{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"e46a929ce5d56bf3bf0e5228","type":"collection","attributes":{"title":"Anne Roselle Collection, 1898-1989","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/e46a929ce5d56bf3bf0e5228#creator","type":"document_value","attributes":{"value":["Roselle, Anne"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/e46a929ce5d56bf3bf0e5228#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e46a929ce5d56bf3bf0e5228#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"e46a929ce5d56bf3bf0e5228","title_ssm":["Anne Roselle Collection"],"title_tesim":["Anne Roselle Collection"],"ead_ssi":"e46a929ce5d56bf3bf0e5228","unitdate_ssm":["1898-1989"],"unitdate_inclusive_ssm":["1898-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS2000","/repositories/2/resources/55"],"text":["MS2000","/repositories/2/resources/55","Anne Roselle Collection, 1898-1989","Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","The collection is divided into the following series: Biographical, Photos, Sheet Music, Song Books, and Instructional Material. There is an LP Album in Box 5.","Anne Roselle (born Gyenge Anna; March 20, 1894 – July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)","This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.","The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Roselle, Anne","English"],"unitid_tesim":["MS2000","/repositories/2/resources/55"],"normalized_date_ssm":["1898-1989"],"normalized_title_ssm":["Anne Roselle Collection, 1898-1989"],"collection_title_tesim":["Anne Roselle Collection, 1898-1989"],"collection_ssim":["Anne Roselle Collection, 1898-1989"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Roselle, Anne"],"creator_ssim":["Roselle, Anne"],"creator_persname_ssim":["Roselle, Anne"],"creators_ssim":["Roselle, Anne"],"access_terms_ssm":["The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["This collection was transferred to the archives from the music department. It is unknown when this occured, although it was definitely prior to 2014."],"access_subjects_ssim":["Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks."],"access_subjects_ssm":["Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["3.09 Linear Feet 1 Five Inch Legal Standard Document Box and 4 16x20 Oversize Flat Boxes"],"extent_tesim":["3.09 Linear Feet 1 Five Inch Legal Standard Document Box and 4 16x20 Oversize Flat Boxes"],"genreform_ssim":["Correspondence.","Programs (Publications)","Photographs.","Scrapbooks."],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into the following series: Biographical, Photos, Sheet Music, Song Books, and Instructional Material. There is an LP Album in Box 5.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into the following series: Biographical, Photos, Sheet Music, Song Books, and Instructional Material. There is an LP Album in Box 5."],"bioghist_html_tesm":["\u003cp\u003eAnne Roselle (born Gyenge Anna; March 20, 1894 \u0026#x2013; July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. \u003c/p\u003e\n","\u003cp\u003e(Biographical information from collection)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Anne Roselle (born Gyenge Anna; March 20, 1894 – July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs."],"userestrict_html_tesm":["\u003cp\u003eThe Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). \u003c/p\u003e\n","\u003cp\u003ePlease inquire if you have questions - archives@flsouthern.edu\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Roselle, Anne"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"persname_ssim":["Roselle, Anne"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870851077531762688,"_root_":"e46a929ce5d56bf3bf0e5228","timestamp":"2026-07-16T06:17:02.454Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e46a929ce5d56bf3bf0e5228","title_ssm":["Anne Roselle Collection"],"title_tesim":["Anne Roselle Collection"],"ead_ssi":"e46a929ce5d56bf3bf0e5228","unitdate_ssm":["1898-1989"],"unitdate_inclusive_ssm":["1898-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS2000","/repositories/2/resources/55"],"text":["MS2000","/repositories/2/resources/55","Anne Roselle Collection, 1898-1989","Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","The collection is divided into the following series: Biographical, Photos, Sheet Music, Song Books, and Instructional Material. There is an LP Album in Box 5.","Anne Roselle (born Gyenge Anna; March 20, 1894 – July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)","This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.","The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Roselle, Anne","English"],"unitid_tesim":["MS2000","/repositories/2/resources/55"],"normalized_date_ssm":["1898-1989"],"normalized_title_ssm":["Anne Roselle Collection, 1898-1989"],"collection_title_tesim":["Anne Roselle Collection, 1898-1989"],"collection_ssim":["Anne Roselle Collection, 1898-1989"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Roselle, Anne"],"creator_ssim":["Roselle, Anne"],"creator_persname_ssim":["Roselle, Anne"],"creators_ssim":["Roselle, Anne"],"access_terms_ssm":["The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["This collection was transferred to the archives from the music department. It is unknown when this occured, although it was definitely prior to 2014."],"access_subjects_ssim":["Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks."],"access_subjects_ssm":["Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["3.09 Linear Feet 1 Five Inch Legal Standard Document Box and 4 16x20 Oversize Flat Boxes"],"extent_tesim":["3.09 Linear Feet 1 Five Inch Legal Standard Document Box and 4 16x20 Oversize Flat Boxes"],"genreform_ssim":["Correspondence.","Programs (Publications)","Photographs.","Scrapbooks."],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into the following series: Biographical, Photos, Sheet Music, Song Books, and Instructional Material. There is an LP Album in Box 5.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into the following series: Biographical, Photos, Sheet Music, Song Books, and Instructional Material. There is an LP Album in Box 5."],"bioghist_html_tesm":["\u003cp\u003eAnne Roselle (born Gyenge Anna; March 20, 1894 \u0026#x2013; July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. \u003c/p\u003e\n","\u003cp\u003e(Biographical information from collection)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Anne Roselle (born Gyenge Anna; March 20, 1894 – July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs."],"userestrict_html_tesm":["\u003cp\u003eThe Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). \u003c/p\u003e\n","\u003cp\u003ePlease inquire if you have questions - archives@flsouthern.edu\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Roselle, Anne"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"persname_ssim":["Roselle, Anne"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870851077531762688,"_root_":"e46a929ce5d56bf3bf0e5228","timestamp":"2026-07-16T06:17:02.454Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e46a929ce5d56bf3bf0e5228"}},{"id":"c52925939c2adf4b452b1623","type":"collection","attributes":{"title":"Shining Brow: Frank Lloyd Wright Opera, 1993-1994","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/c52925939c2adf4b452b1623#creator","type":"document_value","attributes":{"value":["Hagen, Daron"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c52925939c2adf4b452b1623#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials in this collection include progams and promotional material, sheet music for individual instruments, and musical score. Author biographical information is also included.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c52925939c2adf4b452b1623#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"c52925939c2adf4b452b1623","title_ssm":["Shining Brow: Frank Lloyd Wright Opera"],"title_tesim":["Shining Brow: Frank Lloyd Wright Opera"],"ead_ssi":"c52925939c2adf4b452b1623","unitdate_ssm":["1993-1994"],"unitdate_inclusive_ssm":["1993-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS2010","/repositories/2/resources/52"],"text":["MS2010","/repositories/2/resources/52","Shining Brow: Frank Lloyd Wright Opera, 1993-1994","Shining Brow (Opera)","Hagen, Daron--Archives","Wright, Frank Lloyd, 1867-1959--Drama","Borthwick, Martha, 1869-1914--Drama","Opera--Scores","Opera--20th century","Opera--United States","Taliesin (Spring Green, Wis.)--Drama","Architects in art","Promotional materials","Programs (Publications)","Scripts (Documents)","Newspaper clippings","Sheet music","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","Shining Brow is an English language opera by the American composer Daron Hagen, first performed by the Madison Opera in Madison, Wisconsin, April 21, 1993. The libretto is by Paul Muldoon, and is based on a treatment co-written with the composer. The story concerns events in the life of architect Frank Lloyd Wright. Hagen invited Muldoon to write the libretto while the two were both in residency at the MacDowell Colony, in Peterborough, New Hampshire during the summer of 1989.","The opera received its world premiere on 21 April 1993 from the Madison Opera, Wisconsin. The production was broadcast live statewide and subsequently broadcast twice on NPR's World of Opera.","(Biographical/historical information from Wikipedia.com and the collection contents)","The materials in this collection include progams and promotional material, sheet music for individual instruments, and musical score. Author biographical information is also included.","The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Hagen, Daron","English"],"unitid_tesim":["MS2010","/repositories/2/resources/52"],"normalized_date_ssm":["1993-1994"],"normalized_title_ssm":["Shining Brow: Frank Lloyd Wright Opera, 1993-1994"],"collection_title_tesim":["Shining Brow: Frank Lloyd Wright Opera, 1993-1994"],"collection_ssim":["Shining Brow: Frank Lloyd Wright Opera, 1993-1994"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Hagen, Daron"],"creator_ssim":["Hagen, Daron"],"creator_persname_ssim":["Hagen, Daron"],"creators_ssim":["Hagen, Daron"],"access_terms_ssm":["The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["The materials in this collection were transferred to the archives from the college fine arts department."],"access_subjects_ssim":["Shining Brow (Opera)","Hagen, Daron--Archives","Wright, Frank Lloyd, 1867-1959--Drama","Borthwick, Martha, 1869-1914--Drama","Opera--Scores","Opera--20th century","Opera--United States","Taliesin (Spring Green, Wis.)--Drama","Architects in art","Promotional materials","Programs (Publications)","Scripts (Documents)","Newspaper clippings","Sheet music"],"access_subjects_ssm":["Shining Brow (Opera)","Hagen, Daron--Archives","Wright, Frank Lloyd, 1867-1959--Drama","Borthwick, Martha, 1869-1914--Drama","Opera--Scores","Opera--20th century","Opera--United States","Taliesin (Spring Green, Wis.)--Drama","Architects in art","Promotional materials","Programs (Publications)","Scripts (Documents)","Newspaper clippings","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":[".83 Linear Feet 1 Fine Inch Letter Standard Archival Box"],"extent_tesim":[".83 Linear Feet 1 Fine Inch Letter Standard Archival Box"],"genreform_ssim":["Promotional materials","Programs (Publications)","Scripts (Documents)","Newspaper clippings","Sheet music"],"date_range_isim":[1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"bioghist_html_tesm":["\u003cp\u003eShining Brow is an English language opera by the American composer Daron Hagen, first performed by the Madison Opera in Madison, Wisconsin, April 21, 1993. The libretto is by Paul Muldoon, and is based on a treatment co-written with the composer. The story concerns events in the life of architect Frank Lloyd Wright. Hagen invited Muldoon to write the libretto while the two were both in residency at the MacDowell Colony, in Peterborough, New Hampshire during the summer of 1989.\u003c/p\u003e\n","\u003cp\u003eThe opera received its world premiere on 21 April 1993 from the Madison Opera, Wisconsin. The production was broadcast live statewide and subsequently broadcast twice on NPR's World of Opera.\u003c/p\u003e\n","\u003cp\u003e(Biographical/historical information from Wikipedia.com and the collection contents)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Shining Brow is an English language opera by the American composer Daron Hagen, first performed by the Madison Opera in Madison, Wisconsin, April 21, 1993. The libretto is by Paul Muldoon, and is based on a treatment co-written with the composer. The story concerns events in the life of architect Frank Lloyd Wright. Hagen invited Muldoon to write the libretto while the two were both in residency at the MacDowell Colony, in Peterborough, New Hampshire during the summer of 1989.","The opera received its world premiere on 21 April 1993 from the Madison Opera, Wisconsin. The production was broadcast live statewide and subsequently broadcast twice on NPR's World of Opera.","(Biographical/historical information from Wikipedia.com and the collection contents)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection include progams and promotional material, sheet music for individual instruments, and musical score. Author biographical information is also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection include progams and promotional material, sheet music for individual instruments, and musical score. Author biographical information is also included."],"userestrict_html_tesm":["\u003cp\u003eThe Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Hagen, Daron"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"persname_ssim":["Hagen, Daron"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"c52925939c2adf4b452b1623","timestamp":"2026-04-21T02:25:40.374Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c52925939c2adf4b452b1623","title_ssm":["Shining Brow: Frank Lloyd Wright Opera"],"title_tesim":["Shining Brow: Frank Lloyd Wright Opera"],"ead_ssi":"c52925939c2adf4b452b1623","unitdate_ssm":["1993-1994"],"unitdate_inclusive_ssm":["1993-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS2010","/repositories/2/resources/52"],"text":["MS2010","/repositories/2/resources/52","Shining Brow: Frank Lloyd Wright Opera, 1993-1994","Shining Brow (Opera)","Hagen, Daron--Archives","Wright, Frank Lloyd, 1867-1959--Drama","Borthwick, Martha, 1869-1914--Drama","Opera--Scores","Opera--20th century","Opera--United States","Taliesin (Spring Green, Wis.)--Drama","Architects in art","Promotional materials","Programs (Publications)","Scripts (Documents)","Newspaper clippings","Sheet music","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","Shining Brow is an English language opera by the American composer Daron Hagen, first performed by the Madison Opera in Madison, Wisconsin, April 21, 1993. The libretto is by Paul Muldoon, and is based on a treatment co-written with the composer. The story concerns events in the life of architect Frank Lloyd Wright. Hagen invited Muldoon to write the libretto while the two were both in residency at the MacDowell Colony, in Peterborough, New Hampshire during the summer of 1989.","The opera received its world premiere on 21 April 1993 from the Madison Opera, Wisconsin. The production was broadcast live statewide and subsequently broadcast twice on NPR's World of Opera.","(Biographical/historical information from Wikipedia.com and the collection contents)","The materials in this collection include progams and promotional material, sheet music for individual instruments, and musical score. Author biographical information is also included.","The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Hagen, Daron","English"],"unitid_tesim":["MS2010","/repositories/2/resources/52"],"normalized_date_ssm":["1993-1994"],"normalized_title_ssm":["Shining Brow: Frank Lloyd Wright Opera, 1993-1994"],"collection_title_tesim":["Shining Brow: Frank Lloyd Wright Opera, 1993-1994"],"collection_ssim":["Shining Brow: Frank Lloyd Wright Opera, 1993-1994"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Hagen, Daron"],"creator_ssim":["Hagen, Daron"],"creator_persname_ssim":["Hagen, Daron"],"creators_ssim":["Hagen, Daron"],"access_terms_ssm":["The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["The materials in this collection were transferred to the archives from the college fine arts department."],"access_subjects_ssim":["Shining Brow (Opera)","Hagen, Daron--Archives","Wright, Frank Lloyd, 1867-1959--Drama","Borthwick, Martha, 1869-1914--Drama","Opera--Scores","Opera--20th century","Opera--United States","Taliesin (Spring Green, Wis.)--Drama","Architects in art","Promotional materials","Programs (Publications)","Scripts (Documents)","Newspaper clippings","Sheet music"],"access_subjects_ssm":["Shining Brow (Opera)","Hagen, Daron--Archives","Wright, Frank Lloyd, 1867-1959--Drama","Borthwick, Martha, 1869-1914--Drama","Opera--Scores","Opera--20th century","Opera--United States","Taliesin (Spring Green, Wis.)--Drama","Architects in art","Promotional materials","Programs (Publications)","Scripts (Documents)","Newspaper clippings","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":[".83 Linear Feet 1 Fine Inch Letter Standard Archival Box"],"extent_tesim":[".83 Linear Feet 1 Fine Inch Letter Standard Archival Box"],"genreform_ssim":["Promotional materials","Programs (Publications)","Scripts (Documents)","Newspaper clippings","Sheet music"],"date_range_isim":[1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"bioghist_html_tesm":["\u003cp\u003eShining Brow is an English language opera by the American composer Daron Hagen, first performed by the Madison Opera in Madison, Wisconsin, April 21, 1993. The libretto is by Paul Muldoon, and is based on a treatment co-written with the composer. The story concerns events in the life of architect Frank Lloyd Wright. Hagen invited Muldoon to write the libretto while the two were both in residency at the MacDowell Colony, in Peterborough, New Hampshire during the summer of 1989.\u003c/p\u003e\n","\u003cp\u003eThe opera received its world premiere on 21 April 1993 from the Madison Opera, Wisconsin. The production was broadcast live statewide and subsequently broadcast twice on NPR's World of Opera.\u003c/p\u003e\n","\u003cp\u003e(Biographical/historical information from Wikipedia.com and the collection contents)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Shining Brow is an English language opera by the American composer Daron Hagen, first performed by the Madison Opera in Madison, Wisconsin, April 21, 1993. The libretto is by Paul Muldoon, and is based on a treatment co-written with the composer. The story concerns events in the life of architect Frank Lloyd Wright. Hagen invited Muldoon to write the libretto while the two were both in residency at the MacDowell Colony, in Peterborough, New Hampshire during the summer of 1989.","The opera received its world premiere on 21 April 1993 from the Madison Opera, Wisconsin. The production was broadcast live statewide and subsequently broadcast twice on NPR's World of Opera.","(Biographical/historical information from Wikipedia.com and the collection contents)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection include progams and promotional material, sheet music for individual instruments, and musical score. Author biographical information is also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection include progams and promotional material, sheet music for individual instruments, and musical score. Author biographical information is also included."],"userestrict_html_tesm":["\u003cp\u003eThe Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Hagen, Daron"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"persname_ssim":["Hagen, Daron"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"c52925939c2adf4b452b1623","timestamp":"2026-04-21T02:25:40.374Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c52925939c2adf4b452b1623"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Anne Roselle Collection, 1898-1989","value":"Anne Roselle Collection, 1898-1989","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bcollection%5D%5B%5D=Anne+Roselle+Collection%2C+1898-1989"}},{"attributes":{"label":"Shining Brow: Frank Lloyd Wright Opera, 1993-1994","value":"Shining Brow: Frank Lloyd Wright Opera, 1993-1994","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bcollection%5D%5B%5D=Shining+Brow%3A+Frank+Lloyd+Wright+Opera%2C+1993-1994"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Hagen, Daron","value":"Hagen, Daron","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bcreators%5D%5B%5D=Hagen%2C+Daron"}},{"attributes":{"label":"Roselle, Anne","value":"Roselle, Anne","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bcreators%5D%5B%5D=Roselle%2C+Anne"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1898","value":"1898","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1898"}},{"attributes":{"label":"1899","value":"1899","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1899"}},{"attributes":{"label":"1900","value":"1900","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1900"}},{"attributes":{"label":"1901","value":"1901","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1901"}},{"attributes":{"label":"1902","value":"1902","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1902"}},{"attributes":{"label":"1903","value":"1903","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1903"}},{"attributes":{"label":"1904","value":"1904","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1904"}},{"attributes":{"label":"1905","value":"1905","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1905"}},{"attributes":{"label":"1906","value":"1906","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1906"}},{"attributes":{"label":"1907","value":"1907","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1907"}},{"attributes":{"label":"1908","value":"1908","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"attributes":{"label":"1909","value":"1909","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1909"}},{"attributes":{"label":"1910","value":"1910","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1910"}},{"attributes":{"label":"1911","value":"1911","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1911"}},{"attributes":{"label":"1912","value":"1912","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1912"}},{"attributes":{"label":"1913","value":"1913","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1913"}},{"attributes":{"label":"1914","value":"1914","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1914"}},{"attributes":{"label":"1915","value":"1915","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1915"}},{"attributes":{"label":"1916","value":"1916","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1916"}},{"attributes":{"label":"1917","value":"1917","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1917"}},{"attributes":{"label":"1918","value":"1918","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1918"}},{"attributes":{"label":"1919","value":"1919","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1919"}},{"attributes":{"label":"1920","value":"1920","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1920"}},{"attributes":{"label":"1921","value":"1921","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1921"}},{"attributes":{"label":"1922","value":"1922","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1922"}},{"attributes":{"label":"1923","value":"1923","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1923"}},{"attributes":{"label":"1924","value":"1924","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1924"}},{"attributes":{"label":"1925","value":"1925","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1925"}},{"attributes":{"label":"1926","value":"1926","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1926"}},{"attributes":{"label":"1927","value":"1927","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1927"}},{"attributes":{"label":"1928","value":"1928","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1928"}},{"attributes":{"label":"1929","value":"1929","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1929"}},{"attributes":{"label":"1930","value":"1930","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1930"}},{"attributes":{"label":"1931","value":"1931","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1931"}},{"attributes":{"label":"1932","value":"1932","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"1933","value":"1933","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1933"}},{"attributes":{"label":"1934","value":"1934","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1934"}},{"attributes":{"label":"1935","value":"1935","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1935"}},{"attributes":{"label":"1936","value":"1936","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"1937","value":"1937","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1937"}},{"attributes":{"label":"1938","value":"1938","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1938"}},{"attributes":{"label":"1939","value":"1939","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1939"}},{"attributes":{"label":"1940","value":"1940","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1940"}},{"attributes":{"label":"1941","value":"1941","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1941"}},{"attributes":{"label":"1942","value":"1942","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1942"}},{"attributes":{"label":"1943","value":"1943","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1943"}},{"attributes":{"label":"1944","value":"1944","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1944"}},{"attributes":{"label":"1945","value":"1945","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1945"}},{"attributes":{"label":"1946","value":"1946","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1946"}},{"attributes":{"label":"1947","value":"1947","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1947"}},{"attributes":{"label":"1948","value":"1948","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1948"}},{"attributes":{"label":"1949","value":"1949","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1949"}},{"attributes":{"label":"1950","value":"1950","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1950"}},{"attributes":{"label":"1951","value":"1951","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1951"}},{"attributes":{"label":"1952","value":"1952","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1952"}},{"attributes":{"label":"1953","value":"1953","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1953"}},{"attributes":{"label":"1954","value":"1954","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1954"}},{"attributes":{"label":"1955","value":"1955","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1955"}},{"attributes":{"label":"1956","value":"1956","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1956"}},{"attributes":{"label":"1957","value":"1957","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1957"}},{"attributes":{"label":"1958","value":"1958","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1958"}},{"attributes":{"label":"1959","value":"1959","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1959"}},{"attributes":{"label":"1960","value":"1960","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1960"}},{"attributes":{"label":"1961","value":"1961","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"1962","value":"1962","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1962"}},{"attributes":{"label":"1963","value":"1963","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1963"}},{"attributes":{"label":"1964","value":"1964","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1964"}},{"attributes":{"label":"1965","value":"1965","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1965"}},{"attributes":{"label":"1966","value":"1966","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1966"}},{"attributes":{"label":"1967","value":"1967","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1967"}},{"attributes":{"label":"1968","value":"1968","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1968"}},{"attributes":{"label":"1969","value":"1969","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1969"}},{"attributes":{"label":"1970","value":"1970","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1970"}},{"attributes":{"label":"1971","value":"1971","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1971"}},{"attributes":{"label":"1972","value":"1972","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1972"}},{"attributes":{"label":"1973","value":"1973","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1973"}},{"attributes":{"label":"1974","value":"1974","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"1975","value":"1975","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1975"}},{"attributes":{"label":"1976","value":"1976","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"attributes":{"label":"1977","value":"1977","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1977"}},{"attributes":{"label":"1978","value":"1978","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1978"}},{"attributes":{"label":"1979","value":"1979","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1979"}},{"attributes":{"label":"1980","value":"1980","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"attributes":{"label":"1981","value":"1981","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1981"}},{"attributes":{"label":"1982","value":"1982","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1982"}},{"attributes":{"label":"1983","value":"1983","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1983"}},{"attributes":{"label":"1984","value":"1984","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1984"}},{"attributes":{"label":"1985","value":"1985","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1985"}},{"attributes":{"label":"1986","value":"1986","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1986"}},{"attributes":{"label":"1987","value":"1987","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"1988","value":"1988","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"1989","value":"1989","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1989"}},{"attributes":{"label":"1993","value":"1993","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1993"}},{"attributes":{"label":"1994","value":"1994","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bdate_range%5D%5B%5D=1994"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Blevel%5D%5B%5D=Collection"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bnames%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections"}},{"attributes":{"label":"Hagen, Daron","value":"Hagen, Daron","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bnames%5D%5B%5D=Hagen%2C+Daron"}},{"attributes":{"label":"Roselle, Anne","value":"Roselle, Anne","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Bnames%5D%5B%5D=Roselle%2C+Anne"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Brepository%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Opera--20th century","value":"Opera--20th century","hits":2},"links":{"remove":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century"}},{"attributes":{"label":"Programs (Publications)","value":"Programs (Publications)","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Programs+%28Publications%29"}},{"attributes":{"label":"Architects in art","value":"Architects in art","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Architects+in+art"}},{"attributes":{"label":"Borthwick, Martha, 1869-1914--Drama","value":"Borthwick, Martha, 1869-1914--Drama","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Borthwick%2C+Martha%2C+1869-1914--Drama"}},{"attributes":{"label":"Chicago Civic Opera Company","value":"Chicago Civic Opera Company","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Chicago+Civic+Opera+Company"}},{"attributes":{"label":"Correspondence.","value":"Correspondence.","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Correspondence."}},{"attributes":{"label":"Hagen, Daron--Archives","value":"Hagen, Daron--Archives","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Hagen%2C+Daron--Archives"}},{"attributes":{"label":"La Scala","value":"La Scala","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Baccess_subjects%5D%5B%5D=La+Scala"}},{"attributes":{"label":"Metropolitan Opera (New York, N.Y.)","value":"Metropolitan Opera (New York, N.Y.)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Metropolitan+Opera+%28New+York%2C+N.Y.%29"}},{"attributes":{"label":"Music--20th century--History and criticism","value":"Music--20th century--History and criticism","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Music--20th+century--History+and+criticism"}},{"attributes":{"label":"Newspaper clippings","value":"Newspaper clippings","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Newspaper+clippings"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera--20th+century\u0026sort=title_sort+desc"}}]}