackey, Marjorie","Teague, Margaret","Pope, Lucy","Grady, Jackie","Mathewson, Genie","Gillies, Elizabeth","Coker, Mildred","Searlett, Jo","Griffin, Nannie M.","Heffecken, Helen","Floyd, Effie","Hicks, Dorothy \"Dot\"","Clough, Adaline","Dale, Ruth","Lutz, Nancy","Gardiner, Marion","Wills, Janet","Ruff, Irma","McCormick, Harriet","Bell, Betty","Waldrop, Rebecca \"Becky\"","Embry, Sara","Diamond, Rowena","Settle, Mary","Monroe, Martha","Hebb, Hazel","Mattox, Edna","Connor, Dolly","Wood, Betty","Bozler, Janet","Geiger, Tillie","Pace, Juanita","Lewis, Jimmie","Dunn, Betty","White, Sara Holt","McClearen, Eleanor","Proctor, Gladys Storrs","Tracy, Anna May","Tootle, Isabel","Boyd, Helen","Pamil, Bet","Bullock, Dot","Taylor, Marie","Wood, Bernice","Moffet, Ruth Jennings","White, Dorothy","Albright, Eleanor","Stewart, Mildred","Morrison, Jo","Mayer, Marjorie","Beckham, Charlotte","Sivia, Olive","Burnett, Dorothy \"Dot\"","Grady, Marion (Jack)","Whitthorn, Frances","Daniel, Elizabeth"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Spirogira (Honor Society)","Emeritus Alumni Society","Heritage Tower (Tallahassee, Fla.)","Adams Studio","Katz Ladies Shop","Florida. Governor (1929-1933 : Carlton)","Florida. Governor (1933-1937 : Sholtz)","Albert W. Gilchrist Hall (Tallahassee, Fla.)","F Club","Florida State College for Women","Autrey, Elizabeth and Katharine","Autrey, Elizabeth","Autrey, Katharine","Norwood, Mary Lou","Conradi, Edward, 1869-1944","Owens, Ruth B.","Byrd, Katherine","Beyer, Kathryn","Mackeilski, Marjorie Batchelder","House, L. Margueritte, 1901-1979","Geffcken, Helen","Emerson, Alma","Gaillard, Margaret","Shogren, Dot","Geffcken, Dot","Sembler, Cora","Byrd, Eva","Newman, Clementine","Ransley, Helen","Bell, Bookie","Baillies, Mary Ellen","Monroe, Kathleen","DuBois, Dr. P.W.","Caldwell, Reverend Edward N.","Norwood, Dr. G. Hunter","Hatchell, Elaine","Lytle, Fulton","Sloan, Virginia","Denham, Rose","Andrews, Mamie","Barrs, Katherine","Cone, Jennie Rae Nall","Royall, Hazel","Parks, Frances","Hurlin, Frances","Hall, Frances \"Frankie\"","Warren, Eleanor","Warren, Mary Virginia","Haight, Eleanor","Monroe, Julia","Makinson, Joy","Kelley, Frances","Hooper, Bessie","Vinal, Carleen","Pierce, Elizabeth","Sumner, Fay","Whitthorne, Frankie","Leuders, Lady Jane","Menendez, Martha","Tucker, Ruth","Milton, Wilma (Sox)","Bottari, Ines Lee","Cermack, Elizabeth","Earle, Betty","Gallentine, Bee","Greer, Rose Bud","Key, Mary Lou","Mackey, Marjorie","Teague, Margaret","Pope, Lucy","Grady, Jackie","Mathewson, Genie","Gillies, Elizabeth","Coker, Mildred","Searlett, Jo","Griffin, Nannie M.","Heffecken, Helen","Floyd, Effie","Hicks, Dorothy \"Dot\"","Clough, Adaline","Dale, Ruth","Lutz, Nancy","Gardiner, Marion","Wills, Janet","Ruff, Irma","McCormick, Harriet","Bell, Betty","Waldrop, Rebecca \"Becky\"","Embry, Sara","Diamond, Rowena","Settle, Mary","Monroe, Martha","Hebb, Hazel","Mattox, Edna","Connor, Dolly","Wood, Betty","Bozler, Janet","Geiger, Tillie","Pace, Juanita","Lewis, Jimmie","Dunn, Betty","White, Sara Holt","McClearen, Eleanor","Proctor, Gladys Storrs","Tracy, Anna May","Tootle, Isabel","Boyd, Helen","Pamil, Bet","Bullock, Dot","Taylor, Marie","Wood, Bernice","Moffet, Ruth Jennings","White, Dorothy","Albright, Eleanor","Stewart, Mildred","Morrison, Jo","Mayer, Marjorie","Beckham, Charlotte","Sivia, Olive","Burnett, Dorothy \"Dot\"","Grady, Marion (Jack)","Whitthorn, Frances","Daniel, Elizabeth"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University Libraries. 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Goulding, Robert W. Lovett, Claude A. Campbell, Gertrude P. Meek, and Frank Zitmore. The committee was drawn from the following divisions at F.S.U.: History, Business, Social Sciences, Library, and Political Science.\nThe Center acquired collections that were housed in the Library and processed by Special Collections, including the following: German-American Lumber Company Records; Sydney V. Coxetter Agriculture Collection; Warren Fish Company Records; Faber's Cedar Mill Collection; Monticello Mercantile Store Account Books; Rosasco Family Papers; E.H. Tomlinson Papers; W.H. Lindsey Account Books; Citizens Mutual Insurance Books; the J.L. and G.L. Smith Account Book; and the R.L. Goulding Interviews.","Materials collected by the Florida State University Southern Business History Center were held, processed and accessed at the Library.","Related materials, the ledgers of McKenzie Oerting and the ledgers of Warren Fish Company, can be found at the University of West Florida's John C. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","These records have been arranged in two series, correspondence and interviews. The correspondence series is arranged alphabetically by folder title.","The Southern Business History Center was formed at Florida State University in 1954 to stimulate graduate work and to promote the study of business history and of related social, economic, and political developments in this region. The Center grew out of an effort in Fall of 1953 by the History Department and Social Sciences Committee to collect Southern Business History records and form a center. The committee appointed by the President on February 8, 1954 to form the Center included Norman L. Kilpatrick, Secretary and Maurice M. Vance, Chairman, Frank Allen, Marshall Colberg, James Prothro, and Charles Rovetta. Later members of the committee and participants were Daisy Parker, R.L. 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Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Gift publications and informational materials were received with correspondence from several organizations contacted by the Southern Business History Center. Some gift subscriptions of serials were cataloged for the Library and continued to be received for a number of years. The internal correspondence of the Center is also present. Interviews were recorded on audio tape by R.L. Goulding and M.M. Vance."],"access_subjects_ssim":["Business enterprises--Florida--Cedar Key","Pencil industry--Florida","Corporations--Florida--Cedar Key","Pamphlets","Cedar Key (Fla.)","Account books","Periodicals.","Reports","Audiocassettes","Books","Deeds","Correspondence","Manuscripts","Maps","Photographs"],"access_subjects_ssm":["Business enterprises--Florida--Cedar Key","Pencil industry--Florida","Corporations--Florida--Cedar Key","Pamphlets","Cedar Key (Fla.)","Account books","Periodicals.","Reports","Audiocassettes","Books","Deeds","Correspondence","Manuscripts","Maps","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["9.00 boxes"],"extent_tesim":["9.00 boxes"],"genreform_ssim":["Periodicals.","Reports","Audiocassettes","Books","Deeds","Correspondence","Manuscripts","Maps","Photographs"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eThese records have been arranged in two series, correspondence and interviews. The correspondence series is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["These records have been arranged in two series, correspondence and interviews. The correspondence series is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Southern Business History Center was formed at Florida State University in 1954 to stimulate graduate work and to promote the study of business history and of related social, economic, and political developments in this region. The Center grew out of an effort in Fall of 1953 by the History Department and Social Sciences Committee to collect Southern Business History records and form a center. The committee appointed by the President on February 8, 1954 to form the Center included Norman L. Kilpatrick, Secretary and Maurice M. Vance, Chairman, Frank Allen, Marshall Colberg, James Prothro, and Charles Rovetta. Later members of the committee and participants were Daisy Parker, R.L. Goulding, Robert W. Lovett, Claude A. Campbell, Gertrude P. Meek, and Frank Zitmore. The committee was drawn from the following divisions at F.S.U.: History, Business, Social Sciences, Library, and Political Science.\nThe Center acquired collections that were housed in the Library and processed by Special Collections, including the following: German-American Lumber Company Records; Sydney V. Coxetter Agriculture Collection; Warren Fish Company Records; Faber's Cedar Mill Collection; Monticello Mercantile Store Account Books; Rosasco Family Papers; E.H. Tomlinson Papers; W.H. Lindsey Account Books; Citizens Mutual Insurance Books; the J.L. and G.L. Smith Account Book; and the R.L. Goulding Interviews.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Southern Business History Center was formed at Florida State University in 1954 to stimulate graduate work and to promote the study of business history and of related social, economic, and political developments in this region. The Center grew out of an effort in Fall of 1953 by the History Department and Social Sciences Committee to collect Southern Business History records and form a center. The committee appointed by the President on February 8, 1954 to form the Center included Norman L. Kilpatrick, Secretary and Maurice M. Vance, Chairman, Frank Allen, Marshall Colberg, James Prothro, and Charles Rovetta. Later members of the committee and participants were Daisy Parker, R.L. Goulding, Robert W. Lovett, Claude A. Campbell, Gertrude P. Meek, and Frank Zitmore. The committee was drawn from the following divisions at F.S.U.: History, Business, Social Sciences, Library, and Political Science.\nThe Center acquired collections that were housed in the Library and processed by Special Collections, including the following: German-American Lumber Company Records; Sydney V. Coxetter Agriculture Collection; Warren Fish Company Records; Faber's Cedar Mill Collection; Monticello Mercantile Store Account Books; Rosasco Family Papers; E.H. Tomlinson Papers; W.H. Lindsey Account Books; Citizens Mutual Insurance Books; the J.L. and G.L. Smith Account Book; and the R.L. Goulding Interviews."],"custodhist_html_tesm":["\u003cp\u003eMaterials collected by the Florida State University Southern Business History Center were held, processed and accessed at the Library.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Materials collected by the Florida State University Southern Business History Center were held, processed and accessed at the Library."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida State University Southern Business History Center Records, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2008-016\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida State University Southern Business History Center Records, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2008-016"],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials, the ledgers of McKenzie Oerting and the ledgers of Warren Fish Company, can be found at the University of West Florida's John C. Pace Library. Other related material can be found in the Faber's Cedar Mill Collection, MSS 0:103, in Special Collections at Florida State University Libraries.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials, the ledgers of McKenzie Oerting and the ledgers of Warren Fish Company, can be found at the University of West Florida's John C. Pace Library. Other related material can be found in the Faber's Cedar Mill Collection, MSS 0:103, in Special Collections at Florida State University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University Southern Business History Center Records include, correspondence to and from the center, including memos, form letters, responses, questionnaire, annual reports, photographs and publications; and oral interviews recorded in May and June, 1954 and August 1956 on 1/4 inch audio tape reels. They also include a group of historical records of the Eberhard Faber Pencil Company at Cedar Key, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida State University Southern Business History Center Records include, correspondence to and from the center, including memos, form letters, responses, questionnaire, annual reports, photographs and publications; and oral interviews recorded in May and June, 1954 and August 1956 on 1/4 inch audio tape reels. They also include a group of historical records of the Eberhard Faber Pencil Company at Cedar Key, Florida."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Lewis Bear Company","Florida Town Improvement Company","Florida State University. Southern Business History Center","F.C. Brent Estate","E.E. Saunders Co.","Eberhard Faber (Firm)","Warren Fish Company (Pensacola, Fla.)","Mackenzie-Oerting and Company","Pensacola Pilots Association","Sherrill Oil Company","Zitmore, Irving","Wright, Warren B.","Wells, Frank","Vance, Maurice M.","Taylor, Francis William, 1901-","Skerritt, John H.","Rovetta, Charles A.","Rosasco, William","Rosasco, Edwin","Prothro, James Warren","Penney, L.J.","Oerting, W.S.","Merritt, John A.","Meek, Gertrude P.","Malloy, John W., Captain","Lovett, Robert W.","Kilpatrick, Norman L.","Hyer, Albert M.","Howe, George W.","Goulding, Robert Lee, 1892-","Faber, John Eberhard","Deter, A.A.","Conner, Chester C.","Colberg, Marshall Rudolph, 1913-","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Campbell, Claude A. (Claude Arthur), 1903-","Bear, Max","Allen, Francis Robbins, 1908-","Pyburn, Nita Katherine"],"names_ssim":["FSU Special Collections \u0026 Archives","Lewis Bear Company","Florida Town Improvement Company","Florida State University. 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(Claude Arthur), 1903-","Bear, Max","Allen, Francis Robbins, 1908-","Pyburn, Nita Katherine"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Lewis Bear Company","Florida Town Improvement Company","Florida State University. Southern Business History Center","F.C. Brent Estate","E.E. 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(Claude Arthur), 1903-","Bear, Max","Allen, Francis Robbins, 1908-","Pyburn, Nita Katherine"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858897708810240,"_root_":"f1a1382b9b2bdf6f597114c6","timestamp":"2026-07-16T08:21:20.363Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f1a1382b9b2bdf6f597114c6"}},{"id":"3978404872604924807a1524","type":"collection","attributes":{"title":"Gladys Janette Folsom Harrington Scrapbook, 1931-1935, Date acquired: 07/03/2011","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3978404872604924807a1524#creator","type":"document_value","attributes":{"value":["Harrington, Gladys Janette Folsom"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3978404872604924807a1524#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Gladys Janette Folsom Harrington Scrapbook contains newspaper clippings, programs, correspondence, and other items related to her years as a student at Florida State College for Women.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3978404872604924807a1524#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3978404872604924807a1524","title_ssm":["Gladys Janette Folsom Harrington Scrapbook"],"title_tesim":["Gladys Janette Folsom Harrington Scrapbook"],"ead_ssi":"3978404872604924807a1524","unitdate_ssm":["1931-1935","Date acquired: 07/03/2011"],"unitdate_inclusive_ssm":["1931-1935"],"unitdate_other_ssim":["Date acquired: 07/03/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2011-022","/repositories/10/resources/15"],"text":["HP 2011-022","/repositories/10/resources/15","Gladys Janette Folsom Harrington Scrapbook, 1931-1935, Date acquired: 07/03/2011","William James Bryan Hall (Tallahassee, Fla.)","Advertising fliers","Addresses","Payment.","Distaff, The","Thanksgiving dinner","Investiture ceremony","Sophomore Senior Breakfast","Torch Night Ceremony","Speech Department","Christmas.","Florida Centennial Celebration","Odd Team (Sports Team)","The Open Gate","Homecoming.","Fealty","Women's Athletic Association","Pamphlets","Clippings (Books, newspapers, etc.)","Notes.","Notices","Ticket stubs","Programs","Registration Cards","Handbooks","Envelopes (Stationery)","Invitation cards.","Napkins.","Telegraph.","Menus.","Songbooks.","Periodicals.","Tickets","Publications","Place cards","Name tags","Wrappers","Labels.","Greeting cards.","Score cards","Receipts","Flowers.","Sports uniforms","Leaves.","Newspapers","This collection is open to all researchers. 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