{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Musicians--Correspondence.\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Musicians--Correspondence.\u0026page=2\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Musicians--Correspondence.\u0026page=7\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":7,"limit_value":10,"offset_value":0,"total_count":65,"first_page?":true,"last_page?":false}},"data":[{"id":"4ad50bfd693bba5a202c3c11","type":"collection","attributes":{"title":"Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11#abstract_or_scope","type":"document_value","attributes":{"value":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4ad50bfd693bba5a202c3c11","title_ssm":["Ella Scoble Opperman Papers"],"title_tesim":["Ella Scoble Opperman Papers"],"ead_ssi":"4ad50bfd693bba5a202c3c11","unitdate_ssm":["1719-1963","1900-1963"],"unitdate_bulk_ssim":["1900-1963"],"unitdate_inclusive_ssm":["1719-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1969-196","/repositories/10/resources/738"],"text":["MSS 1969-196","/repositories/10/resources/738","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.","FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion","English"],"unitid_tesim":["MSS 1969-196","/repositories/10/resources/738"],"normalized_date_ssm":["1719-1963, bulk 1900-1963"],"normalized_title_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_title_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Owen F. Sellers","Gift of Owen F. Sellers, Administrator of Estate of Ella Scoble Opperman, May 1969. Additional materials received in 1990, donor unknown."],"access_subjects_ssim":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"access_subjects_ssm":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["4.48 Linear Feet"],"extent_tesim":["4.48 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"date_range_isim":[1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eElla Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ad50bfd693bba5a202c3c11","title_ssm":["Ella Scoble Opperman Papers"],"title_tesim":["Ella Scoble Opperman Papers"],"ead_ssi":"4ad50bfd693bba5a202c3c11","unitdate_ssm":["1719-1963","1900-1963"],"unitdate_bulk_ssim":["1900-1963"],"unitdate_inclusive_ssm":["1719-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1969-196","/repositories/10/resources/738"],"text":["MSS 1969-196","/repositories/10/resources/738","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.","FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion","English"],"unitid_tesim":["MSS 1969-196","/repositories/10/resources/738"],"normalized_date_ssm":["1719-1963, bulk 1900-1963"],"normalized_title_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_title_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Owen F. Sellers","Gift of Owen F. Sellers, Administrator of Estate of Ella Scoble Opperman, May 1969. Additional materials received in 1990, donor unknown."],"access_subjects_ssim":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"access_subjects_ssm":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["4.48 Linear Feet"],"extent_tesim":["4.48 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"date_range_isim":[1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eElla Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11"}},{"id":"69122a33e7ea7b880eca318b","type":"collection","attributes":{"title":"Ernst von Dohnányi Music Collection, 1897-1960","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/69122a33e7ea7b880eca318b#creator","type":"document_value","attributes":{"value":["Dohnanyi, Ernst Von"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/69122a33e7ea7b880eca318b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection consists of recordings, manuscripts, correspondence, concert programs, and photographs created and acquired by the Hungarian composer Ernst von Dohnányi.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/69122a33e7ea7b880eca318b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"69122a33e7ea7b880eca318b","title_ssm":["Ernst von Dohnányi Music Collection"],"title_tesim":["Ernst von Dohnányi Music Collection"],"ead_ssi":"69122a33e7ea7b880eca318b","unitdate_ssm":["1897-1960"],"unitdate_inclusive_ssm":["1897-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-003","/repositories/12/resources/1700"],"text":["FSUML-2020-003","/repositories/12/resources/1700","Ernst von Dohnányi Music Collection, 1897-1960","Florida State University--Faculty","Musicians--Correspondence.","Composer","Scores","Collection is currently in process. Portions of this collection are open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Ernst von Dohnányi (in Hungarian, Dohnányi Ernő) taught piano and composition at FSU from 1949 until his death in 1960. Born in 1877 in what is now Bratislava, Hungary, Dohnányi found early musical success with both his compositions and his exceptional work as a pianist. His first serious composition, his Piano Quintet in C, op. 1 was highly praised by Brahms. By the time he came to FSU in 1949, he had an international reputation without peer. He was described by the Miami Herald (7/27/1958) as the \"last surviving representative of the romantic age of Brahms, Schumann and Wagner.\"","Ernst von Dohnanyi Collection, HP 2007-055.  https://archives.lib.fsu.edu/repositories/10/resources/1164 . Grymes, James A. \"Ernst von Dohnanyi: a bio-bibliography\", 2001.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS027479934 .","This collection consists of recordings, manuscripts, correspondence, concert programs, and photographs created and acquired by the Hungarian composer Ernst von Dohnányi.","Much of the Dohnányi collection that formerly resided at FSU, as cataloged in Jay Grymes's Ernst von Dohnányi: a Bio-Bibliography (ML134 .D55 G79 2001), was owned by Dohnányi's heir and was held by FSU on indefinite loan. In October 2015 the Hungarian National Museum acquired this portion of the collection.","Allen Music Library Special Collections","Dohnanyi, Ernst Von","English"],"unitid_tesim":["FSUML-2020-003","/repositories/12/resources/1700"],"normalized_date_ssm":["1897-1960"],"normalized_title_ssm":["Ernst von Dohnányi Music Collection, 1897-1960"],"collection_title_tesim":["Ernst von Dohnányi Music Collection, 1897-1960"],"collection_ssim":["Ernst von Dohnányi Music Collection, 1897-1960"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Dohnanyi, Ernst Von"],"creator_ssim":["Dohnanyi, Ernst Von"],"creator_persname_ssim":["Dohnanyi, Ernst Von"],"creators_ssim":["Dohnanyi, Ernst Von"],"acqinfo_ssim":["Edward Kilenyi"],"access_subjects_ssim":["Florida State University--Faculty","Musicians--Correspondence.","Composer","Scores"],"access_subjects_ssm":["Florida State University--Faculty","Musicians--Correspondence.","Composer","Scores"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet","2 scrapbook","2 binders","2 binders","3 binders","1 binders"],"extent_tesim":["1 Linear Feet","2 scrapbook","2 binders","2 binders","3 binders","1 binders"],"physfacet_tesim":["manuscript or facsimile scores and sketches","Concert programs (1900-1960)","Correspondence (1948-1960)","Documents (1897-1960)","Photographs"],"genreform_ssim":["Scores"],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eCollection is currently in process. Portions of this collection are open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is currently in process. Portions of this collection are open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eErnst von Dohn\u0026#xE1;nyi (in Hungarian, Dohn\u0026#xE1;nyi Ern\u0026#x151;) taught piano and composition at FSU from 1949 until his death in 1960. Born in 1877 in what is now Bratislava, Hungary, Dohn\u0026#xE1;nyi found early musical success with both his compositions and his exceptional work as a pianist. His first serious composition, his Piano Quintet in C, op. 1 was highly praised by Brahms. By the time he came to FSU in 1949, he had an international reputation without peer. He was described by the Miami Herald (7/27/1958) as the \"last surviving representative of the romantic age of Brahms, Schumann and Wagner.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ernst von Dohnányi (in Hungarian, Dohnányi Ernő) taught piano and composition at FSU from 1949 until his death in 1960. Born in 1877 in what is now Bratislava, Hungary, Dohnányi found early musical success with both his compositions and his exceptional work as a pianist. His first serious composition, his Piano Quintet in C, op. 1 was highly praised by Brahms. By the time he came to FSU in 1949, he had an international reputation without peer. He was described by the Miami Herald (7/27/1958) as the \"last surviving representative of the romantic age of Brahms, Schumann and Wagner.\""],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Ernst von Dohn\u0026#xE1;nyi Music Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-003.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Ernst von Dohnányi Music Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-003."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cli\u003eErnst von Dohnanyi Collection, HP 2007-055. \u003cextref href=\"https://archives.lib.fsu.edu/repositories/10/resources/1164\"\u003ehttps://archives.lib.fsu.edu/repositories/10/resources/1164\u003c/extref\u003e.\u003c/li\u003e\n\u003cli\u003eGrymes, James A. \"Ernst von Dohnanyi: a bio-bibliography\", 2001. \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS027479934\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS027479934\u003c/extref\u003e.\u003c/li\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Ernst von Dohnanyi Collection, HP 2007-055.  https://archives.lib.fsu.edu/repositories/10/resources/1164 . 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Portions of this collection are open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Ernst von Dohnányi (in Hungarian, Dohnányi Ernő) taught piano and composition at FSU from 1949 until his death in 1960. Born in 1877 in what is now Bratislava, Hungary, Dohnányi found early musical success with both his compositions and his exceptional work as a pianist. His first serious composition, his Piano Quintet in C, op. 1 was highly praised by Brahms. By the time he came to FSU in 1949, he had an international reputation without peer. He was described by the Miami Herald (7/27/1958) as the \"last surviving representative of the romantic age of Brahms, Schumann and Wagner.\"","Ernst von Dohnanyi Collection, HP 2007-055.  https://archives.lib.fsu.edu/repositories/10/resources/1164 . 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Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","There are 61 titles in this collection. 60 folders include parts and copyright statements for sheet music. 1 folder contains an inventory created by the family and an undated photograph.","Biography from grandson Steve Levine: ","Seymour, the second of three siblings, was born on May 9, 1920 to immigrant parents (Russia) in Brooklyn, New York. Father Jacob Levine, mother Fanny, and sister Lillian. During the early days of the Great Depression, he, and his older sister, were placed into a children's home because his parents were no longer able to feed them. After the depression ended, he and his sister moved back into the family's apartment and at ten-years-old Seymour began delivering silk ties his father made to business customers which heled support the family. Soon afterwards, his father bought him a cornet which began his life-long musical career. 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","In 1940, Seymour joined, as a founding member, the New York Post Office Symphony Orchestra playing the cornet. However, his life changed in March, 1941, when he was offered a job with the Federal government in Washington, D.C. ","During the last twenty years of his thirty-three-year career with the Interstate Commerce Commission, a now defunct agency, Seymour composed official correspondence for the agency. Composing was his passion in life –– letters, music, lyrics and, later, musical plays. ","Also, in 1941, Seymour and his fiancé, Shirley Rothbard, secretly married so she can (sic) join him in Washington, D.C. They were officially married three months later with a large, planned wedding in New York City. They had two children and remained happily married until her untimely death from cancer in 1961 when she was thirty-nine years old. ","Seymour wrote his first song titled \"Tappin' Away\" including both the music and lyrics in 1939 and completed his sixty-third song in 1989. 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They had two children and remained happily married until her untimely death from cancer in 1961 when she was thirty-nine years old. \u003c/p\u003e\n","\u003cp\u003eSeymour wrote his first song titled \"Tappin' Away\" including both the music and lyrics in 1939 and completed his sixty-third song in 1989. While living in Greenbelt, Maryland, from 1941 until mid-1982 (except when he was in the U.S. Army in World War II including fighting in the Battle of the Bulge), he was always busy with music and received many awards with his talent. Seymour joined the Greenbelt Concert Band and was an active member for many years. The two musical plays entitled \"Undershaft\" copyrighted in 1983 and \"David\" copyrighted in 1985, were written while he was living in Pikesville, Maryland. They were the highlights of his life-long hobby and, together, contained twenty-one songs and three poems. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Biography from grandson Steve Levine: ","Seymour, the second of three siblings, was born on May 9, 1920 to immigrant parents (Russia) in Brooklyn, New York. Father Jacob Levine, mother Fanny, and sister Lillian. During the early days of the Great Depression, he, and his older sister, were placed into a children's home because his parents were no longer able to feed them. After the depression ended, he and his sister moved back into the family's apartment and at ten-years-old Seymour began delivering silk ties his father made to business customers which heled support the family. Soon afterwards, his father bought him a cornet which began his life-long musical career. He graduated high school at age sixteen after skipping two grades. ","In 1940, Seymour joined, as a founding member, the New York Post Office Symphony Orchestra playing the cornet. However, his life changed in March, 1941, when he was offered a job with the Federal government in Washington, D.C. ","During the last twenty years of his thirty-three-year career with the Interstate Commerce Commission, a now defunct agency, Seymour composed official correspondence for the agency. Composing was his passion in life –– letters, music, lyrics and, later, musical plays. ","Also, in 1941, Seymour and his fiancé, Shirley Rothbard, secretly married so she can (sic) join him in Washington, D.C. They were officially married three months later with a large, planned wedding in New York City. They had two children and remained happily married until her untimely death from cancer in 1961 when she was thirty-nine years old. ","Seymour wrote his first song titled \"Tappin' Away\" including both the music and lyrics in 1939 and completed his sixty-third song in 1989. While living in Greenbelt, Maryland, from 1941 until mid-1982 (except when he was in the U.S. Army in World War II including fighting in the Battle of the Bulge), he was always busy with music and received many awards with his talent. Seymour joined the Greenbelt Concert Band and was an active member for many years. The two musical plays entitled \"Undershaft\" copyrighted in 1983 and \"David\" copyrighted in 1985, were written while he was living in Pikesville, Maryland. They were the highlights of his life-long hobby and, together, contained twenty-one songs and three poems. "],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Seymour Levine Collection, Warren D. Allen Music Library, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Seymour Levine Collection, Warren D. Allen Music Library, Tallahassee, Florida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_545f355e03ab5e6537d002ec35efb578\"\u003eThis collection contains hand-notated music, playscripts, and lyrics written and composed by Seymour Levine, (1938-2005). Levine was a self-published composer who mainly composed music for the now-defunct Interstate Commerce Commission.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains hand-notated music, playscripts, and lyrics written and composed by Seymour Levine, (1938-2005). Levine was a self-published composer who mainly composed music for the now-defunct Interstate Commerce Commission."],"names_ssim":["Allen Music Library Special Collections","Levine, Seymour"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Levine, Seymour"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":61,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852901713215488,"_root_":"24974bc6124b2b462e8d1c57","timestamp":"2026-07-16T06:46:02.137Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/24974bc6124b2b462e8d1c57_aspace_2fb8cba3e29d0730aabfa9aa97964f71"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Seymour Levine Collection, 1939-1989","value":"Seymour Levine Collection, 1939-1989","hits":62},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Musicians--Correspondence.\u0026f%5Bcollection%5D%5B%5D=Seymour+Levine+Collection%2C+1939-1989\u0026view=list"}},{"attributes":{"label":"Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","value":"Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Musicians--Correspondence.\u0026f%5Bcollection%5D%5B%5D=Ella+Scoble+Opperman+Papers%2C+1719-1963%2C+bulk+1900-1963\u0026view=list"}},{"attributes":{"label":"Ernst von Dohnányi Music Collection, 1897-1960","value":"Ernst von Dohnányi Music Collection, 1897-1960","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Musicians--Correspondence.\u0026f%5Bcollection%5D%5B%5D=Ernst+von+Dohn%C3%A1nyi+Music+Collection%2C+1897-1960\u0026view=list"}},{"attributes":{"label":"William F. 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