{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Circus.\u0026f%5Bdate_range%5D%5B%5D=1954","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Circus.\u0026f%5Bdate_range%5D%5B%5D=1954\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"705dd992dd59874180892d7c","type":"collection","attributes":{"title":"Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c#abstract_or_scope","type":"document_value","attributes":{"value":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"705dd992dd59874180892d7c","title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"ead_ssi":"705dd992dd59874180892d7c","unitdate_ssm":["1910-1928","1902-1997"],"unitdate_bulk_ssim":["1910-1928"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A2021.0027","/repositories/11/resources/1897"],"text":["A2021.0027","/repositories/11/resources/1897","Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts","This collection is open to all researchers.","Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.","The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes","This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.","The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.","The John and Mable Ringling Museum of Art Archives","English German French Spanish; Castilian"],"unitid_tesim":["A2021.0027","/repositories/11/resources/1897"],"normalized_date_ssm":["1902-1997, bulk 1910-1928"],"normalized_title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_ssim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"access_subjects_ssim":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"access_subjects_ssm":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet","219 items"],"extent_tesim":["4.5 Linear Feet","219 items"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bibliography_html_tesm":["\u003cp\u003eAnton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act\u0026#x2014;a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026amp; University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71c45b19e66cb68de0dead99ce87aa42\"\u003eThe Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.\u003c/abstract\u003e"],"abstract_tesim":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English German French Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"705dd992dd59874180892d7c","timestamp":"2026-07-08T02:41:40.657Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"705dd992dd59874180892d7c","title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"ead_ssi":"705dd992dd59874180892d7c","unitdate_ssm":["1910-1928","1902-1997"],"unitdate_bulk_ssim":["1910-1928"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A2021.0027","/repositories/11/resources/1897"],"text":["A2021.0027","/repositories/11/resources/1897","Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts","This collection is open to all researchers.","Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.","The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes","This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.","The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.","The John and Mable Ringling Museum of Art Archives","English German French Spanish; Castilian"],"unitid_tesim":["A2021.0027","/repositories/11/resources/1897"],"normalized_date_ssm":["1902-1997, bulk 1910-1928"],"normalized_title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_ssim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"access_subjects_ssim":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"access_subjects_ssm":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet","219 items"],"extent_tesim":["4.5 Linear Feet","219 items"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bibliography_html_tesm":["\u003cp\u003eAnton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act\u0026#x2014;a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026amp; University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71c45b19e66cb68de0dead99ce87aa42\"\u003eThe Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.\u003c/abstract\u003e"],"abstract_tesim":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English German French Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"705dd992dd59874180892d7c","timestamp":"2026-07-08T02:41:40.657Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c"}},{"id":"c46af88de2c1cdd0270494fa","type":"collection","attributes":{"title":"Burton Van Deusen Circus Collection, 1954-1984, Date acquired: 03/21/2011","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c46af88de2c1cdd0270494fa#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eImmigration and naturalization documents for circus performers, postcards, circus posters and broadsides, clothing, stilts, and related materials documenting circus performances.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c46af88de2c1cdd0270494fa#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"c46af88de2c1cdd0270494fa","title_ssm":["Burton Van Deusen Circus Collection"],"title_tesim":["Burton Van Deusen Circus Collection"],"ead_ssi":"c46af88de2c1cdd0270494fa","unitdate_ssm":["1954-1984","Date acquired: 03/21/2011"],"unitdate_inclusive_ssm":["1954-1984"],"unitdate_other_ssim":["Date acquired: 03/21/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2011-0321","/repositories/10/resources/656"],"text":["MSS 2011-0321","/repositories/10/resources/656","Burton Van Deusen Circus Collection, 1954-1984, Date acquired: 03/21/2011","Broadsides.","Circus.","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Sayre Circus Collection, FSU Flying High Circus materials","Immigration and naturalization documents for circus performers, postcards, circus posters and broadsides, clothing, stilts, and related materials documenting circus performances.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2011-0321","/repositories/10/resources/656"],"normalized_date_ssm":["1954-1984, Date acquired: 03/21/2011"],"normalized_title_ssm":["Burton Van Deusen Circus Collection, 1954-1984, Date acquired: 03/21/2011"],"collection_title_tesim":["Burton Van Deusen Circus Collection, 1954-1984, Date acquired: 03/21/2011"],"collection_ssim":["Burton Van Deusen Circus Collection, 1954-1984, Date acquired: 03/21/2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Marilyn H. Erps","Gift"],"access_subjects_ssim":["Broadsides.","Circus.","Postcards.","Posters."],"access_subjects_ssm":["Broadsides.","Circus.","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["2.30 Linear Feet"],"extent_tesim":["2.30 Linear Feet"],"genreform_ssim":["Postcards.","Posters."],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eBurton Van Deusen Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2011-0321\u003c/p\u003e"],"prefercite_tesim":["Burton Van Deusen Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2011-0321"],"relatedmaterial_html_tesm":["\u003cp\u003eSayre Circus Collection, FSU Flying High Circus materials\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Sayre Circus Collection, FSU Flying High Circus materials"],"scopecontent_html_tesm":["\u003cp\u003eImmigration and naturalization documents for circus performers, postcards, circus posters and broadsides, clothing, stilts, and related materials documenting circus performances.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Immigration and naturalization documents for circus performers, postcards, circus posters and broadsides, clothing, stilts, and related materials documenting circus performances."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"c46af88de2c1cdd0270494fa","timestamp":"2026-07-08T11:54:29.725Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c46af88de2c1cdd0270494fa","title_ssm":["Burton Van Deusen Circus Collection"],"title_tesim":["Burton Van Deusen Circus Collection"],"ead_ssi":"c46af88de2c1cdd0270494fa","unitdate_ssm":["1954-1984","Date acquired: 03/21/2011"],"unitdate_inclusive_ssm":["1954-1984"],"unitdate_other_ssim":["Date acquired: 03/21/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2011-0321","/repositories/10/resources/656"],"text":["MSS 2011-0321","/repositories/10/resources/656","Burton Van Deusen Circus Collection, 1954-1984, Date acquired: 03/21/2011","Broadsides.","Circus.","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Sayre Circus Collection, FSU Flying High Circus materials","Immigration and naturalization documents for circus performers, postcards, circus posters and broadsides, clothing, stilts, and related materials documenting circus performances.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2011-0321","/repositories/10/resources/656"],"normalized_date_ssm":["1954-1984, Date acquired: 03/21/2011"],"normalized_title_ssm":["Burton Van Deusen Circus Collection, 1954-1984, Date acquired: 03/21/2011"],"collection_title_tesim":["Burton Van Deusen Circus Collection, 1954-1984, Date acquired: 03/21/2011"],"collection_ssim":["Burton Van Deusen Circus Collection, 1954-1984, Date acquired: 03/21/2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Marilyn H. Erps","Gift"],"access_subjects_ssim":["Broadsides.","Circus.","Postcards.","Posters."],"access_subjects_ssm":["Broadsides.","Circus.","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["2.30 Linear Feet"],"extent_tesim":["2.30 Linear Feet"],"genreform_ssim":["Postcards.","Posters."],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eBurton Van Deusen Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2011-0321\u003c/p\u003e"],"prefercite_tesim":["Burton Van Deusen Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2011-0321"],"relatedmaterial_html_tesm":["\u003cp\u003eSayre Circus Collection, FSU Flying High Circus materials\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Sayre Circus Collection, FSU Flying High Circus materials"],"scopecontent_html_tesm":["\u003cp\u003eImmigration and naturalization documents for circus performers, postcards, circus posters and broadsides, clothing, stilts, and related materials documenting circus performances.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Immigration and naturalization documents for circus performers, postcards, circus posters and broadsides, clothing, stilts, and related materials documenting circus performances."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"c46af88de2c1cdd0270494fa","timestamp":"2026-07-08T11:54:29.725Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c46af88de2c1cdd0270494fa"}},{"id":"949504c75ba6663d25604ef1","type":"collection","attributes":{"title":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/949504c75ba6663d25604ef1#abstract_or_scope","type":"document_value","attributes":{"value":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/949504c75ba6663d25604ef1#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"949504c75ba6663d25604ef1","title_ssm":["Harrison Sayre Circus Collection"],"title_tesim":["Harrison Sayre Circus Collection"],"ead_ssi":"949504c75ba6663d25604ef1","unitdate_ssm":["1863-2001","1949-1994","Date acquired: 00/00/2010"],"unitdate_bulk_ssim":["1949-1994"],"unitdate_inclusive_ssm":["1863-2001"],"unitdate_other_ssim":["Date acquired: 00/00/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2010-007","/repositories/10/resources/966"],"text":["MSS 2010-007","/repositories/10/resources/966","Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus.","The collection has been appraised, see donor file for details.","While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.","Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.","The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library .","Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file.","Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..","FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus","English"],"unitid_tesim":["MSS 2010-007","/repositories/10/resources/966"],"normalized_date_ssm":["1863-2001, Date acquired: 00/00/2010, bulk 1949-1994"],"normalized_title_ssm":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994"],"collection_title_tesim":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994"],"collection_ssim":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"acqinfo_ssim":["Carol Perfit gift."],"access_subjects_ssim":["Circus."],"access_subjects_ssm":["Circus."],"has_online_content_ssim":["false"],"extent_ssm":["34.75 Linear Feet"],"extent_tesim":["34.75 Linear Feet"],"date_range_isim":[1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"appraisal_html_tesm":["\u003cp\u003eThe collection has been appraised, see donor file for details.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["The collection has been appraised, see donor file for details."],"bioghist_html_tesm":["\u003cp\u003eWhile on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii."],"custodhist_html_tesm":["\u003cp\u003eCollection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library ."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks have been separated from the collection in order to be cataloged. A list of books received is in the donor file.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":969,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"949504c75ba6663d25604ef1","timestamp":"2026-07-11T07:57:44.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"949504c75ba6663d25604ef1","title_ssm":["Harrison Sayre Circus Collection"],"title_tesim":["Harrison Sayre Circus Collection"],"ead_ssi":"949504c75ba6663d25604ef1","unitdate_ssm":["1863-2001","1949-1994","Date acquired: 00/00/2010"],"unitdate_bulk_ssim":["1949-1994"],"unitdate_inclusive_ssm":["1863-2001"],"unitdate_other_ssim":["Date acquired: 00/00/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2010-007","/repositories/10/resources/966"],"text":["MSS 2010-007","/repositories/10/resources/966","Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus.","The collection has been appraised, see donor file for details.","While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.","Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.","The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library .","Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file.","Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..","FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. 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For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii."],"custodhist_html_tesm":["\u003cp\u003eCollection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library ."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks have been separated from the collection in order to be cataloged. A list of books received is in the donor file.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":969,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"949504c75ba6663d25604ef1","timestamp":"2026-07-11T07:57:44.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/949504c75ba6663d25604ef1"}},{"id":"a0f9fe44d889bc798bf5ba60","type":"collection","attributes":{"title":"Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/a0f9fe44d889bc798bf5ba60#creator","type":"document_value","attributes":{"value":["Bailey, Elden C."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0f9fe44d889bc798bf5ba60#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. Barnes Circus, Clyde Beatty Cole Circus, Amsterdam Circus, Moscow Circus, Russian Ice Show and Circus Benneweis. Bailey's footage of these circuses feature several performances and circus set-ups in venues across America, including scenes of winter quarters, trains loading and unloading, the backyard, animal acts, spec productions, tumbling acts, rolla bolla acts, clown gags, trapeze and web numbers, and much more. Also captured in this collection are Bailey's tours of European circus parks, the circus parade in Baraboo, Wisconsin, and Chicago, Illinois, and the Circus Hall of Fame in Sarasota, Florida.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0f9fe44d889bc798bf5ba60#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a0f9fe44d889bc798bf5ba60","title_ssm":["Tibbals Circus Collection of Buster Bailey Films,1937-1984"],"title_tesim":["Tibbals Circus Collection of Buster Bailey Films,1937-1984"],"ead_ssi":"a0f9fe44d889bc798bf5ba60","unitdate_ssm":["1937-1984"],"unitdate_inclusive_ssm":["1937-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2019.00036","/repositories/11/resources/1828"],"text":["2019.00036","/repositories/11/resources/1828","Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984","Palisades Amusement Park (N.J.)","Russia","Circus.","Aerialists","Animal trainers","Circus animals","Circus performers","Circus -- United States -- History","Circus -- History","Circus wagons.","Circus workers","Clowns","Daredevils","Dog trainers","Juggling","Sideshows","Unicycles","Women circus performers","This collection is open to all researchers.","Elden Chandler \"Buster\" Bailey spent 42 years as a percussionist with the New York Philharmonic Orchestra and was a faculty member at Juilliard School of Music from1969 to 1993.  He died in April of 2004 at the age of 81. He is fondly remembered by students and colleagues as the greatest snare drum player that ever lived and as a life-long lover of circus music.   ","In a 2004 interview, with New York Times writer George James, Barbara Bailey reminisces that in the early 1960's, through a colleague at the Philharmonic, Buster Bailey met Merle Evans, the music director of the Ringling Bros and Barnum \u0026 Bailey Circus band, and Red Floyd, its drummer, and they became good friends.  From this point on, whenever the circus was in New York, Merle Evans arranged for him to receive circus passes and Mr. Bailey attended whenever he could, absorbing how the circus band supported circus acts. He became so knowledgeable that when Red Floyd took ill one day in the mid 1960's, Mr. Evans turned to Mr. Bailey to take his place. Buster sat in for three days, happily playing drum rolls for thrilling acts and climaxing with a rim shot.  For Buster, it was the biggest thrill of his life.","Buster Bailey's last recording, for Angel Records in 1993, was a collection of circus songs, Under the Big Top, with a group he assembled named the Great American Main Street Band. ","After 42 years with the Philharmonic, Buster Bailey retired to Sarasota, Florida. He and his wife were familiar with Sarasota having visited annually to see the Ringling Bros. and Barnum \u0026 Bailey band members they had become friends with over the years.","The Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. Barnes Circus, Clyde Beatty Cole Circus, Amsterdam Circus, Moscow Circus, Russian Ice Show and Circus Benneweis. Bailey's footage of these circuses feature several performances and circus set-ups in venues across America, including scenes of winter quarters, trains loading and unloading, the backyard, animal acts, spec productions, tumbling acts, rolla bolla acts, clown gags, trapeze and web numbers, and much more. Also captured in this collection are Bailey's tours of European circus parks, the circus parade in Baraboo, Wisconsin, and Chicago, Illinois, and the Circus Hall of Fame in Sarasota, Florida.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright. ","The John and Mable Ringling Museum of Art Archives","Bailey, Elden C.","Baumann, Charly","Evans, Merle","Gebel-Williams, Gunther, 1934-2001","Holzmair, Wolfgang, 1932-2013","Jacobs, Lou, 1903-1992","Ronk, Harold","Pruyn, Bill","English"],"unitid_tesim":["2019.00036","/repositories/11/resources/1828"],"normalized_date_ssm":["1937-1984"],"normalized_title_ssm":["Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984"],"collection_title_tesim":["Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984"],"collection_ssim":["Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"geogname_ssm":["Palisades Amusement Park (N.J.)","Russia"],"geogname_ssim":["Palisades Amusement Park (N.J.)","Russia"],"creator_ssm":["Bailey, Elden C."],"creator_ssim":["Bailey, Elden C."],"creator_persname_ssim":["Bailey, Elden C."],"creators_ssim":["Bailey, Elden C."],"places_ssim":["Palisades Amusement Park (N.J.)","Russia"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright. "],"access_subjects_ssim":["Circus.","Aerialists","Animal trainers","Circus animals","Circus performers","Circus -- United States -- History","Circus -- History","Circus wagons.","Circus workers","Clowns","Daredevils","Dog trainers","Juggling","Sideshows","Unicycles","Women circus performers"],"access_subjects_ssm":["Circus.","Aerialists","Animal trainers","Circus animals","Circus performers","Circus -- United States -- History","Circus -- History","Circus wagons.","Circus workers","Clowns","Daredevils","Dog trainers","Juggling","Sideshows","Unicycles","Women circus performers"],"has_online_content_ssim":["false"],"extent_ssm":["217  items","4 items"],"extent_tesim":["217  items","4 items"],"physfacet_tesim":["super 8mm films","8mm film"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eElden Chandler \"Buster\" Bailey spent 42 years as a percussionist with the New York Philharmonic Orchestra and was a faculty member at Juilliard School of Music from1969 to 1993.  He died in April of 2004 at the age of 81. He is fondly remembered by students and colleagues as the greatest snare drum player that ever lived and as a life-long lover of circus music.   \u003c/p\u003e\n","\u003cp\u003eIn a 2004 interview, with New York Times writer George James, Barbara Bailey reminisces that in the early 1960's, through a colleague at the Philharmonic, Buster Bailey met Merle Evans, the music director of the Ringling Bros and Barnum \u0026amp; Bailey Circus band, and Red Floyd, its drummer, and they became good friends.  From this point on, whenever the circus was in New York, Merle Evans arranged for him to receive circus passes and Mr. Bailey attended whenever he could, absorbing how the circus band supported circus acts. He became so knowledgeable that when Red Floyd took ill one day in the mid 1960's, Mr. Evans turned to Mr. Bailey to take his place. Buster sat in for three days, happily playing drum rolls for thrilling acts and climaxing with a rim shot.  For Buster, it was the biggest thrill of his life.\u003c/p\u003e\n","\u003cp\u003eBuster Bailey's last recording, for Angel Records in 1993, was a collection of circus songs, Under the Big Top, with a group he assembled named the Great American Main Street Band. \u003c/p\u003e\n","\u003cp\u003eAfter 42 years with the Philharmonic, Buster Bailey retired to Sarasota, Florida. He and his wife were familiar with Sarasota having visited annually to see the Ringling Bros. and Barnum \u0026amp; Bailey band members they had become friends with over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Elden Chandler \"Buster\" Bailey spent 42 years as a percussionist with the New York Philharmonic Orchestra and was a faculty member at Juilliard School of Music from1969 to 1993.  He died in April of 2004 at the age of 81. 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For Buster, it was the biggest thrill of his life.","Buster Bailey's last recording, for Angel Records in 1993, was a collection of circus songs, Under the Big Top, with a group he assembled named the Great American Main Street Band. ","After 42 years with the Philharmonic, Buster Bailey retired to Sarasota, Florida. He and his wife were familiar with Sarasota having visited annually to see the Ringling Bros. and Barnum \u0026 Bailey band members they had become friends with over the years."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [ID number], The Tibbals Circus Collection of Buster Bailey Films, 1937-1984, The John and Mable Ringling Museum of Art Archives, Florida State University, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [ID number], The Tibbals Circus Collection of Buster Bailey Films, 1937-1984, The John and Mable Ringling Museum of Art Archives, Florida State University, Tallahassee, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. Barnes Circus, Clyde Beatty Cole Circus, Amsterdam Circus, Moscow Circus, Russian Ice Show and Circus Benneweis. Bailey's footage of these circuses feature several performances and circus set-ups in venues across America, including scenes of winter quarters, trains loading and unloading, the backyard, animal acts, spec productions, tumbling acts, rolla bolla acts, clown gags, trapeze and web numbers, and much more. Also captured in this collection are Bailey's tours of European circus parks, the circus parade in Baraboo, Wisconsin, and Chicago, Illinois, and the Circus Hall of Fame in Sarasota, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. 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Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u0026#x2029;\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright. "],"names_ssim":["The John and Mable Ringling Museum of Art Archives","Bailey, Elden C.","Baumann, Charly","Evans, Merle","Gebel-Williams, Gunther, 1934-2001","Holzmair, Wolfgang, 1932-2013","Jacobs, Lou, 1903-1992","Ronk, Harold","Pruyn, Bill"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"names_coll_ssim":["Baumann, Charly","Evans, Merle","Gebel-Williams, Gunther, 1934-2001","Holzmair, Wolfgang, 1932-2013","Jacobs, Lou, 1903-1992","Ronk, Harold","Pruyn, Bill"],"persname_ssim":["Bailey, Elden C.","Baumann, Charly","Evans, Merle","Gebel-Williams, Gunther, 1934-2001","Holzmair, Wolfgang, 1932-2013","Jacobs, Lou, 1903-1992","Ronk, Harold","Pruyn, Bill"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a0f9fe44d889bc798bf5ba60","timestamp":"2026-04-21T02:41:46.534Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0f9fe44d889bc798bf5ba60","title_ssm":["Tibbals Circus Collection of Buster Bailey Films,1937-1984"],"title_tesim":["Tibbals Circus Collection of Buster Bailey Films,1937-1984"],"ead_ssi":"a0f9fe44d889bc798bf5ba60","unitdate_ssm":["1937-1984"],"unitdate_inclusive_ssm":["1937-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2019.00036","/repositories/11/resources/1828"],"text":["2019.00036","/repositories/11/resources/1828","Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984","Palisades Amusement Park (N.J.)","Russia","Circus.","Aerialists","Animal trainers","Circus animals","Circus performers","Circus -- United States -- History","Circus -- History","Circus wagons.","Circus workers","Clowns","Daredevils","Dog trainers","Juggling","Sideshows","Unicycles","Women circus performers","This collection is open to all researchers.","Elden Chandler \"Buster\" Bailey spent 42 years as a percussionist with the New York Philharmonic Orchestra and was a faculty member at Juilliard School of Music from1969 to 1993.  He died in April of 2004 at the age of 81. He is fondly remembered by students and colleagues as the greatest snare drum player that ever lived and as a life-long lover of circus music.   ","In a 2004 interview, with New York Times writer George James, Barbara Bailey reminisces that in the early 1960's, through a colleague at the Philharmonic, Buster Bailey met Merle Evans, the music director of the Ringling Bros and Barnum \u0026 Bailey Circus band, and Red Floyd, its drummer, and they became good friends.  From this point on, whenever the circus was in New York, Merle Evans arranged for him to receive circus passes and Mr. Bailey attended whenever he could, absorbing how the circus band supported circus acts. He became so knowledgeable that when Red Floyd took ill one day in the mid 1960's, Mr. Evans turned to Mr. Bailey to take his place. Buster sat in for three days, happily playing drum rolls for thrilling acts and climaxing with a rim shot.  For Buster, it was the biggest thrill of his life.","Buster Bailey's last recording, for Angel Records in 1993, was a collection of circus songs, Under the Big Top, with a group he assembled named the Great American Main Street Band. ","After 42 years with the Philharmonic, Buster Bailey retired to Sarasota, Florida. He and his wife were familiar with Sarasota having visited annually to see the Ringling Bros. and Barnum \u0026 Bailey band members they had become friends with over the years.","The Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. Barnes Circus, Clyde Beatty Cole Circus, Amsterdam Circus, Moscow Circus, Russian Ice Show and Circus Benneweis. Bailey's footage of these circuses feature several performances and circus set-ups in venues across America, including scenes of winter quarters, trains loading and unloading, the backyard, animal acts, spec productions, tumbling acts, rolla bolla acts, clown gags, trapeze and web numbers, and much more. Also captured in this collection are Bailey's tours of European circus parks, the circus parade in Baraboo, Wisconsin, and Chicago, Illinois, and the Circus Hall of Fame in Sarasota, Florida.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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He died in April of 2004 at the age of 81. He is fondly remembered by students and colleagues as the greatest snare drum player that ever lived and as a life-long lover of circus music.   \u003c/p\u003e\n","\u003cp\u003eIn a 2004 interview, with New York Times writer George James, Barbara Bailey reminisces that in the early 1960's, through a colleague at the Philharmonic, Buster Bailey met Merle Evans, the music director of the Ringling Bros and Barnum \u0026amp; Bailey Circus band, and Red Floyd, its drummer, and they became good friends.  From this point on, whenever the circus was in New York, Merle Evans arranged for him to receive circus passes and Mr. Bailey attended whenever he could, absorbing how the circus band supported circus acts. He became so knowledgeable that when Red Floyd took ill one day in the mid 1960's, Mr. Evans turned to Mr. Bailey to take his place. Buster sat in for three days, happily playing drum rolls for thrilling acts and climaxing with a rim shot.  For Buster, it was the biggest thrill of his life.\u003c/p\u003e\n","\u003cp\u003eBuster Bailey's last recording, for Angel Records in 1993, was a collection of circus songs, Under the Big Top, with a group he assembled named the Great American Main Street Band. \u003c/p\u003e\n","\u003cp\u003eAfter 42 years with the Philharmonic, Buster Bailey retired to Sarasota, Florida. He and his wife were familiar with Sarasota having visited annually to see the Ringling Bros. and Barnum \u0026amp; Bailey band members they had become friends with over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Elden Chandler \"Buster\" Bailey spent 42 years as a percussionist with the New York Philharmonic Orchestra and was a faculty member at Juilliard School of Music from1969 to 1993.  He died in April of 2004 at the age of 81. He is fondly remembered by students and colleagues as the greatest snare drum player that ever lived and as a life-long lover of circus music.   ","In a 2004 interview, with New York Times writer George James, Barbara Bailey reminisces that in the early 1960's, through a colleague at the Philharmonic, Buster Bailey met Merle Evans, the music director of the Ringling Bros and Barnum \u0026 Bailey Circus band, and Red Floyd, its drummer, and they became good friends.  From this point on, whenever the circus was in New York, Merle Evans arranged for him to receive circus passes and Mr. Bailey attended whenever he could, absorbing how the circus band supported circus acts. He became so knowledgeable that when Red Floyd took ill one day in the mid 1960's, Mr. Evans turned to Mr. Bailey to take his place. Buster sat in for three days, happily playing drum rolls for thrilling acts and climaxing with a rim shot.  For Buster, it was the biggest thrill of his life.","Buster Bailey's last recording, for Angel Records in 1993, was a collection of circus songs, Under the Big Top, with a group he assembled named the Great American Main Street Band. ","After 42 years with the Philharmonic, Buster Bailey retired to Sarasota, Florida. He and his wife were familiar with Sarasota having visited annually to see the Ringling Bros. and Barnum \u0026 Bailey band members they had become friends with over the years."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [ID number], The Tibbals Circus Collection of Buster Bailey Films, 1937-1984, The John and Mable Ringling Museum of Art Archives, Florida State University, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [ID number], The Tibbals Circus Collection of Buster Bailey Films, 1937-1984, The John and Mable Ringling Museum of Art Archives, Florida State University, Tallahassee, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. Barnes Circus, Clyde Beatty Cole Circus, Amsterdam Circus, Moscow Circus, Russian Ice Show and Circus Benneweis. Bailey's footage of these circuses feature several performances and circus set-ups in venues across America, including scenes of winter quarters, trains loading and unloading, the backyard, animal acts, spec productions, tumbling acts, rolla bolla acts, clown gags, trapeze and web numbers, and much more. Also captured in this collection are Bailey's tours of European circus parks, the circus parade in Baraboo, Wisconsin, and Chicago, Illinois, and the Circus Hall of Fame in Sarasota, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. Barnes Circus, Clyde Beatty Cole Circus, Amsterdam Circus, Moscow Circus, Russian Ice Show and Circus Benneweis. Bailey's footage of these circuses feature several performances and circus set-ups in venues across America, including scenes of winter quarters, trains loading and unloading, the backyard, animal acts, spec productions, tumbling acts, rolla bolla acts, clown gags, trapeze and web numbers, and much more. Also captured in this collection are Bailey's tours of European circus parks, the circus parade in Baraboo, Wisconsin, and Chicago, Illinois, and the Circus Hall of Fame in Sarasota, Florida."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u0026#x2029;\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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