{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Circus+--+History\u0026f%5Bdate_range%5D%5B%5D=1978","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Circus+--+History\u0026f%5Bdate_range%5D%5B%5D=1978\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"705dd992dd59874180892d7c","type":"collection","attributes":{"title":"Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c#abstract_or_scope","type":"document_value","attributes":{"value":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"705dd992dd59874180892d7c","title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"ead_ssi":"705dd992dd59874180892d7c","unitdate_ssm":["1910-1928","1902-1997"],"unitdate_bulk_ssim":["1910-1928"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A2021.0027","/repositories/11/resources/1897"],"text":["A2021.0027","/repositories/11/resources/1897","Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts","This collection is open to all researchers.","Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.","The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes","This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.","The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.","The John and Mable Ringling Museum of Art Archives","English German French Spanish; Castilian"],"unitid_tesim":["A2021.0027","/repositories/11/resources/1897"],"normalized_date_ssm":["1902-1997, bulk 1910-1928"],"normalized_title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_ssim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"access_subjects_ssim":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"access_subjects_ssm":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet","219 items"],"extent_tesim":["4.5 Linear Feet","219 items"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bibliography_html_tesm":["\u003cp\u003eAnton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act\u0026#x2014;a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026amp; University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71c45b19e66cb68de0dead99ce87aa42\"\u003eThe Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.\u003c/abstract\u003e"],"abstract_tesim":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English German French Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"705dd992dd59874180892d7c","timestamp":"2026-07-08T02:41:40.657Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"705dd992dd59874180892d7c","title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"ead_ssi":"705dd992dd59874180892d7c","unitdate_ssm":["1910-1928","1902-1997"],"unitdate_bulk_ssim":["1910-1928"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A2021.0027","/repositories/11/resources/1897"],"text":["A2021.0027","/repositories/11/resources/1897","Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts","This collection is open to all researchers.","Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.","The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes","This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.","The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.","The John and Mable Ringling Museum of Art Archives","English German French Spanish; Castilian"],"unitid_tesim":["A2021.0027","/repositories/11/resources/1897"],"normalized_date_ssm":["1902-1997, bulk 1910-1928"],"normalized_title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_ssim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"access_subjects_ssim":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"access_subjects_ssm":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet","219 items"],"extent_tesim":["4.5 Linear Feet","219 items"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bibliography_html_tesm":["\u003cp\u003eAnton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act\u0026#x2014;a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026amp; University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71c45b19e66cb68de0dead99ce87aa42\"\u003eThe Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.\u003c/abstract\u003e"],"abstract_tesim":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English German French Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"705dd992dd59874180892d7c","timestamp":"2026-07-08T02:41:40.657Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c"}},{"id":"a0f9fe44d889bc798bf5ba60","type":"collection","attributes":{"title":"Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/a0f9fe44d889bc798bf5ba60#creator","type":"document_value","attributes":{"value":["Bailey, Elden C."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0f9fe44d889bc798bf5ba60#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. Barnes Circus, Clyde Beatty Cole Circus, Amsterdam Circus, Moscow Circus, Russian Ice Show and Circus Benneweis. Bailey's footage of these circuses feature several performances and circus set-ups in venues across America, including scenes of winter quarters, trains loading and unloading, the backyard, animal acts, spec productions, tumbling acts, rolla bolla acts, clown gags, trapeze and web numbers, and much more. Also captured in this collection are Bailey's tours of European circus parks, the circus parade in Baraboo, Wisconsin, and Chicago, Illinois, and the Circus Hall of Fame in Sarasota, Florida.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0f9fe44d889bc798bf5ba60#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a0f9fe44d889bc798bf5ba60","title_ssm":["Tibbals Circus Collection of Buster Bailey Films,1937-1984"],"title_tesim":["Tibbals Circus Collection of Buster Bailey Films,1937-1984"],"ead_ssi":"a0f9fe44d889bc798bf5ba60","unitdate_ssm":["1937-1984"],"unitdate_inclusive_ssm":["1937-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2019.00036","/repositories/11/resources/1828"],"text":["2019.00036","/repositories/11/resources/1828","Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984","Palisades Amusement Park (N.J.)","Russia","Circus.","Aerialists","Animal trainers","Circus animals","Circus performers","Circus -- United States -- History","Circus -- History","Circus wagons.","Circus workers","Clowns","Daredevils","Dog trainers","Juggling","Sideshows","Unicycles","Women circus performers","This collection is open to all researchers.","Elden Chandler \"Buster\" Bailey spent 42 years as a percussionist with the New York Philharmonic Orchestra and was a faculty member at Juilliard School of Music from1969 to 1993.  He died in April of 2004 at the age of 81. He is fondly remembered by students and colleagues as the greatest snare drum player that ever lived and as a life-long lover of circus music.   ","In a 2004 interview, with New York Times writer George James, Barbara Bailey reminisces that in the early 1960's, through a colleague at the Philharmonic, Buster Bailey met Merle Evans, the music director of the Ringling Bros and Barnum \u0026 Bailey Circus band, and Red Floyd, its drummer, and they became good friends.  From this point on, whenever the circus was in New York, Merle Evans arranged for him to receive circus passes and Mr. Bailey attended whenever he could, absorbing how the circus band supported circus acts. He became so knowledgeable that when Red Floyd took ill one day in the mid 1960's, Mr. Evans turned to Mr. Bailey to take his place. Buster sat in for three days, happily playing drum rolls for thrilling acts and climaxing with a rim shot.  For Buster, it was the biggest thrill of his life.","Buster Bailey's last recording, for Angel Records in 1993, was a collection of circus songs, Under the Big Top, with a group he assembled named the Great American Main Street Band. ","After 42 years with the Philharmonic, Buster Bailey retired to Sarasota, Florida. He and his wife were familiar with Sarasota having visited annually to see the Ringling Bros. and Barnum \u0026 Bailey band members they had become friends with over the years.","The Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. Barnes Circus, Clyde Beatty Cole Circus, Amsterdam Circus, Moscow Circus, Russian Ice Show and Circus Benneweis. Bailey's footage of these circuses feature several performances and circus set-ups in venues across America, including scenes of winter quarters, trains loading and unloading, the backyard, animal acts, spec productions, tumbling acts, rolla bolla acts, clown gags, trapeze and web numbers, and much more. Also captured in this collection are Bailey's tours of European circus parks, the circus parade in Baraboo, Wisconsin, and Chicago, Illinois, and the Circus Hall of Fame in Sarasota, Florida.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.
","The John and Mable Ringling Museum of Art Archives","Bailey, Elden C.","Baumann, Charly","Evans, Merle","Gebel-Williams, Gunther, 1934-2001","Holzmair, Wolfgang, 1932-2013","Jacobs, Lou, 1903-1992","Ronk, Harold","Pruyn, Bill","English"],"unitid_tesim":["2019.00036","/repositories/11/resources/1828"],"normalized_date_ssm":["1937-1984"],"normalized_title_ssm":["Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984"],"collection_title_tesim":["Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984"],"collection_ssim":["Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"geogname_ssm":["Palisades Amusement Park (N.J.)","Russia"],"geogname_ssim":["Palisades Amusement Park (N.J.)","Russia"],"creator_ssm":["Bailey, Elden C."],"creator_ssim":["Bailey, Elden C."],"creator_persname_ssim":["Bailey, Elden C."],"creators_ssim":["Bailey, Elden C."],"places_ssim":["Palisades Amusement Park (N.J.)","Russia"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.
"],"access_subjects_ssim":["Circus.","Aerialists","Animal trainers","Circus animals","Circus performers","Circus -- United States -- History","Circus -- History","Circus wagons.","Circus workers","Clowns","Daredevils","Dog trainers","Juggling","Sideshows","Unicycles","Women circus performers"],"access_subjects_ssm":["Circus.","Aerialists","Animal trainers","Circus animals","Circus performers","Circus -- United States -- History","Circus -- History","Circus wagons.","Circus workers","Clowns","Daredevils","Dog trainers","Juggling","Sideshows","Unicycles","Women circus performers"],"has_online_content_ssim":["false"],"extent_ssm":["217  items","4 items"],"extent_tesim":["217  items","4 items"],"physfacet_tesim":["super 8mm films","8mm film"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eElden Chandler \"Buster\" Bailey spent 42 years as a percussionist with the New York Philharmonic Orchestra and was a faculty member at Juilliard School of Music from1969 to 1993.  He died in April of 2004 at the age of 81. He is fondly remembered by students and colleagues as the greatest snare drum player that ever lived and as a life-long lover of circus music.   \u003c/p\u003e\n","\u003cp\u003eIn a 2004 interview, with New York Times writer George James, Barbara Bailey reminisces that in the early 1960's, through a colleague at the Philharmonic, Buster Bailey met Merle Evans, the music director of the Ringling Bros and Barnum \u0026amp; Bailey Circus band, and Red Floyd, its drummer, and they became good friends.  From this point on, whenever the circus was in New York, Merle Evans arranged for him to receive circus passes and Mr. Bailey attended whenever he could, absorbing how the circus band supported circus acts. He became so knowledgeable that when Red Floyd took ill one day in the mid 1960's, Mr. Evans turned to Mr. Bailey to take his place. Buster sat in for three days, happily playing drum rolls for thrilling acts and climaxing with a rim shot.  For Buster, it was the biggest thrill of his life.\u003c/p\u003e\n","\u003cp\u003eBuster Bailey's last recording, for Angel Records in 1993, was a collection of circus songs, Under the Big Top, with a group he assembled named the Great American Main Street Band. \u003c/p\u003e\n","\u003cp\u003eAfter 42 years with the Philharmonic, Buster Bailey retired to Sarasota, Florida. He and his wife were familiar with Sarasota having visited annually to see the Ringling Bros. and Barnum \u0026amp; Bailey band members they had become friends with over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Elden Chandler \"Buster\" Bailey spent 42 years as a percussionist with the New York Philharmonic Orchestra and was a faculty member at Juilliard School of Music from1969 to 1993.  He died in April of 2004 at the age of 81. 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For Buster, it was the biggest thrill of his life.","Buster Bailey's last recording, for Angel Records in 1993, was a collection of circus songs, Under the Big Top, with a group he assembled named the Great American Main Street Band. ","After 42 years with the Philharmonic, Buster Bailey retired to Sarasota, Florida. 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Barnes Circus, Clyde Beatty Cole Circus, Amsterdam Circus, Moscow Circus, Russian Ice Show and Circus Benneweis. Bailey's footage of these circuses feature several performances and circus set-ups in venues across America, including scenes of winter quarters, trains loading and unloading, the backyard, animal acts, spec productions, tumbling acts, rolla bolla acts, clown gags, trapeze and web numbers, and much more. Also captured in this collection are Bailey's tours of European circus parks, the circus parade in Baraboo, Wisconsin, and Chicago, Illinois, and the Circus Hall of Fame in Sarasota, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. 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Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u0026#x2029;\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.
"],"names_ssim":["The John and Mable Ringling Museum of Art Archives","Bailey, Elden C.","Baumann, Charly","Evans, Merle","Gebel-Williams, Gunther, 1934-2001","Holzmair, Wolfgang, 1932-2013","Jacobs, Lou, 1903-1992","Ronk, Harold","Pruyn, Bill"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"names_coll_ssim":["Baumann, Charly","Evans, Merle","Gebel-Williams, Gunther, 1934-2001","Holzmair, Wolfgang, 1932-2013","Jacobs, Lou, 1903-1992","Ronk, Harold","Pruyn, Bill"],"persname_ssim":["Bailey, Elden C.","Baumann, Charly","Evans, Merle","Gebel-Williams, Gunther, 1934-2001","Holzmair, Wolfgang, 1932-2013","Jacobs, Lou, 1903-1992","Ronk, Harold","Pruyn, Bill"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a0f9fe44d889bc798bf5ba60","timestamp":"2026-04-21T02:41:46.534Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0f9fe44d889bc798bf5ba60","title_ssm":["Tibbals Circus Collection of Buster Bailey Films,1937-1984"],"title_tesim":["Tibbals Circus Collection of Buster Bailey Films,1937-1984"],"ead_ssi":"a0f9fe44d889bc798bf5ba60","unitdate_ssm":["1937-1984"],"unitdate_inclusive_ssm":["1937-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2019.00036","/repositories/11/resources/1828"],"text":["2019.00036","/repositories/11/resources/1828","Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984","Palisades Amusement Park (N.J.)","Russia","Circus.","Aerialists","Animal trainers","Circus animals","Circus performers","Circus -- United States -- History","Circus -- History","Circus wagons.","Circus workers","Clowns","Daredevils","Dog trainers","Juggling","Sideshows","Unicycles","Women circus performers","This collection is open to all researchers.","Elden Chandler \"Buster\" Bailey spent 42 years as a percussionist with the New York Philharmonic Orchestra and was a faculty member at Juilliard School of Music from1969 to 1993.  He died in April of 2004 at the age of 81. He is fondly remembered by students and colleagues as the greatest snare drum player that ever lived and as a life-long lover of circus music.   ","In a 2004 interview, with New York Times writer George James, Barbara Bailey reminisces that in the early 1960's, through a colleague at the Philharmonic, Buster Bailey met Merle Evans, the music director of the Ringling Bros and Barnum \u0026 Bailey Circus band, and Red Floyd, its drummer, and they became good friends.  From this point on, whenever the circus was in New York, Merle Evans arranged for him to receive circus passes and Mr. Bailey attended whenever he could, absorbing how the circus band supported circus acts. He became so knowledgeable that when Red Floyd took ill one day in the mid 1960's, Mr. Evans turned to Mr. Bailey to take his place. Buster sat in for three days, happily playing drum rolls for thrilling acts and climaxing with a rim shot.  For Buster, it was the biggest thrill of his life.","Buster Bailey's last recording, for Angel Records in 1993, was a collection of circus songs, Under the Big Top, with a group he assembled named the Great American Main Street Band. ","After 42 years with the Philharmonic, Buster Bailey retired to Sarasota, Florida. He and his wife were familiar with Sarasota having visited annually to see the Ringling Bros. and Barnum \u0026 Bailey band members they had become friends with over the years.","The Tibbals Collection of Buster Bailey Films capture Bailey's insider's view of circus. The general circus community embraced Bailey's familiar presence on the circus lot, granting him extraordinary access to the lots and venues of a variety of circuses including the Al G. Barnes Circus, Clyde Beatty Cole Circus, Amsterdam Circus, Moscow Circus, Russian Ice Show and Circus Benneweis. Bailey's footage of these circuses feature several performances and circus set-ups in venues across America, including scenes of winter quarters, trains loading and unloading, the backyard, animal acts, spec productions, tumbling acts, rolla bolla acts, clown gags, trapeze and web numbers, and much more. Also captured in this collection are Bailey's tours of European circus parks, the circus parade in Baraboo, Wisconsin, and Chicago, Illinois, and the Circus Hall of Fame in Sarasota, Florida.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.
","The John and Mable Ringling Museum of Art Archives","Bailey, Elden C.","Baumann, Charly","Evans, Merle","Gebel-Williams, Gunther, 1934-2001","Holzmair, Wolfgang, 1932-2013","Jacobs, Lou, 1903-1992","Ronk, Harold","Pruyn, Bill","English"],"unitid_tesim":["2019.00036","/repositories/11/resources/1828"],"normalized_date_ssm":["1937-1984"],"normalized_title_ssm":["Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984"],"collection_title_tesim":["Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984"],"collection_ssim":["Tibbals Circus Collection of Buster Bailey Films,1937-1984, 1937-1984"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"geogname_ssm":["Palisades Amusement Park (N.J.)","Russia"],"geogname_ssim":["Palisades Amusement Park (N.J.)","Russia"],"creator_ssm":["Bailey, Elden C."],"creator_ssim":["Bailey, Elden C."],"creator_persname_ssim":["Bailey, Elden C."],"creators_ssim":["Bailey, Elden C."],"places_ssim":["Palisades Amusement Park (N.J.)","Russia"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.
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