{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Contracts.\u0026f%5Bdate_range%5D%5B%5D=1981","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Contracts.\u0026f%5Bdate_range%5D%5B%5D=1981\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"02e6768c8de9bbedcf989f55","type":"collection","attributes":{"title":"Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#abstract_or_scope","type":"document_value","attributes":{"value":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55"}},{"id":"bcb9496b71e0852d592aa9ec","type":"collection","attributes":{"title":"Fallschase Development Reference Files, 1974-2007, bulk 2004-2007","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bcb9496b71e0852d592aa9ec#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Fallschase Development Reference Files includes newspaper articles which documented the Fallschase development process; agreements and other legal materials; minutes from public meetings held in 2005 and 2006; Fallschase development proposals, maps/surveys of the land of the proposed Fallschase community; memorandums to and from the Board of County Commissions; correspondence to and from Robert Rackleff and other Leon County commissioners.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bcb9496b71e0852d592aa9ec#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"bcb9496b71e0852d592aa9ec","title_ssm":["Fallschase Development Reference Files"],"title_tesim":["Fallschase Development Reference Files"],"ead_ssi":"bcb9496b71e0852d592aa9ec","unitdate_ssm":["1974-2007","2004-2007"],"unitdate_bulk_ssim":["2004-2007"],"unitdate_inclusive_ssm":["1974-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2009-006","/repositories/10/resources/1386"],"text":["MSS 2009-006","/repositories/10/resources/1386","Fallschase Development Reference Files, 1974-2007, bulk 2004-2007","Land use--Florida--Leon County","Land use--Florida--Leon County--Planning","Land use--Florida--Tallahassee--Planning","Leon County (Fla.). Board of County Commissioners","Leon County (Fla.)--Politics and government","Tallahassee (Fla.) Dwellings","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Legal documents.","Maps","Minutes","Photographs","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Located in northeastern Tallahassee, Fallschase is a mixed-use development of AIG Baker, an Alabama-based residential and commercial development company. The Fallschase community consists of retail, office, and residential dwellings with approximately 1,500 single family homes. Planning for Fallschase began in the early 1970's when development zoning was approved and an initial proposed construction start date (1979) was proposed. However, due to lawsuits, environmental concerns, financial issues, and development ownership changes, construction didn't begin until 2007.","Portions of collection available online?: No","Processed by Mark Gangl in May 2009","Interview transcripts are archived in the Reichelt Oral History Program collections at Florida State University.","The Fallschase Development Reference Files includes newspaper articles which documented the Fallschase development process; agreements and other legal materials; minutes from public meetings held in 2005 and 2006; Fallschase development proposals, maps/surveys of the land of the proposed Fallschase community; memorandums to and from the Board of County Commissions; correspondence to and from Robert Rackleff and other Leon County commissioners.","Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Fallschase Land Company","AIG Baker","Tallahassee-Leon County Planning Dept.","Rackleff, Robert B.","Alam, Parwez","Apgar, Robert","Bailey, Lamar E.","Bateman, Fredrick","Carlson, Ron","Thiele, Herbert W.A.","Thaell, Cliff","English"],"unitid_tesim":["MSS 2009-006","/repositories/10/resources/1386"],"normalized_date_ssm":["1974-2007, bulk 2004-2007"],"normalized_title_ssm":["Fallschase Development Reference Files, 1974-2007, bulk 2004-2007"],"collection_title_tesim":["Fallschase Development Reference Files, 1974-2007, bulk 2004-2007"],"collection_ssim":["Fallschase Development Reference Files, 1974-2007, bulk 2004-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Materials donated by Nicholas Gallardo, who used them as background material for interviewing Rackleff."],"access_subjects_ssim":["Land use--Florida--Leon County","Land use--Florida--Leon County--Planning","Land use--Florida--Tallahassee--Planning","Leon County (Fla.). Board of County Commissioners","Leon County (Fla.)--Politics and government","Tallahassee (Fla.) Dwellings","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Legal documents.","Maps","Minutes","Photographs"],"access_subjects_ssm":["Land use--Florida--Leon County","Land use--Florida--Leon County--Planning","Land use--Florida--Tallahassee--Planning","Leon County (Fla.). Board of County Commissioners","Leon County (Fla.)--Politics and government","Tallahassee (Fla.) Dwellings","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Legal documents.","Maps","Minutes","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.20 Linear Feet"],"extent_tesim":["1.20 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Legal documents.","Maps","Minutes","Photographs"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eLocated in northeastern Tallahassee, Fallschase is a mixed-use development of AIG Baker, an Alabama-based residential and commercial development company. The Fallschase community consists of retail, office, and residential dwellings with approximately 1,500 single family homes. Planning for Fallschase began in the early 1970's when development zoning was approved and an initial proposed construction start date (1979) was proposed. However, due to lawsuits, environmental concerns, financial issues, and development ownership changes, construction didn't begin until 2007.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Located in northeastern Tallahassee, Fallschase is a mixed-use development of AIG Baker, an Alabama-based residential and commercial development company. The Fallschase community consists of retail, office, and residential dwellings with approximately 1,500 single family homes. Planning for Fallschase began in the early 1970's when development zoning was approved and an initial proposed construction start date (1979) was proposed. However, due to lawsuits, environmental concerns, financial issues, and development ownership changes, construction didn't begin until 2007."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eFallschase Development Reference Files, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2009-006\u003c/p\u003e"],"prefercite_tesim":["Fallschase Development Reference Files, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2009-006"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mark Gangl in May 2009\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mark Gangl in May 2009"],"relatedmaterial_html_tesm":["\u003cp\u003eInterview transcripts are archived in the Reichelt Oral History Program collections at Florida State University.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Interview transcripts are archived in the Reichelt Oral History Program collections at Florida State University."],"scopecontent_html_tesm":["\u003cp\u003eThe Fallschase Development Reference Files includes newspaper articles which documented the Fallschase development process; agreements and other legal materials; minutes from public meetings held in 2005 and 2006; Fallschase development proposals, maps/surveys of the land of the proposed Fallschase community; memorandums to and from the Board of County Commissions; correspondence to and from Robert Rackleff and other Leon County commissioners.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Fallschase Development Reference Files includes newspaper articles which documented the Fallschase development process; agreements and other legal materials; minutes from public meetings held in 2005 and 2006; Fallschase development proposals, maps/surveys of the land of the proposed Fallschase community; memorandums to and from the Board of County Commissions; correspondence to and from Robert Rackleff and other Leon County commissioners."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been transferred to the Florida State University Libraries.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Fallschase Land Company","AIG Baker","Tallahassee-Leon County Planning Dept.","Rackleff, Robert B.","Alam, Parwez","Apgar, Robert","Bailey, Lamar E.","Bateman, Fredrick","Carlson, Ron","Thiele, Herbert W.A.","Thaell, Cliff"],"names_ssim":["FSU Special Collections \u0026 Archives","Fallschase Land Company","AIG Baker","Tallahassee-Leon County Planning Dept.","Rackleff, Robert B.","Alam, Parwez","Apgar, Robert","Bailey, Lamar E.","Bateman, Fredrick","Carlson, Ron","Thiele, Herbert W.A.","Thaell, Cliff"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Fallschase Land Company","AIG Baker","Tallahassee-Leon County Planning Dept."],"persname_ssim":["Rackleff, Robert B.","Alam, Parwez","Apgar, Robert","Bailey, Lamar E.","Bateman, Fredrick","Carlson, Ron","Thiele, Herbert W.A.","Thaell, Cliff"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":25,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"bcb9496b71e0852d592aa9ec","timestamp":"2026-04-21T05:03:58.571Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bcb9496b71e0852d592aa9ec","title_ssm":["Fallschase Development Reference Files"],"title_tesim":["Fallschase Development Reference Files"],"ead_ssi":"bcb9496b71e0852d592aa9ec","unitdate_ssm":["1974-2007","2004-2007"],"unitdate_bulk_ssim":["2004-2007"],"unitdate_inclusive_ssm":["1974-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2009-006","/repositories/10/resources/1386"],"text":["MSS 2009-006","/repositories/10/resources/1386","Fallschase Development Reference Files, 1974-2007, bulk 2004-2007","Land use--Florida--Leon County","Land use--Florida--Leon County--Planning","Land use--Florida--Tallahassee--Planning","Leon County (Fla.). Board of County Commissioners","Leon County (Fla.)--Politics and government","Tallahassee (Fla.) Dwellings","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Legal documents.","Maps","Minutes","Photographs","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Located in northeastern Tallahassee, Fallschase is a mixed-use development of AIG Baker, an Alabama-based residential and commercial development company. The Fallschase community consists of retail, office, and residential dwellings with approximately 1,500 single family homes. Planning for Fallschase began in the early 1970's when development zoning was approved and an initial proposed construction start date (1979) was proposed. However, due to lawsuits, environmental concerns, financial issues, and development ownership changes, construction didn't begin until 2007.","Portions of collection available online?: No","Processed by Mark Gangl in May 2009","Interview transcripts are archived in the Reichelt Oral History Program collections at Florida State University.","The Fallschase Development Reference Files includes newspaper articles which documented the Fallschase development process; agreements and other legal materials; minutes from public meetings held in 2005 and 2006; Fallschase development proposals, maps/surveys of the land of the proposed Fallschase community; memorandums to and from the Board of County Commissions; correspondence to and from Robert Rackleff and other Leon County commissioners.","Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Fallschase Land Company","AIG Baker","Tallahassee-Leon County Planning Dept.","Rackleff, Robert B.","Alam, Parwez","Apgar, Robert","Bailey, Lamar E.","Bateman, Fredrick","Carlson, Ron","Thiele, Herbert W.A.","Thaell, Cliff","English"],"unitid_tesim":["MSS 2009-006","/repositories/10/resources/1386"],"normalized_date_ssm":["1974-2007, bulk 2004-2007"],"normalized_title_ssm":["Fallschase Development Reference Files, 1974-2007, bulk 2004-2007"],"collection_title_tesim":["Fallschase Development Reference Files, 1974-2007, bulk 2004-2007"],"collection_ssim":["Fallschase Development Reference Files, 1974-2007, bulk 2004-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Materials donated by Nicholas Gallardo, who used them as background material for interviewing Rackleff."],"access_subjects_ssim":["Land use--Florida--Leon County","Land use--Florida--Leon County--Planning","Land use--Florida--Tallahassee--Planning","Leon County (Fla.). Board of County Commissioners","Leon County (Fla.)--Politics and government","Tallahassee (Fla.) Dwellings","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Legal documents.","Maps","Minutes","Photographs"],"access_subjects_ssm":["Land use--Florida--Leon County","Land use--Florida--Leon County--Planning","Land use--Florida--Tallahassee--Planning","Leon County (Fla.). Board of County Commissioners","Leon County (Fla.)--Politics and government","Tallahassee (Fla.) Dwellings","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Legal documents.","Maps","Minutes","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.20 Linear Feet"],"extent_tesim":["1.20 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Legal documents.","Maps","Minutes","Photographs"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eLocated in northeastern Tallahassee, Fallschase is a mixed-use development of AIG Baker, an Alabama-based residential and commercial development company. The Fallschase community consists of retail, office, and residential dwellings with approximately 1,500 single family homes. Planning for Fallschase began in the early 1970's when development zoning was approved and an initial proposed construction start date (1979) was proposed. However, due to lawsuits, environmental concerns, financial issues, and development ownership changes, construction didn't begin until 2007.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Located in northeastern Tallahassee, Fallschase is a mixed-use development of AIG Baker, an Alabama-based residential and commercial development company. The Fallschase community consists of retail, office, and residential dwellings with approximately 1,500 single family homes. Planning for Fallschase began in the early 1970's when development zoning was approved and an initial proposed construction start date (1979) was proposed. However, due to lawsuits, environmental concerns, financial issues, and development ownership changes, construction didn't begin until 2007."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eFallschase Development Reference Files, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2009-006\u003c/p\u003e"],"prefercite_tesim":["Fallschase Development Reference Files, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2009-006"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mark Gangl in May 2009\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mark Gangl in May 2009"],"relatedmaterial_html_tesm":["\u003cp\u003eInterview transcripts are archived in the Reichelt Oral History Program collections at Florida State University.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Interview transcripts are archived in the Reichelt Oral History Program collections at Florida State University."],"scopecontent_html_tesm":["\u003cp\u003eThe Fallschase Development Reference Files includes newspaper articles which documented the Fallschase development process; agreements and other legal materials; minutes from public meetings held in 2005 and 2006; Fallschase development proposals, maps/surveys of the land of the proposed Fallschase community; memorandums to and from the Board of County Commissions; correspondence to and from Robert Rackleff and other Leon County commissioners.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Fallschase Development Reference Files includes newspaper articles which documented the Fallschase development process; agreements and other legal materials; minutes from public meetings held in 2005 and 2006; Fallschase development proposals, maps/surveys of the land of the proposed Fallschase community; memorandums to and from the Board of County Commissions; correspondence to and from Robert Rackleff and other Leon County commissioners."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been transferred to the Florida State University Libraries.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Fallschase Land Company","AIG Baker","Tallahassee-Leon County Planning Dept.","Rackleff, Robert B.","Alam, Parwez","Apgar, Robert","Bailey, Lamar E.","Bateman, Fredrick","Carlson, Ron","Thiele, Herbert W.A.","Thaell, Cliff"],"names_ssim":["FSU Special Collections \u0026 Archives","Fallschase Land Company","AIG Baker","Tallahassee-Leon County Planning Dept.","Rackleff, Robert B.","Alam, Parwez","Apgar, Robert","Bailey, Lamar E.","Bateman, Fredrick","Carlson, Ron","Thiele, Herbert W.A.","Thaell, Cliff"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Fallschase Land Company","AIG Baker","Tallahassee-Leon County Planning Dept."],"persname_ssim":["Rackleff, Robert B.","Alam, Parwez","Apgar, Robert","Bailey, Lamar E.","Bateman, Fredrick","Carlson, Ron","Thiele, Herbert W.A.","Thaell, Cliff"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":25,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"bcb9496b71e0852d592aa9ec","timestamp":"2026-04-21T05:03:58.571Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bcb9496b71e0852d592aa9ec"}},{"id":"ee5637b047e1736a3af70d43","type":"collection","attributes":{"title":"Florida State University Center for Participant Education Collection, 1970-2000, bulk 1984-1986","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ee5637b047e1736a3af70d43#abstract_or_scope","type":"document_value","attributes":{"value":["The Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. These materials document the history and operations of the organization, and the programs it has sponsored for the years 1970-2000."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ee5637b047e1736a3af70d43#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"ee5637b047e1736a3af70d43","title_ssm":["Florida State University Center for Participant Education Collection"],"title_tesim":["Florida State University Center for Participant Education Collection"],"ead_ssi":"ee5637b047e1736a3af70d43","unitdate_ssm":["1970-2000","1984-1986"],"unitdate_bulk_ssim":["1984-1986"],"unitdate_inclusive_ssm":["1970-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2001-013","/repositories/10/resources/22"],"text":["MSS 2001-013","/repositories/10/resources/22","Florida State University Center for Participant Education Collection, 1970-2000, bulk 1984-1986","Non-formal education--Catalogs","Non-formal education--Florida--Tallahassee","Advertising fliers","Pamphlets","Periodicals.","Clippings (Books, newspapers, etc.)","Correspondence","Contracts.","Financial Records","Legal documents.","Minutes","Newsletters","Photographs","Posters.","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Center for Participant Education (CPE) is a Florida State University (FSU) student government agency established in 1970 to provide an alternative to the traditional curriculum taught at FSU. Its founding philosophy was, and still is, that students should have a participatory role in their education. CPE was created as a result of the student activism of the time, and is now one of the largest \"free universities\" in the nation. It has provided progressive and alternative views on education, the arts, politics, and social concerns by offering a wide range of classes, workshops, films, and guest speakers, all free of charge and open to the public.","\nCPE's non-traditional approach to education is reflected in its catalog. Published every semester, the CPE catalog features a wide variety of free classes, which range from beer-making to dance, juggling, meditation and self-defense. CPE volunteer teachers have complete freedom over what they teach.","Subsidized by student appropriations, CPE has also brought a wide selection of speakers to the Florida State University campus every year since it began 1970. It has sponsored programs on issues such as abortion, AIDS, apartheid, Central America, Gay and Lesbian students, human rights, the Middle East, Native Americans, Nicaragua, South Africa, and women's issues. Past speakers have included Philip Agee, Maya Angelou, Julian Bond, Cesar Chavez, Angela Davis, Allen Ginsberg, Abbie Hoffman, Jesse Jackson, Kate Millett, Ralph Nader, Madalyn Murray O'Hare, Jerry Rubin, and Gloria Steinem.","In addressing important social issues that affect people locally, nationally, and internationally, CPE's history has also been marked by controversy, and has been investigated by the Florida Legislature, suspended by the Florida Board of Regents, and challenged by the Florida State University administration.","This collection was processed from September 2003-March 2004 by Burt Altman. Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed.","Arranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored.","For copyright information, please contact the Center for Participant Education.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. These materials document the history and operations of the organization, and the programs it has sponsored for the years 1970-2000.","FSU Special Collections \u0026 Archives","Florida State University. Center for Participant Education","English"],"unitid_tesim":["MSS 2001-013","/repositories/10/resources/22"],"normalized_date_ssm":["1970-2000, bulk 1984-1986"],"normalized_title_ssm":["Florida State University Center for Participant Education Collection, 1970-2000, bulk 1984-1986"],"collection_title_tesim":["Florida State University Center for Participant Education Collection, 1970-2000, bulk 1984-1986"],"collection_ssim":["Florida State University Center for Participant Education Collection, 1970-2000, bulk 1984-1986"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["For copyright information, please contact the Center for Participant Education.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Center for Participant Education Collection was given to the Special Collections Department, Florida State University Libraries, by J. Karma Bennett of the Center for Participant Education, in 2001."],"access_subjects_ssim":["Non-formal education--Catalogs","Non-formal education--Florida--Tallahassee","Advertising fliers","Pamphlets","Periodicals.","Clippings (Books, newspapers, etc.)","Correspondence","Contracts.","Financial Records","Legal documents.","Minutes","Newsletters","Photographs","Posters.","Programs"],"access_subjects_ssm":["Non-formal education--Catalogs","Non-formal education--Florida--Tallahassee","Advertising fliers","Pamphlets","Periodicals.","Clippings (Books, newspapers, etc.)","Correspondence","Contracts.","Financial Records","Legal documents.","Minutes","Newsletters","Photographs","Posters.","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["35.00 Linear Feet"],"extent_tesim":["35.00 Linear Feet"],"genreform_ssim":["Periodicals.","Clippings (Books, newspapers, etc.)","Correspondence","Contracts.","Financial Records","Legal documents.","Minutes","Newsletters","Photographs","Posters.","Programs"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Center for Participant Education (CPE) is a Florida State University (FSU) student government agency established in 1970 to provide an alternative to the traditional curriculum taught at FSU. Its founding philosophy was, and still is, that students should have a participatory role in their education. CPE was created as a result of the student activism of the time, and is now one of the largest \"free universities\" in the nation. It has provided progressive and alternative views on education, the arts, politics, and social concerns by offering a wide range of classes, workshops, films, and guest speakers, all free of charge and open to the public.\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003e\nCPE's non-traditional approach to education is reflected in its catalog. Published every semester, the CPE catalog features a wide variety of free classes, which range from beer-making to dance, juggling, meditation and self-defense. CPE volunteer teachers have complete freedom over what they teach.\u003cbr\u003e\n    \u003c/p\u003e\n","\u003cp\u003eSubsidized by student appropriations, CPE has also brought a wide selection of speakers to the Florida State University campus every year since it began 1970. It has sponsored programs on issues such as abortion, AIDS, apartheid, Central America, Gay and Lesbian students, human rights, the Middle East, Native Americans, Nicaragua, South Africa, and women's issues. Past speakers have included Philip Agee, Maya Angelou, Julian Bond, Cesar Chavez, Angela Davis, Allen Ginsberg, Abbie Hoffman, Jesse Jackson, Kate Millett, Ralph Nader, Madalyn Murray O'Hare, Jerry Rubin, and Gloria Steinem.\u003cbr\u003e\n    \u003c/p\u003e\n","\u003cp\u003eIn addressing important social issues that affect people locally, nationally, and internationally, CPE's history has also been marked by controversy, and has been investigated by the Florida Legislature, suspended by the Florida Board of Regents, and challenged by the Florida State University administration.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Center for Participant Education (CPE) is a Florida State University (FSU) student government agency established in 1970 to provide an alternative to the traditional curriculum taught at FSU. Its founding philosophy was, and still is, that students should have a participatory role in their education. CPE was created as a result of the student activism of the time, and is now one of the largest \"free universities\" in the nation. It has provided progressive and alternative views on education, the arts, politics, and social concerns by offering a wide range of classes, workshops, films, and guest speakers, all free of charge and open to the public.","\nCPE's non-traditional approach to education is reflected in its catalog. Published every semester, the CPE catalog features a wide variety of free classes, which range from beer-making to dance, juggling, meditation and self-defense. CPE volunteer teachers have complete freedom over what they teach.","Subsidized by student appropriations, CPE has also brought a wide selection of speakers to the Florida State University campus every year since it began 1970. It has sponsored programs on issues such as abortion, AIDS, apartheid, Central America, Gay and Lesbian students, human rights, the Middle East, Native Americans, Nicaragua, South Africa, and women's issues. Past speakers have included Philip Agee, Maya Angelou, Julian Bond, Cesar Chavez, Angela Davis, Allen Ginsberg, Abbie Hoffman, Jesse Jackson, Kate Millett, Ralph Nader, Madalyn Murray O'Hare, Jerry Rubin, and Gloria Steinem.","In addressing important social issues that affect people locally, nationally, and internationally, CPE's history has also been marked by controversy, and has been investigated by the Florida Legislature, suspended by the Florida Board of Regents, and challenged by the Florida State University administration."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida State University Center for Participant Education Collection, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2001-013\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida State University Center for Participant Education Collection, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2001-013"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from September 2003-March 2004 by Burt Altman. Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from September 2003-March 2004 by Burt Altman. Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed."],"scopecontent_html_tesm":["\u003cp\u003eArranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Arranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored."],"userestrict_html_tesm":["\u003cp\u003eFor copyright information, please contact the Center for Participant Education.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["For copyright information, please contact the Center for Participant Education.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_04f49ede341e4af60ce6013cffa54da7\" label=\"Abstract\"\u003eThe Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. These materials document the history and operations of the organization, and the programs it has sponsored for the years 1970-2000.\u003c/abstract\u003e"],"abstract_tesim":["The Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. These materials document the history and operations of the organization, and the programs it has sponsored for the years 1970-2000."],"names_coll_ssim":["Florida State University. Center for Participant Education"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Center for Participant Education"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Center for Participant Education"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":570,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858076469329920,"_root_":"ee5637b047e1736a3af70d43","timestamp":"2026-07-16T08:08:17.162Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ee5637b047e1736a3af70d43","title_ssm":["Florida State University Center for Participant Education Collection"],"title_tesim":["Florida State University Center for Participant Education Collection"],"ead_ssi":"ee5637b047e1736a3af70d43","unitdate_ssm":["1970-2000","1984-1986"],"unitdate_bulk_ssim":["1984-1986"],"unitdate_inclusive_ssm":["1970-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2001-013","/repositories/10/resources/22"],"text":["MSS 2001-013","/repositories/10/resources/22","Florida State University Center for Participant Education Collection, 1970-2000, bulk 1984-1986","Non-formal education--Catalogs","Non-formal education--Florida--Tallahassee","Advertising fliers","Pamphlets","Periodicals.","Clippings (Books, newspapers, etc.)","Correspondence","Contracts.","Financial Records","Legal documents.","Minutes","Newsletters","Photographs","Posters.","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Center for Participant Education (CPE) is a Florida State University (FSU) student government agency established in 1970 to provide an alternative to the traditional curriculum taught at FSU. Its founding philosophy was, and still is, that students should have a participatory role in their education. CPE was created as a result of the student activism of the time, and is now one of the largest \"free universities\" in the nation. It has provided progressive and alternative views on education, the arts, politics, and social concerns by offering a wide range of classes, workshops, films, and guest speakers, all free of charge and open to the public.","\nCPE's non-traditional approach to education is reflected in its catalog. Published every semester, the CPE catalog features a wide variety of free classes, which range from beer-making to dance, juggling, meditation and self-defense. CPE volunteer teachers have complete freedom over what they teach.","Subsidized by student appropriations, CPE has also brought a wide selection of speakers to the Florida State University campus every year since it began 1970. It has sponsored programs on issues such as abortion, AIDS, apartheid, Central America, Gay and Lesbian students, human rights, the Middle East, Native Americans, Nicaragua, South Africa, and women's issues. Past speakers have included Philip Agee, Maya Angelou, Julian Bond, Cesar Chavez, Angela Davis, Allen Ginsberg, Abbie Hoffman, Jesse Jackson, Kate Millett, Ralph Nader, Madalyn Murray O'Hare, Jerry Rubin, and Gloria Steinem.","In addressing important social issues that affect people locally, nationally, and internationally, CPE's history has also been marked by controversy, and has been investigated by the Florida Legislature, suspended by the Florida Board of Regents, and challenged by the Florida State University administration.","This collection was processed from September 2003-March 2004 by Burt Altman. Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed.","Arranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored.","For copyright information, please contact the Center for Participant Education.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. These materials document the history and operations of the organization, and the programs it has sponsored for the years 1970-2000.","FSU Special Collections \u0026 Archives","Florida State University. Center for Participant Education","English"],"unitid_tesim":["MSS 2001-013","/repositories/10/resources/22"],"normalized_date_ssm":["1970-2000, bulk 1984-1986"],"normalized_title_ssm":["Florida State University Center for Participant Education Collection, 1970-2000, bulk 1984-1986"],"collection_title_tesim":["Florida State University Center for Participant Education Collection, 1970-2000, bulk 1984-1986"],"collection_ssim":["Florida State University Center for Participant Education Collection, 1970-2000, bulk 1984-1986"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["For copyright information, please contact the Center for Participant Education.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Center for Participant Education Collection was given to the Special Collections Department, Florida State University Libraries, by J. Karma Bennett of the Center for Participant Education, in 2001."],"access_subjects_ssim":["Non-formal education--Catalogs","Non-formal education--Florida--Tallahassee","Advertising fliers","Pamphlets","Periodicals.","Clippings (Books, newspapers, etc.)","Correspondence","Contracts.","Financial Records","Legal documents.","Minutes","Newsletters","Photographs","Posters.","Programs"],"access_subjects_ssm":["Non-formal education--Catalogs","Non-formal education--Florida--Tallahassee","Advertising fliers","Pamphlets","Periodicals.","Clippings (Books, newspapers, etc.)","Correspondence","Contracts.","Financial Records","Legal documents.","Minutes","Newsletters","Photographs","Posters.","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["35.00 Linear Feet"],"extent_tesim":["35.00 Linear Feet"],"genreform_ssim":["Periodicals.","Clippings (Books, newspapers, etc.)","Correspondence","Contracts.","Financial Records","Legal documents.","Minutes","Newsletters","Photographs","Posters.","Programs"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Center for Participant Education (CPE) is a Florida State University (FSU) student government agency established in 1970 to provide an alternative to the traditional curriculum taught at FSU. Its founding philosophy was, and still is, that students should have a participatory role in their education. CPE was created as a result of the student activism of the time, and is now one of the largest \"free universities\" in the nation. It has provided progressive and alternative views on education, the arts, politics, and social concerns by offering a wide range of classes, workshops, films, and guest speakers, all free of charge and open to the public.\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003e\nCPE's non-traditional approach to education is reflected in its catalog. Published every semester, the CPE catalog features a wide variety of free classes, which range from beer-making to dance, juggling, meditation and self-defense. CPE volunteer teachers have complete freedom over what they teach.\u003cbr\u003e\n    \u003c/p\u003e\n","\u003cp\u003eSubsidized by student appropriations, CPE has also brought a wide selection of speakers to the Florida State University campus every year since it began 1970. It has sponsored programs on issues such as abortion, AIDS, apartheid, Central America, Gay and Lesbian students, human rights, the Middle East, Native Americans, Nicaragua, South Africa, and women's issues. Past speakers have included Philip Agee, Maya Angelou, Julian Bond, Cesar Chavez, Angela Davis, Allen Ginsberg, Abbie Hoffman, Jesse Jackson, Kate Millett, Ralph Nader, Madalyn Murray O'Hare, Jerry Rubin, and Gloria Steinem.\u003cbr\u003e\n    \u003c/p\u003e\n","\u003cp\u003eIn addressing important social issues that affect people locally, nationally, and internationally, CPE's history has also been marked by controversy, and has been investigated by the Florida Legislature, suspended by the Florida Board of Regents, and challenged by the Florida State University administration.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Center for Participant Education (CPE) is a Florida State University (FSU) student government agency established in 1970 to provide an alternative to the traditional curriculum taught at FSU. Its founding philosophy was, and still is, that students should have a participatory role in their education. CPE was created as a result of the student activism of the time, and is now one of the largest \"free universities\" in the nation. It has provided progressive and alternative views on education, the arts, politics, and social concerns by offering a wide range of classes, workshops, films, and guest speakers, all free of charge and open to the public.","\nCPE's non-traditional approach to education is reflected in its catalog. Published every semester, the CPE catalog features a wide variety of free classes, which range from beer-making to dance, juggling, meditation and self-defense. CPE volunteer teachers have complete freedom over what they teach.","Subsidized by student appropriations, CPE has also brought a wide selection of speakers to the Florida State University campus every year since it began 1970. It has sponsored programs on issues such as abortion, AIDS, apartheid, Central America, Gay and Lesbian students, human rights, the Middle East, Native Americans, Nicaragua, South Africa, and women's issues. Past speakers have included Philip Agee, Maya Angelou, Julian Bond, Cesar Chavez, Angela Davis, Allen Ginsberg, Abbie Hoffman, Jesse Jackson, Kate Millett, Ralph Nader, Madalyn Murray O'Hare, Jerry Rubin, and Gloria Steinem.","In addressing important social issues that affect people locally, nationally, and internationally, CPE's history has also been marked by controversy, and has been investigated by the Florida Legislature, suspended by the Florida Board of Regents, and challenged by the Florida State University administration."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida State University Center for Participant Education Collection, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2001-013\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida State University Center for Participant Education Collection, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2001-013"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from September 2003-March 2004 by Burt Altman. Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from September 2003-March 2004 by Burt Altman. Materials containing confidential information (such as Social Security Numbers) and having little research value have been removed."],"scopecontent_html_tesm":["\u003cp\u003eArranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Arranged in 11 series, The Center for Participant Education (CPE) Collection consists of activities files documenting the activities and programs of this student organization, administrative records related to its operations, alternative viewpoint publications used by CPE instructors in designing class content, broadsides announcing its programs, class catalogs, financial records, guest files pertaining to its speakers or performers, legal files related to controversial issues in which it was involved, out-of-state free university and catalogs used by staff in creating its class schedules, and photographs of guest speakers, performers, and CPE staff. Photographs are also found within the activities and guest files series, along with the documents which they originally accompanied. These materials document the history and operations of the organization, and the programs it has sponsored."],"userestrict_html_tesm":["\u003cp\u003eFor copyright information, please contact the Center for Participant Education.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["For copyright information, please contact the Center for Participant Education.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_04f49ede341e4af60ce6013cffa54da7\" label=\"Abstract\"\u003eThe Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. These materials document the history and operations of the organization, and the programs it has sponsored for the years 1970-2000.\u003c/abstract\u003e"],"abstract_tesim":["The Center for Participant Education Collection contains the activities files, administrative records, alternative viewpoint publications, broadsides, class catalogs, financial records, guest files, legal files, out-of-state free university catalogs, and photographs of one of the oldest student agencies at Florida State University. These materials document the history and operations of the organization, and the programs it has sponsored for the years 1970-2000."],"names_coll_ssim":["Florida State University. Center for Participant Education"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Center for Participant Education"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Center for Participant Education"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":570,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858076469329920,"_root_":"ee5637b047e1736a3af70d43","timestamp":"2026-07-16T08:08:17.162Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ee5637b047e1736a3af70d43"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","value":"Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Contracts.\u0026f%5Bcollection%5D%5B%5D=Cinema+Corporation+of+America+Collection%2C+1925-1981%2C+bulk+1925-1932\u0026f%5Bdate_range%5D%5B%5D=1981"}},{"attributes":{"label":"Fallschase 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